Join us as we delve into a riveting conversation with Raw Egg Nationalist, the mind behind the provocative 'Man's World' magazine. In this episode, we explore the unique aesthetic philosophy of the new right, its cultural significance, and the inspirations behind the artistic movement. We discuss the rebirth of men's magazines, the influence of anime and Greco-Roman aesthetics, and the importance of producing engaging and beautiful art in today's sociopolitical landscape. This video is a must-watch for those interested in understanding the burgeoning right-wing cultural scene and its impact on contemporary art and literature. Don't miss this engaging and thought-provoking discussion! Malcolm Collins: . [00:00:00] Hello everyone. I'm excited to be here. We have a raw egg nationalist with us again. I am so excited. And what we wanted to talk about is, I was looking at his, his, his magazine. I'd never seen a print copy before Man's World. And hold it, hold it up so they can see the anime girls and everything. 'cause you're, it's Simone Collins: perfection. Yes. Malcolm Collins: And I'll try to put like one on the screen here if I remember, and you can, you can turn it over to show sort of the back of it. But when I was looking at this, you know, like Shinzo, Abe, big titty, anime girl, Trump like, and missile also just Simone Collins: the formatting in general though, like, I remembered. From my, my childhood years, just really loving, for example, wired magazine because just had this incredible formatting and layout and I've missed that. And we're seeing it again here. And it's just so fun to see like this. Well, yeah, I go to one of us where Malcolm Collins: it's like racist or whatever, right. You see how they did our article in it. But the reason I find this interesting, and I wanted to focus on it, is the, the new right has developed a very unique aesthetic philosophy. Mm-hmm. [00:01:00] And I think that this covers, sort of perfectly represents it so people understand it's not just Malcolm saying like the, the, the, the alt-right cat girl phenomenon or whatever. Yeah. No proof. Simone Collins: This is not just in Malcolm's head. This is awesome and it's here. Malcolm Collins: And, and I'll also put a sargon of a cod, a tweet here. 死んだ は 初めて 俺 に 伝えて いる 絶望 の 匂い だ 面白い こと 見せよう か ほら こんな に ガチン が 多 すぎて お父さん アカン ドナルド君 は まだ 死ぬ 時 じゃ ない でしょ ア アメリカ 万歳 さよなら ここ で 絶対 負けない よ ランドトゥライド まで 出ろ だ って まだ サンキュー 言ってない でしょ 一回 も 言って ください おい[00:02:00] 仲良く して この 世界 に 傷ついて いける かな 昔 グレート だった 大きに また グレート に なる かな あの さ 有名人 なら 誰か の マンコ 掴んで さ そうそう そうそう やらせる で Malcolm Collins: Which I found amazing where they had like anime style Trump and over the top, and I thought it was the best. But I, yeah. I'd love to just hear your thoughts, how you constructed this and how you think about this sort of aesthetic move because it's really a new artistic movement that is starting and I don't think many people are cataloging or talking about. Raw Egg Nationalist: Yeah. So I mean, so I started Mans World really by accident. You know, I was, thinking of, well, I mean, I write about masculinity a lot. You know, that's one of, that's my bread and butter. That's what I've been writing about on Twitter and, and [00:03:00] writing articles about, you know, for, for five, five years now actually. But in the sort of summer of 2020, I was thinking about men's magazines and I was thinking, you know, why are, why are there no men's magazines anymore? You know? So play Playboy is totally paused now. Playboy is so, you know, I mean, they had a transgender centerfold, I think. Simone Collins: Oh gosh. Okay. Yeah. What was that Malcolm Collins: men's magazine that I used to love? Maxim. Maxim. Do you remember this? Okay. So it was little fashioned though. I felt like it was. No, no, no. So, so I gotta talk about this because this is the, a, a historic phenomenon that disappeared, but was like, I think a staple of our childhoods. When you would go to the magazine rack before you get on a plane or something like that. There was always a, like a, a category. I think Maxim was sort of the main one where we'd have like irreverent, funny articles that were targeted at men. And sort of the point of it was to be edgy and man focused. They even had a TV channel called Spike [00:04:00] TV that was edited this demographic in this format. We actually know the guy who was one of the, the showrunners for that, who now runs Dad Saves America. But anyway, they, they had shows like. So funny that it, the person who ran the the Man Show was Jimmy Kimmel. But I remember like an example of like a joke they had on the show. Can you believe that Jimmy Kimmel ran this joke? Is he would have a young kid go around and try to buy alcohol at convenience stores. And when they'd ask him for his id, he'd ask them for their green cards. . I just need to help old ladies cross the street. Old ladies. Yeah. I'm not old. Sure you are. Malcolm Collins: Anyway, continue document this. Raw Egg Nationalist: Yeah, so I was, so, I was thinking about men's magazines and, you know, why Playboy has disappeared. You know, I mean, part of it's something that I remember from my teenage years, you know, growing up things like Maxim, FHM, but also Playboy, you know, and there's this old Chestnut I read Playboy for the article. Yes. But it's, but it's, but it's true. I mean, I, I say this a lot, but it's, you [00:05:00] know, it's true. Like Playboy used to have great writers NAL, Philip Roth, Norman Mailer, all of these great, you know, great writers of the middle and, and late 20th century, you know, would regularly write for Playboy. Hunter Thompson too, right? Yeah, yeah. Hunters Thompson. Yeah, exactly. So you'd have, you'd have, you know, it was, it was like a re it was a trendsetting taste setting thing. Playboy. Yeah. You know, it was, it was for like a. Aspiring men, you know, men, men who are, who have aspirations, men who want to, you know, sort of better themselves and, and but also Simone Collins: cutting edge culture. Yeah, very. It was on the forefront of change. These were age agentic people. Raw Egg Nationalist: Exactly. Exactly. And it, it, I mean, it wasn't just about the beautiful women, the native women. I mean, that was a big part of it. That was part of the lifestyle. And obviously that was part of Hugh Hefner's lifestyle. But you know, play Playboy was a cultural phenomenon. And so I thought, well, wouldn't it be nice if we actually on the right, if we had a new kind of playboy for the, for the new massively online internet [00:06:00] era? Something that sort of combined the best writing on, you know, on the dissident, right. Whatever you want to call it with kind of lifestyle stuff and, and also this kind of, basically like the Twitter four chan kind of aesthetic where you, where you are, you know, so you'd, you'd be mixing like classic Playboy, the classic Playboy layout. You know, I mean, the magazine looks like a classic playboy in many respects, but it's. But it's just, it's, it's kind of bizarre and, and sort of a bit postmodern and, and it has all of this. Yeah. You are Simone Collins: really combining like all the new aesthetics, which I really like got this like vintage. Well, no, but Malcolm Collins: I, but I mean, I think that, that what you're showing there, can you put that closer to the camera so we can really see that Is is a, a artistic style that is unique to this sort of new right movement where you're combining nostalgia with. Irreverence and, and cultural subversion. Simone Collins: Yeah. But still like with Yeah, like irreverence, you know, like this is, you know, there, there are puns. It's playful around the world in [00:07:00] 80 Lays is what it says. Yes. Raw Egg Nationalist: Yeah, yeah, yeah. So that was, that was the winner of, so we had a pulp fiction contest in the magazine, and that was the winner of the Pulp Fiction contest. I wanted people to write classic pulp fiction short stories racy, exciting, you know, for men. And I mean, the, the winner, the winner is great. All of, in fact, most of the entries that we had for the competition, we had hundreds of entries. They were really good. Wow. It was really very, very high standard. But I mean, the thing about, the thing about the aesthetics thing, I suppose, is that you know, really it's, it's quite heavily influenced by Bronze Age, pervert by Bronze Age mindset. I mean, he helped mm-hmm. To put. Aesthetic considerations, I think back on the radar in a, for the writing in a way that they weren't before. You know, I mean, Bronte's mindset as a book is as much about the kind of, the kind of madcap energy of the, of the book, of the style the kind of irreverence, the style of re and Simone Collins: well, and vitalism too. [00:08:00] So yes, the, the aesthetics is permeated in every grammatical choice that he makes. Mm-hmm. As well as this, like very heavy. Vitalistic enthusiasm which is somewhat reminiscent of the Playboy days. I think, you know, there's that same sort of enthusiasm for the future in Vitalism. I think he, he tones it up. Malcolm Collins: So if we wanna talk about Bronze Age pervert, there's a few things to break out here. One is, his name is intentionally, you know, I talked about combining nostalgia, bronze Age with subversion pervert. It does that perfectly in the way that he constructed it. Yeah. If you look at his writing style, he intentionally does not use correct per periods and everything he correct does lots of run-ons. He doesn't follow the rules. We associate with high status writing. Sur
