31 episodes

In this podcast, based on The Art Newspaper's regular interview series, our host Ben Luke talks to artists in depth. He asks the questions you've always wanted to: who are the artists, historical and contemporary, they most admire? Which are the museums they return to? What are the books, music and other media that most inspire them? What do they get up to in the studio every day? And what is art for, anyway?
Series 1 of A brush with... focused mostly on painters, but the artists in subsequent series use a wealth of media and work across a range of disciplines.
The podcast offers a fascinating insight into the inspirations, the preoccupations and the working lives of some of the most prominent artists today.

See acast.com/privacy for privacy and opt-out information.

A brush with..‪.‬ The Art Newspaper

    • Kunst
    • 5.0 • 1 Rating

In this podcast, based on The Art Newspaper's regular interview series, our host Ben Luke talks to artists in depth. He asks the questions you've always wanted to: who are the artists, historical and contemporary, they most admire? Which are the museums they return to? What are the books, music and other media that most inspire them? What do they get up to in the studio every day? And what is art for, anyway?
Series 1 of A brush with... focused mostly on painters, but the artists in subsequent series use a wealth of media and work across a range of disciplines.
The podcast offers a fascinating insight into the inspirations, the preoccupations and the working lives of some of the most prominent artists today.

See acast.com/privacy for privacy and opt-out information.

    A brush with... Candice Breitz

    A brush with... Candice Breitz

    South African artist Candice Breitz talks to Ben Luke about the artists, writers, musicians, film-makers and other figures that have influenced her and inspire her today, and the cultural experiences that have defined her life and work. Breitz is a film-maker whose work, mostly in the form of video installations, explores selfhood and identity, community, race and gender, and reflects on how mass media like television, cinema and music shape our response to them. Among much else, she discusses her recent work Digest, and how it was influenced by the Middle Eastern folk tales One Thousand and One Nights and On Kawara’s Today series, or date paintings. She reflects on the power of Octavia Butler’s speculative fiction and her complex response to the South African novelist JM Coetzee. She talks about her video works telling the stories of refugees and sex workers. And she discusses growing up in Apartheid South Africa and its bearing on her choice of subjects and media. This episode is sponsored by Bloomberg Connects. 
    See acast.com/privacy for privacy and opt-out information.

    • 1 hr 9 min
    A brush with... Billie Zangewa

    A brush with... Billie Zangewa

    Billie Zangewa talks to Ben Luke about the art, literature, music and film that have influenced her and inspire her today, and the cultural experiences that have shaped her life and work.
    Zangewa hand-stitches images, often featuring herself, using raw silk, in highly coloured, intricate compositions, and hopes to challenge existing representations of Black women. Born in 1973 in Blantyre, Malawi, she grew up in Botswana and then studied at Rhodes University in Grahamstown, South Africa, in the 1990s. She now lives and works in Johannesburg. Zangewa’s imagery is both highly personal and universal—in recent years, particularly since the birth of her son, Mika, she has focused increasingly on depictions of herself at home, as a woman and a mother in domestic space, engaging in humdrum activities. By training her eye on the mundane moments of daily existence, she says she wants to explore the overlooked aspects of women’s lives—she refers to this as “daily feminism”. She discusses her use of silk and how she began working with it out of necessity rather than by design. She recalls her early love of Vincent van Gogh, her response to the films of Jane Campion. She reflects on the impact of the Covid-19 pandemic on her life and practice, and how she still works at her kitchen table, even despite the fact she has a dedicated studio. This episode is sponsored by Bloomberg Connects. 

    See acast.com/privacy for privacy and opt-out information.

    • 43 min
    A brush with... Thomas J Price

    A brush with... Thomas J Price

    Thomas J Price talks to Ben Luke about the art, books and music that have influenced him and continue to inspire them today, and the cultural epiphanies that have defined his life and work. For two decades, Price has been making work about a subject that has now become a major cultural issue across the world: how power is transmitted through statuary and public sculpture and how diverse people in society are represented, or mostly not represented, in our streets and squares. Price was born in London in 1981, and studied at Chelsea College of Art and the Royal College of Art in London, and his works ask questions of the nature and history of his medium and of the perceptions and biases of the viewer. He talks about his early shift away from performance art, his long journey into the history of classical statuary, his passion for Alberto Giacometti and Giorgio Morandi, his early love of opera and his conflicted engagement with the British Museum. Plus, he ponders the questions we ask all our guests, about his studio rituals and the one work of art he’d choose to live with, and answers the ultimate one: what is art for? This episode is sponsored by Bloomberg Connects. 
    Thomas J Price: Thoughts Unseen, Hauser & Wirth, Somerset, UK, until 3 January 2022. Witness, for the Studio Museum in Harlem’s inHarlem series, Marcus Garvey Park, New York, until 1 October 2022. Reaching Out has just been permanently installed at the Donum Estate, Sonoma, California. Price’s work for the Hackney Windrush Art Commission, will be unveiled in June 2022.

    See acast.com/privacy for privacy and opt-out information.

    • 44 min
    A brush with... Sarah Sze

    A brush with... Sarah Sze

    Sarah Sze talks to Ben Luke about ​​the art, literature, music and film that have influenced her and continue to inspire her today, and the cultural experiences that have shaped her life and work. Sze, who was born in 1969 in Boston and studied at Yale University and the School of Visual Arts, New York, takes objects and images and gathers them into intricate, uncanny assemblages which often envelop and overwhelm the viewer. Her works are often categorised as sculptural installations but exist on the boundary between many different disciplines, with painting, printmaking, drawing and video alongside found and made sculptural elements. A first encounter with Sze’s work is never forgotten: she has an extraordinary knack of making her works directly embody a gallery space, seeming to grow from it and extend into it in surprising, even magical ways. In the podcast she talks about the remarkable sense of scale, light and space in Vermeer, about the prints of Hokusai, Emily Dickinson’s preoccupation with death, the profound effect of seeing Chris Marker’s La Jetée and her transformative experiences of historic Indian architecture. And, of course, she answers our regular questions about what images she has around her in the studio, the rituals of her working life, and what, ultimately, art is for. This episode is sponsored by Bloomberg Connects.
    See acast.com/privacy for privacy and opt-out information.

    • 58 min
    A brush with... Tacita Dean

    A brush with... Tacita Dean

    Ben Luke talks to Tacita Dean, whose 16mm and 35mm films, drawings on blackboard, photogravures, collages, sound works and found object pieces form one of the most poetic bodies of work in contemporary art. Dean was born in 1965 in Canterbury in the UK, but for most of her life as an artist has lived outside of Britain, first in Berlin, which has provided the location for some of her most compelling works, and now between the German capital and Los Angeles. As the three-venue group of museum shows she had in London in 2018 proved, Dean has a deep engagement with the traditional genres of art, making numerous moving portraits on film, as well as stirring and lyrical works exploring landscape, seascape and cityscape. Although film is her primary medium, her works are intimately connected in form and content. Her films regularly have a distinctive painterly quality, evoke the process of collage, and relate directly to her drawings. In this podcast she talks about her love of film as a medium, the pioneering techniques she uses, her encounters with the work of Giotto, with Cy Twombly and Julie Mehretu, and the influence of writers including WG Sebald and JG Ballard. She also discusses her work for The Dante Project, a new production at the Royal Opera House in London with choreography by Wayne McGregor and music by Thomas Adès, for which she has provided the costumes and set designs. Plus, she responds to the ultimate questions we ask all our guests: if you could live with just one work of art what would it be? And what is art for? This episode is sponsored by Bloomberg Connects.
    See acast.com/privacy for privacy and opt-out information.

    • 56 min
    A brush with... Philippe Parreno

    A brush with... Philippe Parreno

    Philippe Parreno talks to Ben Luke in depth about his cultural experiences and influences. A master of exhibition-making, Parreno was born in 1964 in Oran, Algeria, but grew up Grenoble in France. Ever since he emerged in the 1990s, he has used the spaces he shows in and the immediate environment around them as an active presence in his work. Architectural elements in the gallery might be animated at certain moments, lighting might flicker according to scores we don’t see, screens might descend to show examples of Philippe’s diverse video works, at unexpected times. Often these actions are triggered by hidden environmental forces that Philippe harnesses as data to orchestrate his shows. He talks about his close network of collaborators, the group shows they put on early in their careers, his interest in science fiction, his new work about Francisco de Goya's Black Paintings, his aim to make a film about Mary Shelley's Frankenstein from the monster's point of view, and the unlikely experience of getting Angus Young from AC/DC to contribute to one of his works. Plus, he responds to the ultimate questions we ask on each podcast: if he could live with just one work of art, what would it be? And, what is art for? This episode is sponsored by Bloomberg Connects.
    Links for this episode:
    Philippe Parreno at Pilar Corrias
    Danny/No More Reality at LUMA Arles
    Jaron Lanier, computer scientist, composer, artist and author 
    Dominique Gonzalez-Foerster, artist, at Esther Schipper
    Gottfried Wilhelm Leibniz in the Stanford Encyclopaedia of Philosophy
    Pier Paolo Pasolini biography on BFI website
    Daniel Buren, artist
    Peter Plagens on Michael Asher in Artforum in 1972 
    Goya's Black Paintings in the Museo del Prado
    Schatten/Le Montreur d'Ombres/Warning Shadows at IMDb
    Fiona Sampson on Mary Shelley’s Frankenstein at 200
    The Year Without a Summer on the In Our Time podcast
    Adam Thirlwell at Granta, and his book Conversation: A Script with Philippe Parreno
    Pierre Huygh, artist, at Marian Goodman Gallery
    Danny the Street at DC Comics
    Nathalie Heinich on Les Immatériaux, exhibition at the Centre Pompidou in 1985 in Tate Papers
    Author Kenric MacDowell’s Pharmako-AI
    Philippe Parreno’s Federico, initially made for the Lorca’s family home, the Huerta de San Vicente in Granada
    Neal Stephenson, author
    Marko Nikodijević, composer, at sikorski.de
    Angus Young on Spotify
    Dmitri Shostakovich, Fugue no24 in D Minor
    Robert Filliou, artist, at Peter Freeman, Inc


    See acast.com/privacy for privacy and opt-out information.

    • 49 min

Customer Reviews

5.0 out of 5
1 Rating

1 Rating

Pat Fros ,

Great

Fantastic podcast! Thank you so much for these interviews!

Top Podcasts In Kunst

You Might Also Like