The Spotlight Series Patrick Oliver Jones

Throughout history artists have known that music provides benefits for both the creator and the listener. It can affect individuals in positive ways by inducing both psychological and physiological healing. This is especially true in the senior community. 

Sing For Your Seniors is a nonprofit built around the mission of enriching lives through the universal language of music. They bring professional artists to the communities of seniors in need...to entertain them, to foster inter-generational connection, and most especially to create shared joy.

Jackie Vanderbeck is the Founder and Producing Artistic Director of SFYS. From her great grandmother, whom she lovingly called Grandma Dee Dee, she realized the enormous therapeutic value of music for seniors, especially those who are showing signs of withdrawal. And so in Grandma Dee Dee’s honor and memory she started SFYS in 2005 as a one-person a cappella hour at the Village Adult Day Center in New York’s West Village. But it has now grown into a much bigger organization, and today Jackie joins me in this Spotlight episode to talk about that journey. 

Last summer, she invited me to participate in one of their sessions at the Actors Fund Home in New Jersey. So we also talk about that experience and how SFYS brings hope and joy to a very vulnerable group that is often forgotten by our society.

Discussed in today's episode:

Broadway Cares/Equity Fights AIDS (Tom Viola)
Alzheimer's Foundation of America
Broadway for the Blind
The PROM's Broadway Session
Donating Pianos

Follow Sing For Your Seniors: Website | Instagram | Twitter

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For insights and unreleased audio clips of today's interview, you can be a part of the WINMI community on Twitter and Instagram and you can always reach out to me directly: whyillnevermakeit@gmail.com

Lastly, this podcast is supported through kind donations of listeners like you: donate.winmipodcast.com 

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Music used in this episode:

"Reverie (small theme)" (ft. Pitx), 2010 by _ghost.
Licensed to the public under http://creativecommons.org/licenses/by/3.0/

"Stardust" by U.S. Army Blues is licensed under a Public Domain Mark 1.0 License.

"Stompin At The Lough" by The Underscore Orkestra is licensed under a Attribution-Noncommercial-Share Alike 3.0 United States License. 

"In Your Arms" by Kevin MacLeod is licensed under Attribution 4.0 International (CC BY 4.0).


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November is National Military Families Month, and in honor of that I have Janine DiVita joining me today to talk about her work with the USO Show Troupe in New York City.

Now when most people think of the USO, the first thing that comes to mind, understandably, is the legendary entertainer Bob Hope, who first performed for U.S. troops in California in May 1941, just a few months before the Pearl Harbor. But the USO is certainly much more then any one celebrity. It’s mission is to strengthen America’s military service members by keeping them connected to family, home and country, throughout their service to the nation.

For over 77 years, the USO has done just that. And the show troops play a vital role in that mission by entertaining service members and conveying the support of the nation through their uplifting shows.

As an actor herself Janine knows firsthand what it takes to reach an audience, and she’ll be joining me next week to talk about work-life balance and how is she maintains her voice and acting chops. In fact, she and I did Bridges of Madison County together this past summer, but during that run she continued to do work for the USO both as an administrator and as a producer. She said down with me recently in the USO offices in New York City to discuss the importance of this organization and what it means to her as well as military service members and their families. She co-founded Empowered Voices, a company that combines dynamic theatrical techniques with traditional prevention education tactics to combat and prevent Sexual Assault within the U.S. Military and beyond, which was an important step in her becoming director of the USO Show Troupe.

See how you can support the efforts of the USO. And if you would like to be a part of the show troupe, click here.

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Donate to the podcast: https://ko-fi.com/winmipodcast

Don't forget to check out all the helpful offers available to you through WINMI guests and partners: resources.winmipodcast.com


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Today I'm are honored to chat with Josie Whittlesey of Drama Club, which provides theater education and programming to incarcerated and paroled youth in New York City. This vastly underserved population is engaged with improv and positive mentorship, giving them rehabilitation and support. 

As founder and executive director, Josie works tirelessly to make a difference in these children's lives through the power of self-expression. In this episode, she shares her experiences leading to the formation of Drama Club, working in the prison system, and affecting the lives of those in her classes.

Find Drama Club on their website where you can help support their efforts. Also, follow DC on social media: @DramaClubNYC.


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One of the most difficult but important issues we face in the arts is our finances. How to make more of it and how to spend (and save) it in the best way possible. A performing artist's financial life is complex, so it's easy to get confused when trying to organize money.

Rebecca Selkowe, head of the Financial Wellness Program at The Actors Fund, covers some of the challenges people working in performing arts and entertainment face when trying to balance variable income and expenses. She also touches briefly on important tax issues. This episode will help you distinguish between regular and irregular income, and determine what this means for building yourself a financial cushion, saving for periodic expenses, and investing for your future.

The overall goal of the Financial Wellness program? Establishing a stable method of managing your finances. So check out their free classes and seminars today!

Also, learn more about Rebecca and all the work she does to help clients begin to identify options, solidify plans, and take actions that feel authentic, realistic, and sustainable.


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This is Part 3 of my look at the New York Youth Symphony with this episode focusing on their jazz program. 

Under the direction of Andy Clausen, the NYYS Jazz Band is a 17-member swing ensemble dedicated to studying, rehearsing, and performing classic big band jazz music. Modeled on the bands of the 1930's and 1940's, the Jazz program preserves this heritage and, keeping with jazz traditions, incorporates it into the current and emerging styles that define the genre for the present generation.

Andy is a New York-based composer, trombonist, bandleader, and graduate of The Juilliard School. Hailing from Seattle, Clausen relocated to NYC in 2010 where he enjoys a diverse schedule collaborating with filmmakers, folk and blues artists, classical composers, as well as New York's jazz elite. An active educator, Clausen has taught workshops across the United States.

For more info on WINMI and the Spotlight podcast, go to whyillnevermakeit.com/spotlightseries.

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Intro music and interludes:
"Reverie (small theme)" by _ghost 2010
Licensed under Creative Commons Attribution (3.0)


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This is Part 2 of my look at the New York Youth Symphony focusing on their Musical Theater Composition program, directed by Anna Jacobs. Also featured in this episode are two students in the program, Sydney Altbacker and Tate Robinson. They talk about and perform their new piece "Song for Marilyn" which was written for the class. (Watch the full interview with Sydney, Tate, and two other students on the WINMI YouTube Channel.)

In this program, students learn about key songwriting tools, explore the relationship between music and language, and discover the power of writer and performer collaborations. Musical theater professionals take part in these classes (Broadway producers, directors, choreographers, designers, composers, actors, and musicians) in addition to field trips to see professional productions, concerts, and developmental workshops. Sharing of student works will take place in a variety of venues throughout the year, and culminate in a public performance at one of NYC's iconic cabaret venues, Joe's Pub. 

Outside of NYYS, Anna has been recognized for her work as a composer/lyricist with the prestigious Billie Burke Ziegfeld Award. She’s a former Sundance Fellow and Dramatists Guild Fellow, and has been an Artist in Residence at Ars Nova, New Dramatists, Musical Theatre Factory, Goodspeed, and Barrington Stage Company. Anna holds an M.F.A. in Musical Theatre Writing from NYU-Tisch and is on faculty at The New School.

Her musicals include:


POP! (book & lyrics by Maggie-Kate Coleman)
HARMONY, KANSAS (book & lyrics by Bill Nelson)
ANYTOWN (book by Jim Jack) TEETH (co-book & lyrics by Michael R. Jackson)
STELLA AND THE MOON MAN (written by Richard Tulloch & co-composed with Adrian Kelly)
CAGE MATCH and MAGIC 8 BALL (Prospect Theatre Company; w/ Sam Salmond & Michael R. Jackson)
KAYA: TASTE OF PARADISE, a soon-to-be-released movie musical commissioned by the New York Film Academy and featuring Okieriete Onaodowan (screenplay by Jerome Parker, directed by Paul Warner)

Follow them on Instagram: NYYS / Sydney / Tate



For more info on WINMI and the Spotlight podcast, go to whyillnevermakeit.com/spotlightseries.

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Intro music and interludes:
"Reverie (small theme)" by _ghost
2010 - Licensed under Creative Commons Attribution (3.0)


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