New Books in Intellectual History New Books Network

Political Theorist Melvin L. Rogers has a deep and rich new book delving into the work of a host of different African American political thinkers. But this work is much more than an exploration of some of the writings by African American thinkers, it importantly tells the story of America. The Darkened Light of Faith: Race, Democracy, and Freedom in African American Political Thought (Princeton UP, 2023) takes the reader on a journey through distinct work and pieces by David Walker, Frederick Douglass, W.E.B. Du Bois, Ida B. Wells, Billie Holiday, James Baldwin, and others not in an effort to be exhaustive or completist in examining their work, but in teasing out vital thematic approaches to consider race, democracy, and freedom in the American republic. Rogers starts from a foundation in considering the idea of democracy—what are the habits and sensibilities that are located in the people who compose a democracy, or, more precisely, “who are we?” in the understanding of “we the people” or in the we of “we hold these truths to be self-evident.” While there is attention to the institutions that structure our democracy, Rogers reads many of these authors to expand that focus, to think about what the culture, the societal concepts, and the community define as who we are and who we might hope to be. Thus, as Rogers weaves together chronological approaches to considering these ideas from the authors and artists included in the conversation, he is also toggling together components that are often considered separately: political standing and culture standing, and how individuals, particularly black individuals, are situated in each.
The Darkened Light of Faith is deeply engaged with the conceptual duality of a place and an idea – the United States – that is at once mired in the tragic history of enslavement and, at the same time, moving (maybe?) towards the promise of a democracy that holds freedom among its most important qualities. This tension is also the darkened light of faith and hope that the thinkers, activists, and artists wrap themselves and their work in as they consider the opportunities and problematics that are America. Rogers does not confine his analysis to the written word. There is an exploration of anti-slavery pamphlets by abolitionist David Walker, who wrote and advocated against slavery in the 1820s and 1803s. The anti-republican nature of enslavement in the United States is another dimension of the book, examining the conflict inherent in a republican society that incorporates racial domination. Furthering this discussion, Rogers considers the idea of “the people” and how this concept is complicated by the exclusionary nature of slavery and categorization of individuals into groups of citizens who are included and others who are excluded based on race. The second part of the book pivots to the 20th century and expands the dimensions of thinking about these tensions and conflicts that are at the heart of the United States. The Darkened Light of Faith explores not just the extra-judicial nature of lynching, but how this is also a site of invisible laws that make lynching, by white Americans, possible without any threat or potential for penalties. This section weaves together work and advocacy by Ida B. Well, Billie Holiday’s song and performances of Strange Fruit, and the NAACP’s campaign using images of lynched bodies to focus on the horror of lynching and the undermining of democratic ethos in the U.S. The final sections of the book take up work by W.E.B. Du Bois and James Baldwin as they write about and comment on the complexity of American life, noting that charting a path forward towards the promise of the American experiment cannot leave untold or unknown the history in slavery and domination.
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What did historical evolutionists such as Charles Darwin and Herbert Spencer have to say about music? What role did music play in their evolutionary theories? What were the values and limits of these evolutionist turns of thought, and in what ways have they endured in present-day music research? 
Theorizing Music Evolution: Darwin, Spencer, and the Limits of the Human (Oxford UP, 2024) is a critical examination of ideas about musical origins, emphasizing nineteenth-century theories of music in the evolutionist writings of Darwin and Spencer. Author Miriam Piilonen argues for the significance of this Victorian music-evolutionism in light of its ties to a recently revitalized subfield of evolutionary musicology. Taking an interdisciplinary approach to music theorizing, Piilonen explores how historical thinkers constructed music in evolutionist terms and argues for an updated understanding of music as an especially fraught area of evolutionary thought.
In this book, Piilonen delves into how historical evolutionists, in particular Darwin and Spencer, developed and applied a concept of music that served as a boundary-drawing device, used to trace or obscure the conceptual borders between human and animal. She takes as primary texts the early evolutionary treatises that double as theoretical accounts of music's origins. For Darwin, music served as a kind of proto-language common to humans and animals alike; he heard the songs of birds and the chirps of mice as musical, as articulated in texts such as The Descent of Man (1871) and The Expression of the Emotions in Man and Animals (1872). Spencer, on the other hand, viewed music as a specifically human stage of evolutionary advance, beyond language acquisition, as outlined in his essay, "The Origin and Function of Music" (1857). These competing views established radically different perspectives on the origin and function of music in human cultural expression, while at the same time being mutually constitutive of one another.
A ground-breaking contribution to music theory and histories of science, Theorizing Music Evolution turns to music evolution with an eye toward disrupting and intervening in these questions as they recur in the present.”
Nathan Smith is a PhD candidate in Music Theory at Yale University (nathan.smith@yale.edu).
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Analyzed by Lacan: A Personal Account (Bloomsbury, 2023) brings together the first English translations of Why Lacan, Betty Milan's memoir of her analysis with Lacan in the 1970s, and her play, Goodbye Doctor, inspired by her experience.
Why Lacan provides a unique and valuable perspective on how Lacan worked as psychoanalyst as well as his approach to psychoanalytic theory. Milan's testimony shows that Lacan's method of working was based on the idea that the traditional way of interpreting provoked resistance.
Prior to Why Lacan, Milan wrote a play, Goodbye Doctor, based on her experience as Lacan's patient. The play is structured around the sessions of Seriema with the Doctor. Through the analysis, Seriema discovers why she cannot give birth, namely, an unconscious desire to satisfy the will of her father who didn't authorize her to conceive. She ceases to be the victim of her unconscious, grasps the possibility of choosing a father for her child and thus becoming a mother. Goodbye Doctor has been adapted into a film, Adieu Lacan, by the director Richard Ledes.
Analyzed by Lacan features an Introduction by Milan to both works as well as a new interview with Mari Ruti about her writing and Lacan.
Matthew Pieknik, LCSW, MA is a psychoanalyst and clinical supervisor in private practice in Manhattan. He can be reached at matthewpieknik@gmail.com. www.matthewlpieknik.com
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The stereotype of the solitary mathematician is widespread, but practicing users and producers of mathematics know well that our work depends heavily on our historical and contemporary fellow travelers. Yet we may not appreciate how our work also extends beyond us into our physical and societal environments.
Kevin Lambert takes what might be a first crack at this perspective in his book Symbols and Things: Material Mathematics in the Eighteenth and Nineteenth Centuries (University of Pittsburgh Press, 2021). An historian of science, Dr. Lambert has shifted in his view of mathematics as a language of science to one as a material practice. Expanding on ideas from historians, archeologists, philosophers, and other scholars of human activity, and through several interweaving vignettes of mathematical work during a technologically dynamic period in British history, he argues that mathematical practice, communication, and even thought occur to a large degree outside the bodies of the persons performing them.
In this interview, we explore Kevin's journal to and through this book project. We discuss how such ideas as Andy Clark's extended mind informed his approach, and we review several of the lively stories—the co-creation of the long-distance mathematical community with the research journal, Peacock's museological argument for the adoption of symbolic algebra, and the foundational entanglement of electromagnetism, quaternions, and the philosophy of space, among others—he drew out of historical and archival sources. (Here i cannot resist mentioning Tait's collection of his intensive correspondence with Hamilton that transformed how quaternions were applied in physics and even conceptualized as mathematical objects.) We close with some thoughts on our own materially extended cognitive work and where Kevin's interests are currently driving him.
Suggested companion works:
• ChatGPT, as a cutting-edge extension of human thought
• work by Courtney Ann Roby, including the forthcoming The Mechanical Tradition of Hero of Alexandria: Strategies of Reading from Antiquity to the Early Modern Period
• Algorithmic Modernity: Mechanizing Thought and Action, 1500-2000, edited by Morgan G. Ames and Massimo Mazzotti
• work by Emily Miller Bonney, for example "A Reconsideration of Depositional Practices in Early Bronze Age Crete"
Kevin Lambert is a historian of science and mathematics in the early modern and modern periods and professor in the liberal studies department at California State University, Fullerton. His recent book Symbols and Things explores mathematics as a way of thinking outside the body and through the material environment. He also recently published a chapter in the volume Algorithmic Modernity that traces the genealogy of algorithmic practices. He is now working on the problem of writing longue durée histories of science. He is close to completing a paper called “Malthus in the Landscape” that investigates the temporalities of global histories. He is also exploring the problem of writing a global history of the early modern sciences without the prism of the so called “Scientific Revolution.” His work can be found on ResearchGate.
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As Manifest Destiny took hold in the national consciousness, what did it mean for African Americans who were excluded from its ambitions for an expanding American empire that would shepherd the Western Hemisphere into a new era of civilization and prosperity? 
In The Race for America: Black Internationalism in the Age of Manifest Destiny (UNC Press, 2023), R. J. Boutelle explores how Black intellectuals like Daniel Peterson, James McCune Smith, Mary Ann Shadd, Henry Bibb, and Martin Delany engaged this cultural mythology to theorize and practice Black internationalism. He uncovers how their strategies for challenging Manifest Destiny's white nationalist ideology and expansionist political agenda constituted a form of disidentification—a deconstructing and reassembling of this discourse that marshals Black experiences as racialized subjects to imagine novel geopolitical mythologies and projects to compete with Manifest Destiny.
Employing Black internationalist, hemispheric, and diasporic frameworks to examine the emigrationist and solidarity projects that African Americans proposed as alternatives to Manifest Destiny, Boutelle attends to sites integral to US aspirations of hemispheric dominion: Liberia, Nicaragua, Canada, and Cuba. In doing so, Boutelle offers a searing history of how internalized fantasies of American exceptionalism burdened the Black geopolitical imagination that encouraged settler-colonial and imperialist projects in the Americas and West Africa.
Omari Averette-Phillips is a doctoral student in the Department of History at UC Davis. He can be reached at omariaverette@gmail.com.
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Seamus O’Malley is an associate professor at Yeshiva University. His first book was Making History New: Modernism and Historical Narrative (Oxford University Press, 2015). He has co-edited three volumes, one of essays on Ford Madox Ford and America (Rodopi, 2010), a research companion to Ford (Routledge, 2018) and a volume of essays on the cartoonists Julie Doucet and Gabrielle Bell (Mississippi, 2018). He is the chair of the Ford Madox Ford Society and co-chair of the Columbia University Seminar for Irish Studies.
In this interview he discusses his new book, Irish Culture and "The People": Populism and Its Discontents (Oxford UP, 2022), a study of the rhetoric of populism and uses of the seemingly simple concept “The People” in Irish political and literary discourse.
Irish Culture and ‘The People’ argues that populism has been a shaping force in Irish literary culture. Populist moments and movements have compelled authors to reject established forms and invent new ones. Sometimes, as in the middle period of W.B. Yeats's work, populism forces a writer into impossible stances, spurring ever greater rhetorical and poetic creativity. At other times, as in the critiques of Anna Parnell or Myles na gCopaleen, authors penetrate the rhetoric fog of populist discourse and expose the hollowness of its claims. Yet in both politics and culture, populism can be a generative force. 
Daniel O'Connell, and later the Land League, utilized populist discourse to advance Irish political freedom and expand rights. The most powerful works of Lady Gregory and Ernie O'Malley are their portraits of The People that borrows from the populist vocabulary. While we must be critical of populist discourse, we dismiss it at our loss. This study synthesizes existing scholarship on populism to explore how Irish texts have evoked "The People"--a crucial rhetorical move for populist discourse--and how some writers have critiqued, adopted, and adapted the languages of Irish populisms.
Aidan Beatty is a lecturer in the history department at Carnegie Mellon University
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