56 min.
04: Jake Rosenthal, Co-Owner, Elsewhere and PopGun Presents NOTHING IS BORING
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- Persoonlijke dagboeken
Jake Rosenthal's job is institutional fun. As (former) co-owner of the beloved (and former) Glasslands Gallery(RIP) and current co-owner of PopGun Presents and Elsewhere, Jake and his partners run NYC's most established independent music booking company and Brooklyn's largest independent venue.
PopGun, and, by extension, Glasslands, are known for booking acts just at the cusp of international popularity. Just by way of eg, as the list is long, Glasslands, a room with ~300 capacity, hosted MGMT, Yeasayer, Lana Del Ray, Disclosure, Icona Pop, Deerhunter, Tame Impala, Haim, and Jay Reatard, most of them for their first NYC shows.
In this interview, we talk about third party security, building "as legal as possible", inspectors, service to a community, working with emerging artists, growing while staying independent, being a purist in an art business, the commercial support infrastructure for touring artists, running a music venue bar vs a normal bar, being music venue history nerds, and getting that tot money.
Hosted on Acast. See acast.com/privacy for more information.
Jake Rosenthal's job is institutional fun. As (former) co-owner of the beloved (and former) Glasslands Gallery(RIP) and current co-owner of PopGun Presents and Elsewhere, Jake and his partners run NYC's most established independent music booking company and Brooklyn's largest independent venue.
PopGun, and, by extension, Glasslands, are known for booking acts just at the cusp of international popularity. Just by way of eg, as the list is long, Glasslands, a room with ~300 capacity, hosted MGMT, Yeasayer, Lana Del Ray, Disclosure, Icona Pop, Deerhunter, Tame Impala, Haim, and Jay Reatard, most of them for their first NYC shows.
In this interview, we talk about third party security, building "as legal as possible", inspectors, service to a community, working with emerging artists, growing while staying independent, being a purist in an art business, the commercial support infrastructure for touring artists, running a music venue bar vs a normal bar, being music venue history nerds, and getting that tot money.
Hosted on Acast. See acast.com/privacy for more information.
56 min.