143 episódios

Hosted by Jimmy Bernasconi, Sacred Cinema explores the rich history of cinema and asks what the stories of the silver screen can teach us about ourselves, other people and the surrounding world.

Sacred Cinema 2XXFM - Sacred Cinema

    • TV e cinema

Hosted by Jimmy Bernasconi, Sacred Cinema explores the rich history of cinema and asks what the stories of the silver screen can teach us about ourselves, other people and the surrounding world.

    Clingers - 'Play Misty for Me' (1971) d. Clint Eastwood, 'The Cable Guy' (1996) d. Ben Stiller & 'The Piano Teacher' (2001) d. Michael Haneke

    Clingers - 'Play Misty for Me' (1971) d. Clint Eastwood, 'The Cable Guy' (1996) d. Ben Stiller & 'The Piano Teacher' (2001) d. Michael Haneke

    What should we be cautious of when it comes to clingyness? Are there ever broader sociocultural elements at play when someone gets clingy? Is there ever a lot at stake when someone gets clingy? As the television program 'Baby Reindeer' continues to permeate the culture, this week's episode looks at three films depicting 'clingyness'.



    Email us at contact@jimmybernasconi.com


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    • 29 min
    Private Investigators - 'The Long Goodbye' (1973) d. Robert Altman, 'Ace Ventura: Pet Detective' (1994) d. Tom Shadyac & 'I Heart Huckabees' (2004) d. David O. Russell

    Private Investigators - 'The Long Goodbye' (1973) d. Robert Altman, 'Ace Ventura: Pet Detective' (1994) d. Tom Shadyac & 'I Heart Huckabees' (2004) d. David O. Russell

    In what ways is privacy appealing? At what point does coolness verge into eccentricity? How is the avoidance of philosophical dogma paradoxical? In this week's episode we contemplate the extent to which privacy, as a symbol of pure independence, can assist in our search for truth.



    Email us at contact@jimmybernasconi.com


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    • 29 min
    Side-Switchers - 'The Bridges of Madison County' (1995) d. Clint Eastwood, 'Match Point' (2005) d. Woody Allen, 'Challengers' (2024) d. Luca Guadagnino

    Side-Switchers - 'The Bridges of Madison County' (1995) d. Clint Eastwood, 'Match Point' (2005) d. Woody Allen, 'Challengers' (2024) d. Luca Guadagnino

    Can cheating be romantic? Is the fate of cheaters determined by justice or luck? Does cheating reveal anything useful about those it victimises? Building on previous episodes on infidelity, this week's episode looks at the borders, divides and connections that are illuminated in films about disloyal lovers.



    Email us at contact@jimmybernasconi.com


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    • 29 min
    Shooting Violence - 'Peeping Tom' (1960) d. Michael Powell, 'Nightcrawler' (2014) d. Dan Gilroy & 'Civil War' (2024) d. Alex Garland

    Shooting Violence - 'Peeping Tom' (1960) d. Michael Powell, 'Nightcrawler' (2014) d. Dan Gilroy & 'Civil War' (2024) d. Alex Garland

    Is voyeurism of the violent a sickness? How might modern society encourage psychotic behaviour? What role might emotion play in the face of conflict? Following some related conversations in recent weeks, this week's episode focuses on three depictions of capturing violence on camera.



    Contact us at contact@jimmybernasconi.com


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    • 29 min
    Bohemian Triangles - 'Jules and Jim' (1962) d. François Truffaut, 'The Dreamers' (2003) d. Bernardo Bertolucci & 'Vicky Cristina Barcelona' (2008) d. Woody Allen

    Bohemian Triangles - 'Jules and Jim' (1962) d. François Truffaut, 'The Dreamers' (2003) d. Bernardo Bertolucci & 'Vicky Cristina Barcelona' (2008) d. Woody Allen

    Can the thirst for the alternative devolve into chaos? Do we ever search too far inward for bohemian values? Is there an ideal time to depart from the unconventional? Building on a brief discussion from last week, this week's episode examines the curious reoccurrence of bohemian culture being explored on screen through 'triangular' character dynamics.



    Contact us at contact@jimmybernasconi.com


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    • 29 min
    All Roads Lead to Rome - 'Rome, Open City' (1945) d. Roberto Rossellini, 'La Dolce Vita' (1960) d. Federico Fellini & 'Il Divo' (2008) d. Paolo Sorrentino

    All Roads Lead to Rome - 'Rome, Open City' (1945) d. Roberto Rossellini, 'La Dolce Vita' (1960) d. Federico Fellini & 'Il Divo' (2008) d. Paolo Sorrentino

    What is the fate of a once great empire after it has comprehensively fallen? How do we find our bearings in places filled with all walks of life? From where is modern political power sourced? In focusing on films set in Rome, this week's episode considers the history of Western civilisation and contemplates whether it is underpinned by any timeless values.

    Email us at contact@jimmybernasconi.com


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    Send in a voice message: https://podcasters.spotify.com/pod/show/2xxfm-sacredcinema/message

    • 29 min

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