Something About the Beatles Evergreen Podcasts

Beginning with the 2017 Sgt. Pepper 50th anniversary release, a series of deluxe reissues (The Beatles, Abbey Road, Let It Be, Revolver, 1962-1966, 1967-1970) featuring remixing and the application of MAL (“machine-assisted learning”) to deconstruct and re-assemble the master recordings have hit the streets. Supervised by engineer Sam Okell and Giles Martin, these issues have met with mixed reactions from fans, especially those who hold the original recordings sacrosanct. For some they are revelatory; for others, an abomination.
I convened a 2-man panel of returning guests with expert ears to assess them. John Leckie (Abbey Road engineer for John Lennon, Paul McCartney, George Harrison, Pink Floyd and producer for Radiohead, XTC, The Stone Roses, The Verve, New Order) has one of the finest sets of ears in the business, as does producer/engineer/author Jerry Hammack (https://www.beatlesrecordingreferencemanuals.com/), whose newest work, The Beatles’ Recording Techniques: Recreating The Classic EMI Studios Sound In Your Home Studio, has just been published.
This conversation is front-loaded with techie-talk, but soon finds its level with an analysis of the work done for these new sets and whether or not they achieved a clear-cut goal.
For Jerry’s newest: https://www.beatlesrecordingtechniques.com/

YEAH YEAH YEAH, we’ve been waiting 88 episode for this and it’s finally here!! In the 60s, The Beatles’ rise to fame would change the landscape of pop music and fandom forever. People were so excited to watch them, they’d urinate and scream so loud you’d struggle to hear the music. No one had ever seen fan culture or heard music like it. So it’s no surprise that we’re absolutely ecstatic to chat to Mark Lewisohn, arguably the world’s LEADING authority on the Beatles! So ecstatic that we’ve made a two part episode, so make sure you listen to that once you’re done with this one.

My guests are three very special ladies whom have all appeared on the show before, but this time, all three have memoirs out. Debbie Gendler was the first to appear on SATB (121: New York Stories) and her story as the 1st US fan (as far as I’m concerned) was initially laid out there. But now HER memoir has been published, I Saw Them Standing There: Adventures of an Original Fan During Beatlemania and Beyond. 
Debbie joins returning guests Carol Tyler (146: Fab 4 Mania) and Sibbie O’Sullivan (273: My Private Lennon) as they react to each other’s books. What ensued though was something bigger than what we anticipated, as the notion of collating their stories and those of other 1st-generation fans into something bigger and grander took shape. 
Something About The Beatles is now an Evergreen podcast. 

Of the 73 million Americans who viewed The Beatles’ live debut on The Ed Sullivan Show in February 1964, we know with absolute certainty that a high percentage had their lives changed forever – this is not hyperbole. And of those, many were moved to take up instruments or start bands. And of that fraction, a handful went on to stellar careers in music, producing art that became a part of our lives in the years to come. 
Today’s guest is one such example. Elliot Easton was the lead guitarist in The Cars, but he was put on a path to music as a livelihood at the tender age of three; The Beatles merely codified the trajectory he was on. Elliot went on to hit virtually every checkmark a musician could desire: a successful career with hit singles and albums, induction into the Rock ‘n Roll Hall of Fame, even recording with a Beatle. And Elliot also happens to be student of music and rock history, The Beatles especially. He comes to the show as a fellow fan as well as an artist inspired by The Beatles to live his dream. 

As the first insider Beatles tell-all (not counting Francie Schwartz’s Body Count – because why would I) – 1983’s The Love You Make, a collaboration between Brian Epstein’s protege Peter Brown and today’s guest, shocked fans with what was perceived as an airing of dirty laundry. Drug use, infidelity, betrayal, wife-swapping, and overall bad behavior was chronicled in detail, and Brown’s insider status gave credence to the reporting.
But many Beatle historians recognize the inaccuracies and questionable decision making, rendering what was once a best-selling book into something with considerably less esteem, to put it one way. But the original interviews with an array of insiders, many of them now dead, has arrived as a sort of unfiltered access to the source material. All You Need is Love is out now, and presents many witnesses, sum of questionable veracity, but with little comment, allowing the reader to judge their truthfulness for themselves. 

At last: the SATB conversation with the man who brought The Beatles’ road manager’s long missing manuscript to press. Living The Beatles Legend is the story Mal wanted to tell before his life ended at 40 in Los Angeles in a hail of gunfire in 1976. But perhaps the wait was worth it to get his insider eye-witness story augmented by research and interviews Ken has conducted to fully flesh out the story. 

This talk covers the first volume of this must-read book. Another volume, presenting the Evans photo archive and diaries, is due out later this year