CREECA Lecture Series Podcast Center for Russia, East Europe, and Central Asia at the University of Wisconsin, Madison

Ostap Kin presented and read from his book, “Babyn Yar: Ukrainian Poets Respond” on Thursday, April 4, 2024 at 4:00 pm in 206 Ingraham Hall, 1155 Observatory Drive.

About the Lecture: On September 29 and 30, 1941, Nazis executed 33,771 Kyivan Jews in Babyn Yar. By the time the Soviet army recaptured Kyiv, the total number of people exterminated at the ravine had reached some 100,000 to 150,000. The name Babyn Yar has become synonymous with one of the most horrific massacres of World War II. "Babyn Yar: Ukrainian Poets Respond" features poems by Ukrainian Jewish and non-Jewish poets from the Soviet and post-Soviet periods, written in response to the tragedy at Babyn Yar. The poems in the anthology create a language capable of portraying the suffering and destruction of the Ukrainian Jewish population during the Holocaust, as well as other people who lost their lives at the Babyn Yar site.

About the Lecturer: Ostap Kin is the editor of Babyn Yar: Ukrainian Poets Respond (Harvard Ukrainian Research Institute) and New York Elegies: Ukrainian Poems on the City (Academic Studies Press). He is the translator, with John Hennessy, of Yuri Andrukhovych’s Set Change (forthcoming from NYRB/Poets), Babyn Yar: Ukrainian Poets Respond (HURI) and Serhiy Zhadan’s A New Orthography (Lost Horse Press). He translated, with Vitaly Chernetsky, Yuri Andrukhovych’s Songs for a Dead Rooster (Lost Horse Press). He’s pursuing a Ph.D. in Slavic Languages and Literatures at Stanford University.

Anna Nemzer and Ilia Venyavkin presented on their work with the Russian Independent Media Archive Project on Thursday, March 21, 2024 at 4:00 pm in 206 Ingraham Hall, 1155 Observatory Drive.

About the Lecture: In this joint presentation, journalist Anna Nemzer and historian Ilia Venyavkin will discuss the work of the Russian Independent Media Archive — an initiative of PEN America and Bard College aimed at preserving the work of independent journalists from Russia since 2000, guarding this historical record against erasure as media outlets not aligned with the regime of President Vladimir Putin are shuttered and their reporters and editors are cast into exile. A direct link to RIMA is available at https://rima.media/en

About the Lecturers:

Anna Nemzer is a journalist, writer, and documentary filmmaker studying the historical memory of wars in the post-Soviet space. She is a presenter on TV Dozhd (aka TV-Rain – formerly the only independent TV channel in Russia, now working in exile), a scholar at Bard College in, and a co-founder of the Russian Independent Media Archive (RIMA) dedicated to the preservation of all Russian independent media as the most important evidence of the era.

Ilia Veniavkin is an historian and journalist. For 15 years he has been studying Stalinist culture and subjectivity. He wrote an ebook, Master’s Inkwell. A Soviet Writer Inside the Great Purge and co-founded Prozhito.org, a collaborative online archive of Soviet diaries and ego-documents. He is a co-founder of the Russian Independent Media Archive, a scholar at Bard College, and is writing a book on the ideology of Putinism.

Pavel Golubev gave a lecture on, “Queer(ing) Art of the Russian Empire, Soviet Union, and Emigration, 1890s—1940s” on Thursday, March 7, 2024 at 4:00 pm in 206 Ingraham Hall, 1155 Observatory Drive.

About the Lecture:

The Center for Russia, East Europe, and Central Asia invites you to a lecture about the queer imagery in the art of Russia, and its colonies from the late Imperial period to the early Soviet era.

The talk will explore the evolution of the homosexual narrative in Russian art through the lens of gender and sexuality studies. It details how artists navigated the complex interplay of societal norms, personal identification, and creative expression and how the shifts in political and cultural landscapes influenced the representation and perception of themes and subjects in art referring to same-sex love, desire, and sexual identity from the late 19th century to the 1930s.

The focus of the lecture stands on key artistic movements and notable figures whose work challenged conventional norms during a time of significant sociopolitical upheaval, such as Konstantin Somov, Leon Bakst, Alexander Nikolaev (also known as Usto Mumin), Pavel Tchelitchew, and many others.

This event will intrigue anyone interested in the intersection of art history, gender studies, and Russian/Soviet sociocultural history, providing a perspective into a largely unexplored subject in recent years.

About the Lecturer: Pavel Golubev is a visiting research scholar in the History of Art Department at the University of Pennsylvania. He graduated from Moscow State University and subsequently defended his thesis there. Pavel Golubev is responsible for the multivolume edition of the diaries of Russian symbolist artist Konstantin Somov, a monograph about him, and a retrospective show at the Odesa Fine Art Museum in 2019. In Odesa, Golubev headed the exhibitions there before leaving Ukraine for the United States in 2022.

Epp Annus gave a lecture on, “Do you suffer from urbanitis? Gender, cybernetics, and environmental concerns in the 1970s Estonian SSR” on Thursday, February 22, 2024 at 4:00 pm in 206 Ingraham Hall, 1155 Observatory Drive.

About the Lecture: On the cover of Aimée Beekman’s novel Valikuvõimalus (The Possibility of Choice, 1978) stands the figure of a naked woman with a calculator in place of her womb. Beekman’s novel is a difficult fit for the well-digested Russocentric Soviet gender crisis discourse: the main character Regina is an owner of a comfortable house, she proposes to a man of her choice and then conceives three children out of wedlock, all with different men. The novel is remarkable for its proliferative ambiguity: Regina’s character is presented both as admirable in her determination and agency, but also as a symptom of a society in crisis. Extramarital relations and broken relationships had become the norm, as people – ‘poisoned with noise’ and addicted to constant stimulation – moved along on the ‘conveyer belt’ of easy pleasures. People in the cities were figured as suffering from urbanitis, a malady of urban life that made people impatient and fidgety and inclined to fill their days with meaningless quotidian trivialities. In the novel’s view, at the outset of the information age, humanity was suffering a deep and multifaceted global crisis: growing commodification, unrestrained urbanization, and polluted air and water were all producing a sense of shared insecurity and uncertainty, impacting the most intimate spheres of everyday life. This talk situates Beekman’s novel within the media discussions in the 1970s Estonian SSR concerning gender, cybernetics, and the global environmental crisis.

About the Lecturer: Epp Annus is Associate Professor with the Institute of Humanities at Tallinn University, Estonia. She also lectures in the Department of Slavic and East European Languages and Cultures at Ohio State University (USA). Her recent books include Soviet Postcolonial Studies: A View from the Western Borderlands (Routledge, 2018), and Coloniality, Nationality, Modernity: A Postcolonial View on Baltic Cultures under Soviet Rule, ed. Epp Annus (Routledge, 2018). She is currently working on a manuscript Environment and Society in Soviet Estonia, 1960-1990 (under contract with Cambridge UP). She is the author of two novels.

Tamara Trojanowska gave a lecture on “Cryptotheology, Psychobiography: Transgression in Polish 20th-Century Theatre” on Thursday, December 7, 2023 at 4:00 pm in 206 Ingraham Hall, 1155 Observatory Drive.

About the Lecture: Tamara Trojanowska will present on her current research, which focuses on the intersections of 20th and 21st-century drama and theatre with history and religious thought, highlighting identity, subversion, and transgression issues. Her latest research project, co-edited with Joanna Niżyńska and Przemysław Czapliński and entitled A History of Polish Literature and Culture: New Perspectives on 20th and 21st Centuries, includes her extensive analysis of the transgressive practices in Polish drama and theatre (“Delectatio furiosa, or the modes of cultural transgression”) among over sixty essays by colleagues from all over the world. She has also contributed a chapter on this subject to Theatermachine: Tadeusz Kantor in Context (eds. Magda Romanska and Cathleen Cioffi, 2020), with her investigations of the dramatic and the sacred resulting in a new selection of and an extensive introduction to the plays of Roman Brandstaetter (Dzień gniewu. Dramaty, 2016).

About the Lecturer: A graduate of the Drama Centre at the University of Toronto (Ph.D.) and of Theatre Studies at the Jagiellonian University in Kraków (MA), Tamara Trojanowska has also formerly held an Oxford University scholarship and an internship at the Royal Dramatic Theatre in Stockholm. She has taught at universities in Poland, Canada, and the United States, returning to the University of Toronto as a faculty member in 1998. Since then, she has directed the Polish Language and Literature Program at the Slavic Department, strengthening its profile and presence in North America, the University College Drama Program (2008-2012), and the Center for Drama, Theatre and Performance Studies (2017-2021). She now serves as Vice-Dean Faculty and Academic Life in the Faculty of Arts and Science.

Natalia Kovyliaeva (Ph.D Candidate, University of Tartu) gave a lecture on "Between Horror and Hope: Feminist Anti-War Resistance and Opportunities for Mobilization in and Outside of Putin’s Russia" on Thursday, November 16, 2023 at 4:00 pm in 206 Ingraham Hall, 1155 Observatory Drive.

About the lecture: Since the start of the Russian full-scale invasion of Ukraine on February 24th, 2022, the Russian feminist grassroots immediately reacted to this event and joined forces to protest against the war. On February 25th, a group of feminist activists published a manifesto, which outlined the anti-military and anti-Putin agenda of the Russian feminist grassroots movement and called for the international feminist movements to join the anti-war protest actions worldwide. As for today, they were able to attract supporters not only in Russia but received much international attention and support worldwide. Relying on the concepts of invisibility and opportunity structures, the upcoming discussion focuses on how the perceived notions of (in)visibility shaped the resistance opportunities for FAR's activists both in and outside Russia, including the transnational level of opportunities. The study relies on the extensively rich online data from the FAR channels on Telegram, Instagram, and Facebook and supporting materials such as newspaper interviews, Youtube interviews, documentary movies, and personal reflections of activists from the semi-structured online interviews. In general, the talk will demonstrate how marginalized and vulnerable groups may find a way to resist the dictatorial regime to spread their anti-war messages and gain a voice within a very hostile environment, build a transnational (online) network of feminist anti-war cells inside and outside of Russia, form new identities and agendas within the feminist grassroots movements and impact political agendas of other anti-war initiatives and organizations sharing similar goals and claims.

About the speaker: Natalia Kovyliaeva is a Ph.D. candidate, Junior Fellow Researcher in Political Science at Johan Skytte Institute of Political Studies, University of Tartu (Estonia). Her current dissertation project, titled "Gaining Voice: Feminist Grassroots Mobilizations in Putin's Russia," explores the emergence and development of the feminist grassroots movements and their tactics and strategies in Russia starting from the early 2000s. Natalia holds an MA in Political Science from Central European University (Budapest, Hungary) and an MA in International Relations from the Higher School of Economics (Moscow, Russia). Natalia has volunteered and interned for organisations such as the Sakharov Centre, EU-Russia Civil Society Forum, German-Russian Exchange, and Transparency International - Russia.