Bringin' it Backwards Adam & Tera Lisicky

We had the pleasure of interviewing Lillian Hepler over Zoom video!

Lillian Hepler tells the stories many of us are afraid of admitting. A dynamic and versatile pop artist, she weaves her own experiences into her songs, conveying the kaleidoscope of emotions she so deeply feels. In turn, her songs provide an insight into the openhearted and honest person she is while also becoming the universal soundtrack for her listeners. 
Born and raised in Utah, Lillian started singing before she could even speak. Even as a child, she was steadfast in her decision to pursue music — even if some people around her thought she was being naive. At 13, she began uploading covers and at 15 she began penning her own songs to help her both perfect her craft and find her audience.

Over the past few years, Lillian dedicated herself to experimenting with music and producers, sharpening her own skillset as an artist. Following the release of singles like "Nightmare" and "Easy," she amassed millions of streams and over 2.2 million feverish fans on TikTok. But now, at 22, Lillian feels like she’s starting a new chapter with music that matches her essence as an artist.

That next era brings Lillian’s highly anticipated forthcoming EP, including the punchy pop track, “Call Me Yours.” Inspired by being over situationships and hookup culture. “Call Me Yours’ is about being in a relationship where you’re not exclusive but you’re not seeing anyone else,” Lillian explains. 

Across the EP, Lillian hones in on the things that have been plaguing her for the past few years. On “Lillian,” she touches on a friendship breakup, whereas “Famous” lets the inspiration know that they haven’t really fazed her. In one of the most confessional songs “IDK Her,” Lillian lists out real names of people her now-ex blindsided her with. Despite publicly dealing with all of this, Lillian stays true to the girl who dreamed of being where she is now by keeping her head high and writing about it instead.

Combining the cheekiness of pop artists like Sabrina Carpenter with the vulnerable storytelling of songwriters like Gracie Abrams, Lillian’s upcoming releases show that she’s primed to be music’s next big thing. At its core, Lillian’s forthcoming collection of songs serves as a snapshot into her life so far — showcasing her ability to astutely acknowledge her own story while making it something that anyone with as big a heart as hers can relate to. 

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We had the pleasure of interviewing SIPPY over Zoom video!

SIPPY, hailing from Sydney, has quickly become an unstoppable force in the bass music world, renowned for her powerful beats and undeniable stage presence. With a steadfast dedication to elevating the electronic scene, she's left a mark on Australia’s nightlife, headlining the nation's most celebrated clubs and festivals, including Touch Bass and Spilt Milk. Her journey didn’t stop there; SIPPY took her talents to Los Angeles, amplifying her reach and cementing her status on the global stage.

Known for her dynamic performances, she transitioned from supporting roles to becoming a fixture in the bass music scene, sharing the stage with titans like Zeds Dead and Excision. SIPPY's influence spans beyond borders, with memorable performances at iconic venues like Red Rocks Amphitheater and festivals such as Lost Lands and HARD Summer, showcasing her as a pivotal figure in bass music both in Australia and internationally.

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We had the pleasure of interviewing Ferry Townes over Zoom video!

Ferry Townes releases new single “T.G.F.K” (Thank God For Kyle) via Licorice Pizza Records. The track is Julia Gargano’s second release following “Be Here” under her new project Ferry Townes. An ode to her best friend, “T.G.F.K” includes a breathtaking chorus composed of isolated, layered choral vocals, a canonic bedroom pop guitar bridge, and lyrics imbued with sincerity: “just got nothing to do without you.” Sonically captivating, “T.G.F.K” serves as a reminder that everyone needs, and deserves a best friend.

“T.G.F.K, which stands for Thank God For Kyle, is about my bestest friend. The initial idea came from being so grateful that our relationship is what it is- that we’ll never have to fall in love and break up, but we will just be friends forever.” Gargano shares. The accompanying video, Directed by Stephanie Saias, perfectly encapsulates that forever kind of best friend love between Julia and Kyle.

The sounds of Ferry Townes is an eclectic blend of acoustic and electronic elements, reminiscent of bands like HAIM and boygenius, yet with a distinct melodic narrative and alternative pop flair. She shares “Every page of lyrics tries to be closure to a tumultuous day, trying to compost the hard shit and turn it into energy, heartbreak into audacity, anxiousness into meditation. Nothing about life right now is normal and we are all off-roading emotionally and these songs should feel like a 4x4 for listeners.”

Born and raised in Staten Island, the name Ferry Townes pays homage to The Staten Island Ferry, a symbol of Julia’s teen years commuting to LaGuardia High School, family days, dates, and watching the Statue of Liberty pass by. She shares, "Staten Island, often underestimated, grows more irreplaceable to me every time I’m on the road.”

From her deep Staten Island roots, grows a vivid musical exploration of feminine identity and growing pains, sprinkled with anxious flashes and flirty obsessions. Today’s single “Be Here” is just the start of the Ferry Townes’ melodic and coming of age journey. She shares, “I can literally see my growth as a person when I look at these songs. They were written over the span of the past 3 years, which were a rollercoaster. Mid twenties are such a weird age. Ferry Townes was born out of a need to say things we should but don’t. Our songs are like those intense, never-sent letters, filled with raw overshares that one might only say with brave thumbs, but not their mouths." 

ABOUT FERRY TOWNES

Hailing from the streets of Staten Island, Ferry Townes emerges as a poignant voice in the indie music scene, channeling the raw, unfiltered emotions of its frontwoman, songwriter, Julia Gargano. The name Ferry Townes is an homage to The Staten Island Ferry, a symbol of Julia’s upbringing commuting to Manhattan for school, family days, dates, and watching the Statue of Liberty. Having had her public debut on American Idol Season 18 and finishing in the top 7, Gargano’s debut collection is an eclectic blend of acoustic and electronic elements, reminiscent of bands like HAIM and boygenius, yet with a distinct melodic narrative and alternative pop flair. Ferry Townes is a vivid musical exploration of feminine identity and growing pains, sprinkled with anxious flashes and flirty obsessions.

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We had the pleasure of interviewing Judah & the Lion over Zoom video!

“Floating in the Night,” the follow-up to “Great Decisions,” Nashville crossover folk heroes Judah & the Lion (Judah Akers and Brian Macdonald) double down on the post break-up anger – but stretch towards forgiveness. The soul-baring new single is from their forthcoming album, The Process, which will be released on May 10 via Cletus the Van / Downtown Artist & Label Services.

Judah says, “Anger was something I wasn’t allowed to feel growing up. The notion that everything had to be “okay” and not be justifiably angry only hurt me and my chronic back pain. When people who hurt you don’t take your pain seriously. That fucking sucks. I won’t let that happen again.”  

The Process, their fifth studio album, was inspired by singer Judah’s personal life and struggles. Both he and Brian are sons of therapists, so groundbreaking psychiatrist Elisabeth Kübler-Ross’ five stages of grief came to mind – Denial, Anger, Bargaining, Depression and Acceptance – as they began work on the album. Interludes set the tone for song suites dedicated to each of the five stages. Leading up to release of “Floating in the Night,” Judah & the Lion teased the single and shared about the role anger plays in the healing process in a series of short videos. Influencer jordanbyrness amplified the message with her “YALL. AREN’T. HEARING. HIM.” post.

Judah & the Lion will be performing some of the new songs on tour this spring. The extensive North American run will kick off on April 25 at PNC Music Pavilion in Charlotte, NC and include shows at Colorado’s Red Rocks Amphitheatre (May 19) and The Rooftop at Pier 17 in NYC (May 31).

The Process is buoyant, impassioned and emotionally connective. The band has a reinvigorated sense of purpose with its aim to create music that resonates deeply, believing in music’s power to connect people and make them feel less alone in life’s journey.

The band began releasing songs from The Process last year. The new material has racked up nearly 10 million combined global streams to date and earned spots on numerous playlists across all DSPs, including Spotify’s New Music Friday, Apple Music’s New Music Daily and Amazon Music’s Alternative Hits, with additional support from SiriusXM Alt Nation’s “Advanced Placement,” Pandora, YouTube, SoundCloud, Tidal, Audiomack and Deezer.

Since their 2012 debut EP, Judah & the Lion have earned widespread acclaim for their genre-bending music, received Platinum/Gold certifications, amassed over one billion career streams and sold over 500 million tickets. Six of their hit singles have gone Top 15 on Alternative radio and the band won an iHeart Music Award for Best New Alt Rock Band of 2018. The Process is the follow-up to 2022’s Revival, which Atwood Magazine praised as an “electric embrace of what it means to be alive: Soaring through limitless euphoric highs, dwelling in gut-wrenching lows, and soaking up all the feeling in between.”

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We had the pleasure of interviewing RAEGAN over Zoom video!

New York-based, queer experimental alt-pop artist RAEGAN releases her highly-anticipated debut EP, FUCK RAEGAN. Her first full-length EP, the project debuts her as a rising, multi-faceted creative force to be reckoned with.

At its core, FUCK RAEGAN is an unpredictable, theatrical, and innovative journey through RAEGAN’s inner workings. The six-track record shows her fully embracing her own unique sonic atmosphere, embellishing carefully-crafted rhythms with soft, haunting vocals. Combining witty-yet-personal lyrics with inventive beats and vivid soundscapes inspired by Tyler, the Creator and Marina, RAEGAN’s versatility and songwriting prowess is front and center throughout the EP. 

The four previously-released singles are now complemented by two additional tracks - tongue-in-cheek title track “FUCK RAEGAN” and the vulnerable “101 DALMATIONS.” “FUCK RAEGAN” sets the tone for the project with its unapologetic confidence of RAEGAN finding her identity that served as a driving force in the EP’s formative stages. Meanwhile, “101 DALMATIANS'' ends the project on a softer, more vulnerable note as RAEGAN juxtaposes the prior tracks as she laments, “You don’t want them to know me.” As a whole, the songs build an empowering illustration of the authentic, head-spinning experiences of navigating self-discovery and to not take life too seriously, despite everything.

“In this period, I was finding my identity not only in life but as an artist; these beats are me experimenting with that,” shares RAEGAN. “Continuing to grow and elevate, I see myself having found my audience and creating a bond with them. It’s only up from here, and I'm excited for people to hear what I've made so far so I can start releasing my new music and have my listeners follow me through real time. I'm constantly growing and going through different eras of my life and I'm ready to show the world who I am now.” RAEGAN consistently challenges artistic boundaries with her work. Following the positive reception of her track “COINS'' late last year, which was highlighted in Billboard’s “Queer Jams of the Week,”

RAEGAN continues to remain a dynamic force in the alt-pop music scene and grow her legion of dedicated fans online. Her earlier single, “MEAN'' gained praise from People Magazine, earning her a spot on their “Talented Emerging Artists” list, recognizing her as a bold trailblazer in the industry. Her latest release, “FROGS,” set the stage for the EP and earned playlisting by Ones To Watch and praise from Substream Magazine. Her work has not only been praised for its sound, but for the songs’ accompanying visuals that bring them to life on a screen and further prove RAEGAN’s overall artistic genius. 

The release of ‘FUCK RAEGAN’ is momentum for what is set to be a massive year for RAEGAN. Last week, she concluded supporting Autoheart on their completely sold-out Love Me, Love Me, Love Me tour across the United States, bringing her captivating live set to venues such as the iconic Troubadour in Los Angeles and New York City’s Racket.

Stay tuned for more from RAEGAN.

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We had the pleasure of interviewing Great Good Fine Ok over Zoom video!

LA-via-Brooklyn synth-pop sensation Great Good Fine Ok has unveiled their latest musical endeavor, EXIST EP, via Nettwerk. The EP features the new single/music video “Led Me To You,” propelled by an infectious groove and soaring vocals.

The EXIST EP features a collection of colorful, groove-laden tracks that establishes Great Good Fine Ok's innovative blend of synth-pop, showcasing their ability to create upbeat melodies and compelling lyrics. A sprawling voyage that transcends sonic boundaries and explores the multifaceted aspects of existence, the EP is another testament to the duo's growth as artists and their commitment to pushing the boundaries of the genre, while balancing both introspective and uplifting material.

The latest single "Led Me To You," is driven by catchy hooks and dynamic production. With “Led Me To You,” the snappy groove uplifts another towering display of vocal fireworks. The track explores themes of resilience and finding love in unexpected places, as explained by lead single Jon Sandler, “To a degree, everyone experiences trauma. Most people do find happiness in relationships, so it’s a healthy way to look at it, ‘Hardship led me to you’.”

"Breathing" is a sonic journey through pulsating basslines, simmering drums, and wah-wah groans, all set against a neon-hued backdrop. The track encapsulates the band's signature blend of groovy yet sonically dynamic elements, creating an immersive and infectious musical experience. Paired with “Breathing” is a stunning music video directed by Zebulon Griffin (Jonah Kagen, UPSAHL) and the team at Columinati Films (Griffin, Cory Messer, Robyn Griffin). The visuals explore the surreal scenario of people continuing with mundane tasks amidst a crumbling world. A satirical portrayal of human indifference, the clip invites viewers to consider the possibility of alternate realities through vibrant neon portals.

"Will We Make It?" demonstrates a revitalized soundscape of Great Good Fine Ok, blending warbling vocals with bass-y synths that are sure to entice listeners. Behind the lush and otherworldly production is multi-instrumentalist Luke Moellman, whose spacey production adds depth and dimension transporting listeners to a sonic realm where emotion and music collide in new and enthralling ways. The track features hypnotic high register gliding over a bridge that sets the stage for Sandler's emotionally charged plea, "I really need to know right now, will we make it?" This lyrical exclamation delves into the uncertainty that often accompanies today’s complex world of relationships and connections with a relatable perspective.

With “Blame,” a soft piano underscores breathy verses only for the momentum to turn on a dime into a funkified, falsetto-powered hook backed by steady handclaps, strutting guitars, boisterous horns, and a disco beat practically tailormade for Studio 54 (as re-conceived in the metaverse). The tender finale “Make This Moment Last” sees the duo lace a head-nodding bounce with raw vulnerability. “It’s about losing someone and being nostalgic,” shares Sandler. “If you had more time, you feel like you’d appreciate it more.

We want to hear from you! Please email Hello@BringinitBackwards.com
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