Burning Man LIVE Burning Man Project

400 works of art don’t just appear as if in a desert mirage. Well, they do, but not without a lot of people, tools, and funds. Planners are planning. Makers are making. Art grants are granted! Crews all over the world are creating installations for Black Rock City.

Katie Hazard, Director of Burning Man Project’s art department curates some artist's tales for us. Hear their stories in their voices.

Hold onto your headlamp:
We’ve got an interactive Man Base that looks like an octopus or a fjord or both
We’ve got a larger-than-life omniscient prankster traffic cone
We’ve got the insider intentions of this year's temple builders
We’ve got artists sharing cultural riches from China, New Zealand, Puerto Rico, the Republic of Côte d'Ivoire and the US.

“While there are many beloved mutant vehicles out there, El Pulpo, in both of its incarnations, is the most ‘beloved.’”
~Chef Juke, Communications lead for the Department of Mutant Vehicles

El Pulpo Magnífico is a 28-foot tall giant octopus, a demented windup toy, a mobile kinetic sculpture with articulating legs, eyes, and mouths. It spews fire from its extremities and has been stealing the limelight for a decade now, first at Black Rock City, then everywhere from LoveBurn to EDC.

It’s merely the newest and largest expression of artist Duane Flatmo and his team of engineer artists. Years ago, he gave up music to pursue art and pursued it from New York to London, China, and back again. Duane shares how his influences inspired his innovations and how his resourceful team creates surprises for people worldwide.

Hear the stories of El Pulpo’s predecessors, origins, and adventures!

Back by popular demand, more stories from Burning Man’s oral history project, an ambitious endeavor to track down and talk with people who helped shape the culture as we now know it.

Stuart and Andie remember to remember the most memorable parts. Here’s a fresh batch:

Chris Radcliffe, artist, con artist, prankster, and shadow founder of Burning Man (perhaps), shares stories of how the Cacophony Society would prank the media and how the Black Rock Desert drove up his fears, then dispelled them. He also hints at the larger-than-life impact of the Billboard Liberation Front.
Candace Locklear, aka Evil Pippi, a perturber and social experimenteer (new word) shares how she helped Burning Man manage the mainstream media in the late ‘90s. She also talks about cutesy culture jamming as a scary clown.
Summer Burkes was the DPW's media liaison. She sees the early days of Black Rock City as the love child of comically aggressive punk rockers and air-kissy techno industrialists, and she embraces their uneasy peace.
Steve Heck brought 88 pianos to Burning Man in 1996, stacked them in a tall circular “piano bell.” People beat it into a cacophonous soundscape until he burned it. That was after he almost died wandering the desert. Then he cleaned it up, and did it the next year, and the next year, and taught the BRC teams the art of packing and moving big stuff.
Dr Hal Robins is a beloved Renaissance Man of stage and story, a Cacophonist, an Uber Pope of the Church of the Subgenius, and mellifluous philosopher of sesquipedalians. He shares about the inventiveness and serendipity of Burning Man and why it matters in the world.

Burners from around Europe gather to teach and learn and to conjure ideas for the future. Burning Man’s 7th European Leadership Summit just happened, and we recorded some conversations for you.

Passionate people from the corners of Europe share with Stuart and kbot what they get from Burning Man culture and what they gift back to it. Hear a cultural spice drawer of stories about how they persevere through politics and pandemics to bring their flavor of Burning Man to their homeland.

• Baroch - Israel
• Erin Kiez - Germany
• Gabriel Muscalu - Romania
• Linus Höök, Caroline Bergmann, and Britta Kronacher - Sweden
• Pille Heido - Estonia
• Vinegar Joe - Portugal

There are a whole lot of military veterans in Burning Man’s history and Black Rock City’s neighborhoods. Combat veterans Dr Raymond Christian (Army) and Samuel Williams (Marines) share stories with Stuart Mangrum (Air Force) about transitioning into civilian life, bringing survival skills and leadership chops to BRC, and finding tribal camaraderie… and a party.

They explore how hackneyed clichés of the military can wither in an environment of love and authenticity. PTSD, though, that’s still a thing. BRC can be like a military operation: the sights, the sounds, the smells... meeting interesting people, and finding forever friendships.

Robot Heart started with a simple sound system on an old double-decker bus at Black Rock City. Over the years, it has evolved into a bespoke sound system, light arrays, iconic art, and an all-star lineup of musical talent performing to massive crowds at sunrise on Playa.… all on that same old double-decker bus.

Robot Heart also expanded its support of arts and artists beyond the playa, including New York’s Central Park, Miami’s Art Basel, and their residency program in Oakland, California. For the 2nd year, the team brings together various Burning Man camps, artists, and musicians from April 25th to May 18th.

A few years ago, Robot Heart created a 501c3 Foundation to make all this happen. Stuart talks with President Gary Mueller and Board Members Clare Laverty and Justin Shaffer. They trade tales from developing a foundation, collaborating with creatives, and taking pleasure from other people's pleasure.