322 afleveringen
Progressively Horrified Jeremy Whitley
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- Tv en film
A podcast that holds horror to standards horror never agreed to. Hosts Jeremy Whitley, Ben Kahn, Emily Martin and guests watch, read, listen to, and check out movies, tv shows, comics, books, art and anything else from the horror genre and discuss it through a progressive lens. We'll talk feminism in horror, LGBTQ+ issues and representation in horror, racial and social justice in horror, disability and mental health/illness in horror, and the work of female and POC directors, writers, and creators in horror.
We're the podcast horror never agreed to take part in.
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Audition (AKA She Only Did One Thing Wrong...) w/ Jay Joseph
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Tale of Two Sisters (AKA We Stan a Murderous Queen) w/ Sara Century
Jeremy, Ben, and Emily are joined by Sara Century, taking a deep dive into Tale of Two Sisters (1999) and remembering the legacy of comic book creator and historian Trina Robbins.
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Gonjiam: Haunted Asylum (AKA Haunted House Chocolate Meets Found Footage Peanut Butter) w/ Morgan and Steenz!
What if we kissed in the haunted asylum?Anyway, it's time for some Korean twenty somethings to find themselves a Gonjiam Witch... a Blair Asylum? All we know for sure is that you can tell with 80% accuracy if a character in a Korean or Japanese film is Asian-American by whether or not they have a cool leather jacket. Charlotte has been to three of the five most haunted place in the world. Too bad she's not going to be able to complete that checklist.Steenz and Morgan are here to help us rachet up the tension! Let's go!
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Ringu (AKA Dracula : Vampires :: Sadako : Brunette Creepy Girls) w/ Erica and Joe
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One Cut of the Dead (AKA "Oh I'm Calm. Dead calm.") w/ Michael Tanner, Kevin Ketner, and Jay Joseph
It's May and that means it's Asian American and Pacific Islander Heritage month! We are jumping into a group of beloved films from the Asian diaspora. We are starting with the amazing "One Cut of the Dead". It's a low budget Japanese horror film about a low budget Japanese horror film, but just when you think you've seen all the layers, you hit the midpoint of the movie and you realize you've just been staring at a tree and you're in the middle of the forest. It's an incredible work of heart and staggering genius about finding the art and love in making movies of moderate mediocracy. It's a movie about movies, but not in that way. Like, in a good way.
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