New Books in Irish Studies New Books Network

In this interview, he discusses his new book The Land War in Ireland: Famine, Philanthropy and Moonlighting (Cork UP, 2023), a collection of interconnected essays on different aspects of agrarian agitation in 1870s and 1880s Ireland.
The Land War in Ireland addresses perceived lacunae in the historiography of the Land War in late nineteenth-century Ireland, particularly deficiencies or omissions relating to the themes of the title: famine, humanitarianism, and the activities of agrarian secret societies, commonly referred to as Moonlighting. The famine that afflicted the country in 1879–80, one generation removed from the catastrophic Great Famine of the 1840s, prompted different social responses. The wealthier sectors of society, their consciousness and humanitarianism awakened, provided the bulk of the financial and administrative support for the famine-stricken peasantry. Others, drawn from the same broad social stratum as the latter, vented their anger and frustration on the government and the landlords, whom they blamed for the crisis. The concern of marginal men and women for the welfare of their less fortunate brethren was not so much the antithesis of altruism, as a different, more rudimentary way of expressing it.The volume’s opening chapter introduces the famine that tormented Ireland’s Atlantic seaboard counties in the late 1870s and early 1880s. The four chapters that follow develop the famine theme, concentrating on the role of civic and religious relief agencies, and the local and international humanitarian response to appeals for assistance. The 1879–80 famine kindled benevolence among the diasporic Irish and the charitable worldwide, but it also provoked a more primal reaction, and the book’s two closing chapters are devoted to the activities of secret societies. The first features the incongruously named Royal Irish Republic, a neo-Fenian combination in north-west County Cork. The volume’s concluding essay links history and literature, positing a connection between agrarian secret society activity during the Land War years and the Kerry playwright George Fitzmaurice’s neglected 1914 drama The Moonlighter. This original and engaging work makes a significant contribution to our understanding of modern Irish history and literature.
Aidan Beatty is a lecturer in history at Carnegie Mellon University.
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Irish Women in Religious Orders, 1530-1700: Suppression, Migration and Reintegration (Boydell & Brewer, 2022) by Dr. Bronagh Ann McShane investigates the impact of the dissolution of the monasteries on women religious and examines their survival in the following decades, showing how, despite the state's official proscription of vocation living, religious vocation options for women continued in less formal ways.
Dr. McShane explores the experiences of Irish women who travelled to the Continent in pursuit of formal religious vocational formation, covering both those accommodated in English and European continental convents' and those in the Irish convents established in Spanish Flanders and the Iberian Peninsula. Further, this book discusses the revival of religious establishments for women in Ireland from 1629 and outlines the links between these new convents and the Irish foundations abroad.
Overall, this study provides a rich picture of Irish women religious during a period of unprecedented change and upheaval.
 This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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Cian T. McMahon is an associate professor of history at University of Nevada-Las Vegas. His research focuses on the history and identity of the Irish Diaspora. In this interview, he discusses his new book The Coffin Ship: Life and Death at Sea during the Great Irish Famine (NYU Press, 2021), a social history of migration during the Great Irish Famine (1845-55).
Drawing primarily on migrants’ diaries and letters, The Coffin Ship reconstructs the experience of leaving Ireland by sea during the cataclysm of the Famine of the late 1840s and early 1850s, when approximately 2.2 million people left Ireland.
With chapters examining “Preparation”, “Embarkation”, “Life”, “Death”, and “Arrival”, McMahon not only provides an intimate account of migrant experiences but also places this migration into its British imperial and Atlantic contexts, tracing maritime routes from Ireland to Liverpool and from there to Quebec, the United States and Australia. McMahon’s book also investigates popular memories of the Famine, not least the assumption that the “coffin ships” that passed back and forth between Ireland and Eastern Canada were sites of mass death.
The Coffin Ship is published by NYU Press as part of their new Glucksman Irish Diaspora Series.
Aidan Beatty is a historian at the Honors College of the University of Pittsburgh
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In this interview, Dr. Nicholas Taylor-Collins discusses his most recent book Shakespeare, Memory, and Modern Irish Literature (Manchester UP, 2022).
Shakespeare, Memory, and Modern Irish Literature explores the intertextual connections between early modern English and modern Irish literature. Characterizing the relationship as 'dismemorial', the book explores how ghosts, bodies, and the land are sites of literary connection through which modern/contemporary Ireland draws on Shakespeare's England.
Dr. Nicholas Taylor-Collins is Senior Lecturer in English at Cardiff Metropolitan University. His reasearch focuses on Shakespeare and modern and contemporary Irish literature.
Helen Penet is a lecturer in English and Irish Studies at Université de Lille (France).
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Marc McMenamin's Ireland's Secret War: Dan Bryan, G2 and the Lost Tapes that Reveal The Hunt for Ireland's Nazi Spies (Gill Books, 2022) is a thrilling account of the true extent of Irish-Allied co-operation during World War II. It reveals strategic Nazi intentions for Ireland and the real role of leading government figures of the time, placing Dan Bryan and G2 - the military intelligence branch of the Irish Defence Forces - firmly at the centre of the country's battle against Nazi Germany.
With the help of over thirty-five hours of previously unpublished audio recordings that were held in storage in northern California for over fifty years, McMenamin reveals the extraordinary unheard history of WWII in Ireland, told from the point of view of the main protagonists.
Fascinating and entertaining, Ireland's Secret War reassesses the legacy of the Irish contribution to the Allied war effort through the voices of those involved at the time.
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Marion Casey is a professor at Glucksman Ireland House at New York University where she also serves as Director of Undergraduate Studies. She has published widely on various aspects of Irish-American history and in 2006 she co-edited Making the Irish American: History and Heritage of the Irish in the United States with Joe Lee.
In this interview, she discusses Her most recent book The Green Space: The Transformation of the Irish Image (NYU Press, 2024), which surveys the changing images of Ireland and Irishness in American popular culture.
The Green Space examines the variety of factors that contributed to remaking the Irish image from downtrodden and despised to universally acclaimed. To understand the forces that molded how people understand “Irish” is to see the matrix—the green space—that facilitated their interaction between the 1890s and 1960s. Marion R. Casey argues that, as “Irish” evolved between the mid-nineteenth and mid-twentieth centuries, a visual and rhetorical expanse for representing ethnicity was opened up in the process. The evolution was also transnational; both Ireland and the United States were inextricably linked to how various iterations of “Irish” were deployed over time—whether as a straightforward noun about a specific people with a national identity or a loose, endlessly malleable adjective only tangentially connected to actual ethnic identity.

Featuring a rich assortment of sources and images, The Green Space takes the history of the Irish image in America as a prime example of the ways in which culture and identity can be manufactured, repackaged, and ultimately revolutionized. Understanding the multifaceted influences that shaped perceptions of “Irishness” holds profound relevance for examining similar dynamics within studies of various immigrant and ethnic communities in the US.
The Green Space: The Transformation of the Irish Image is published with NYU Press, as part of their Irish Diaspora series
Aidan Beatty is a lecturer in the history department at Carnegie Mellon University
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