Food Fight Out of Our Minds

There are very few places as divisive in today's church as the potluck lunch. When visitors come to our churches we are likely to hear them proclaim about their food orthodoxy before they say anything about their theology or church background. Tim and Andrew offer some helpful commentary about how to keep food from dividing the church.
Show NotesThe man Tim was trying to remember mentioned during the recording was Jerome Irving Rodale founder of the magazine, Organic Farming and Gardening, and also Rodale Press. The talk show host Dick Cavett tells the story:
MAY 3, 2007,  6:33 PMWhen That Guy Died on My Show (interview with Dick Cavett)
When I’m doing an appearance somewhere and taking questions from the audience, I can always count on: “Tell about the guy who died on your show!” I generally say, “I will, and I promise you that in a few moments you will be laughing.” (That gets a laugh.) I go on: “First, who would be the logical person to drop dead on a television show? A health expert.” (Laugh.) I go on to explain that he was Jerome I. Rodale, the publisher of (among other things) Today’s Health Magazine. (Laugh.) The irony gets thicker.
He’d been on the cover of The New York Times Magazine that Sunday, and we needed one more guest. He was a slight man, and looked like Leon Trotsky with the little goatee.
He was extremely funny for half an hour, talking about health foods, and as a friendly gesture he offered me some of his special asparagus, boiled in urine. I think I said, “Anybody’s we know?” while making a mental note to have him back.
I brought out the next guest, Pete Hamill, whose column ran in The New York Post. Rodale moved “down one” to the couch. As Pete and I began to chat, Mr. Rodale suddenly made a snoring sound, which got a laugh.
Comics would sometimes do that for a laugh while another comic was talking, pretending boredom. His head tilted to the side as Pete, in close-up as it happened, whispered audibly, “This looks bad.”
The audience laughed at that. I didn’t, because I knew Rodale was dead.
To this day, I don’t know how I knew. I thought, “Good God, I’m in charge here. What do I do?” Next thing I knew I was holding his wrist, thinking, I don’t know anything about what a wrist is supposed to feel like.
Next, in what felt like a quick film cut, I was standing at the edge of the stage, saying, “Is there a doctor in the … (pause) … audience?”
Two medical interns scrambled onto the stage. The next “shot” that I recall was of Rodale flat on the floor. The interns had loosened his shirt and his pants, and were working on him. He was the ghastly pale of a plumber’s candle.
Other memories that seem to come in stop-frame sequence:
- Two stewardesses in the front row who’d been winking and joking with me during the commercial breaks were now crying. I guess from their training and having seen emergencies, they knew the score.
- Watching the awareness that this might just be real start to roll backward through the audience. Their reluctant awareness that this was not part of the show.
- A camera man standing on his tiptoes, his camera pointing almost straight down on Rodale and the “action.”
- Someone running onstage with a small tank of oxygen with a crucial part missing.
- The bizarre feeling of denial that this must be part of the show. After all, we were in makeup and there were stage lights and a band and an audience that had been laughing and clapping only moments earlier.
- Pete Hamill amidst the turmoil, as an ambulance crew arrived, calmly and professionally making notes in his reporter’s notebook. (He got a memorable column for the next day.)
- Finding myself in a fog in my dressing room, discovering a few strange objects in my pocket that someone must have handed me. A ChapStick, a watch and some keys, clearly from the dead man’s pockets.
- A voice in the alley as I got in the car: “Hey, Dick, was that for real?”
I went home and l