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How the music streaming business opened the door to billions of dollars in fraud.

Guest: Ashley Carman, Bloomberg News reporter covering the podcasting, music, and audio beat.

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This week, host Isaac Butler talks to actor Sarah Goldberg, who plays Sally on the hit HBO show Barry. In the interview, Sarah discusses her training at The London Academy of Music and Dramatic Art and the important lessons she learned there. Then she digs into the role of Sally and discusses her first impressions of the role, the many dimensions of the character, and her ability to access powerful emotions for certain scenes. 

After the interview, Isaac and co-host June Thomas talk about the emotional toll that acting can take. 

In the exclusive Slate Plus segment, Sarah discusses the differences between theater acting in the U.K. vs the U.S. 

Send your questions about creativity and any other feedback to working@slate.com or give us a call at (304) 933-9675.
 
Podcast production by Cameron Drews. 

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Take your seats for a live show from Washington DC this week. This live show is part of Slate’s Full Court Press coverage, a provocation for the fourth estate to hold the third branch of government to account. Dahlia Lithwick is joined by Slate’s Mark Joseph Stern, Elie Mystal of The Nation, and Jay Willis of Balls and Strikes. As we perch on the precipice of another slew of catastrophic decisions this June, they unpack how Supreme Court reporting has failed to meet the moment - and crucially, what to do about it. 
In this week’s Amicus Plus segment, listeners will hear the question and answer segment of the live show - with piercing audience questions such as: "Why do so many Democrats fail to take the court seriously?, and some vital advice for law students from Elie Mystal and Jay Willis. (Spoiler: Don't be Tom Cotton)
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On this month’s episode of Future Tense Fiction, host Maddie Stone talks to Justina Ireland about her short story “Collateral Damage.”
The story follows a group of soldiers deployed alongside TED, the Army’s first self-aware combat drone. TED is relentlessly efficient, quickly outpacing its human counterparts—and leaving them worried for their jobs. But when a wrong call from the clunky robot puts soldiers’ lives at risk, they realize just how hard it is to program for battlefield experience.
After the story, Ireland shares how her own time in the military shapes her writing, and why tech dreamed up in D.C. rarely reflects the needs of soldiers on the ground.
Guest: Justina Ireland, a veteran and author of books including Dread Nation, Deathless Divide, and Ophie’s Ghosts 
Story read by Joanne Lichtenstein
Podcast production by Tiara Darnell

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This week, Felix Salmon, Emily Peck, and Elizabeth Spiers discuss the conservative backlash to corporate LGBTQIA+ Pride campaigns, Nvidia’s soaring stock and what it means for the future of AI, and what’s up with Germany’s economic slowdown.

In the Plus segment: Elizabeth's piece on strivers and Succession.
 
Podcast production by Jessamine Molli and Patrick Fort.
 
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In the ’90s, U.K. rock was by Britons, for Britons. The music of the U.K. indie, Madchester and shoegaze scenes fused together into a new wave of guitar bands with punk energy, laddish lyrics and danceable grooves. They called it Britpop.

In the motherland, Britpop set the charts alight: Blur faced off against Oasis. Pulp poked fun at the class system. Suede sold androgyny, and Elastica repackaged ’70s art-punk as ’90s pop. But with rare exception, these hits didn’t translate in America. There was no Third British Invasion in the ’90s—with the exception of that one inscrutable Oasis song about a “Wonderwall.”

Why did Britpop fire up Old Blighty and flop with the Yanks? Join Chris Molanphy as he tries to define Britppop—was it a scene? a sound? a movement?—and explains how the music boomed and busted faster than a cannonball.

Podcast production by Kevin Bendis.


Make an impact this Asian American & Pacific Islander Heritage Month by helping Macy’s on their mission to fund APIA Scholars. Go to macys.com/purpose to learn more.
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