On The Page Pilar Alessandra
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- TV e cinema
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ON THE PAGE: Join professional script consultant Pilar Alessandra as she demystifies screenwriting and answers your questions about script craft and story.
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883. Curating a Film Career
Emily Harris is not only an award-winning writer-director (Carmilla), she also has an amazing “day job” as the Curator of Film at the Victoria & Albert Museum.
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882. "Why Not Take a Big Swing?”
When writer-director GG Hawkins had access to a unique location for a limited amount of time, she “planted a flag and figured out a way to do it,” writing, producing and directing an indi-feature called I Really Love My Husband.
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881. Film in the Age of Consent
Filmmaker/ professor Michele Meek shares her thoughts about changing sexuality in teen films, how rom-coms often rely on a non-consent premise and about her wish that writers put their sex scenes on the page.
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880. Story to Script
From "safety nets” to “act three payoffs," Pilar goes solo to talk about what she’s learning while working with writers Story to Script.
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879. Not Another Deaf Story
Writer/director Hilari Scarl discusses her latest multi-media work, Not Another Deaf Story, written and performed with deaf actors on stage and on screen.
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878. Making It
Writers Chris Lawing and Alex Grossman have independently made the movies they’ve written and prepare to makes more! Here they talk about how they’ve pulled it off and what they’ve learned along the way.
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Good stuff (but…)
This is a good podcast with good info but I wish Pilar could just jump right into the Podcast theme. I find it hard to listen to first minutes where Pilar and the guests are “warming up” to the conversation. They perhaps could warm up with the microphone turned off and then turn it on when they are ready to go? I’m trying to be constructive because the podcast has good stuff going. I find it hard listening to podcasts where people laugh a lot, that’s all. I feel like I’m left out. Cheers