Humience Humience

Psychical processes may often, by the use of certain points of view, be deduced from the tendency to equilibrium (as may biological processes in general, as well as physical, economic, or other processes). The transition from a state of rest to a process, as well as change in a stationary process, may be derived from the fact that the equilibrium at certain points has been disturbed and that then a process in the direction of a new state of equilibrium sets in. In carrying through this line of thought, however, one must pay special attention to certain points. The process moves in the direction of a state of equilibrium only for the system as a whole. Part processes may at the same time go on in opposed directions. It is hence important to take the system whole which is dominant at the moment as basis.

The leading idea in the following discussion can be reduced to this formula: The relation of thought to word is not a thing but a process, a continual movement back and forth from thought to word and from word to thought. In that process the relation of thought to word undergoes changes which themselves may be regarded as development in the functional sense. Thought is not merely expressed in words; it comes into existence through them. Every thought tends to connect something with something else, to establish a relationship between things. Every thought moves, grows and develops, fulfils a function, solves a problem. This flow of thought occurs as an inner movement through a series of planes.

The Nature of Language

In what we may term "prescientific days" people were in no uncertainty about the interpretation of dreams. When they were recalled after awakening they were regarded as either the friendly or hostile manifestation of some higher powers, demoniacal and Divine. With the rise of scientific thought the whole of this expressive mythology was transferred to psychology; to-day there is but a small minority among educated persons who doubt that the dream is the dreamer's own psychical act.

But since the downfall of the mythological hypothesis an interpretation of the dream has been wanting. The conditions of its origin; its relationship to our psychical life when we are awake; its independence of disturbances which, during the state of sleep, seem to compel notice; its many peculiarities repugnant to our waking thought; the incongruence between its images and the feelings they engender; then the dream's evanescence, the way in which, on awakening, our thoughts thrust it aside as something bizarre, and our reminiscences mutilating or rejecting it, all these and many other problems have for many hundred years demanded answers which up till now could never have been satisfactory. Before all there is the question as to the meaning of the dream, a question which is in itself double-sided. There is, firstly, the psychical significance of the dream, its position with regard to the psychical processes, as to a possible biological function; secondly, has the dream a meaning can sense be made of each single dream as of other mental syntheses?

Even if all needs are satisfied, we may still often (if not always) expect that a new discontent and restlessness will soon develop, unless the individual is doing what he is fitted for. A musician must make music, an artist must paint, a poet must write, if he is to be ultimately happy. What a man can be, he must be. This need we may call self-actualization.

This term, first coined by Kurt Goldstein, is being used in this paper in a much more specific and limited fashion. It refers to the desire for self-fulfillment, namely, to the tendency for him to become actualized in what he is potentially. This tendency might be phrased as the desire to become more and more what one is, to become everything that one is capable of becoming. The specific form that these needs will take will of course vary greatly from person to person. In one individual it may take the form of the desire to be an ideal mother, in another it may be expressed athletically, and in still another it may be expressed in painting pictures or in inventions. It is not necessarily a creative urge although in people who have any capacities for creation it will take this form.

Kant could propose and answer the fundamental question of his philosophy, How is nature possible?, only because for him nature was nothing but the representation of nature. This does not mean merely that "the world is my representation," that we thus can speak of nature only so far as it is a content of our consciousness, but that what we call nature is a special way in which our intellect assembles, orders, and forms the sense-perceptions. These "given" perceptions, of color, taste, tone, temperature, resistance, smell, which in the accidental sequence of subjective experience course through our consciousness, are in and of themselves not yet "nature;" but they become "nature" through the activity of the mind, which combines them into objects and series of objects, into substances and attributes and into causal coherences. As the elements of the world are given to us immediately, there does not exist among them, according to Kant, that coherence which alone can make out of them the intelligible regular unity of nature; or rather, which signifies precisely the being-nature of those in themselves incoherently and irregularly emerging world-fragments. Thus the Kantian world-picture grows in the most peculiar reflection. Our sense impressions are for this process purely subjective, since they depend upon the physico-psychical organization, which in other beings might be different, but they become "objects" since they are taken up by the forms of our intellect, and by these are fashioned into fixed regularities and into a coherent picture of "nature."