Naxos Classical Spotlight Naxos of America

Irish cellist Gerald Peregrine introduces his latest album of early 20th-century British works for cello and piano, interweaving the classical and folk-based music with a personal narrative of community engagement, in which his live music-making initiatives have achieved truly significant and touching results.

This podcast spotlights Israeli mandolinist Alon Sariel, who provides an entree into the engaging world of the mandolin, an instrument that perhaps enjoys a relatively low profile but commands a fascinating global reach. Alon Sariel's second album of transcriptions of works by J. S. Bach for mandolin blends technical precision with nuanced artistry and masterly adaptations. The presenter is Raymond Bisha.

Marin Alsop discusses her latest release – an album of orchestral works by John Adams – with Raymond Bisha, exploring just what it is about Adams' music that makes him the leading nominee for  the title of America's greatest living composer, not least for scores that inhabit 'the groove' with conspicuous relish.

Louis Wayne Ballard (1931-2007) – also known as 'Honganozhe', which means 'Stands with Eagles' in the Quapaw language – was the first indigenous North American composer of art music, and his extensive knowledge of the music, dance and mythology of this culture informed his compositions. This podcast reviews a new album of his works that are eclectic in style, uniquely varied and thoroughly engaging. The presenter is Raymond Bisha. The guests are conductor John Jeter and Jerod Impich-chāachaaha Tate, who was a student, friend and colleague of the composer.

In January 2024, Finnish accordionist/conductor Janne Valkeajoki released a captivating album of music by French Baroque composer Jean-Philippe Rameau, which Valkeajoki himself arranged for his instrument. Raymond Bisha's conversation with the performer delves into the various musical transformations and performance mechanics that were involved in the masterly transfer from harpsichord strings to accordion reeds.

Orfeo Vecchi was held in high regard by his contemporaries for the sacred music he produced towards the end of the 16th century. Raymond Bisha introduces a new recording of the twenty pieces that comprise his third book of Motets for Six Voices. The works form a rich, eclectic programme, and the performances by Cappella Musicale Eusebiana directed by Don Denis Silano elegantly express the pictorial aspects of the texts that Vecchi achieved through subtle dialogue, antiphony and counterpoint.