Settling the Score Jon & Andy
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- TV e cinema
Join Jon and Andy as they explore the world of film music, one score at a time. Each episode is an in-depth discussion of a classic film score: what makes it tick, how it serves the movie, and whether it's, you know, any good. It's a freewheeling, opinionated conversation with an analytical bent, richly illustrated with musical examples. No expertise required.
The series began by tackling “100 Years of Film Scores," the AFI's list of (purportedly) the 25 greatest scores in American cinema history, and now draws from a broad range of distinguished scores old and new.
Jonathan Dinerstein writes music for film and television in Hollywood. Andy is a pianist and music director. They've been chatting together about movie music for 20 years.
Support the show at Patreon.com/SettlingtheScore.
Write us at scoresettlers@gmail.com.
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Double Indemnity
Jon and Andy go straight down the line through Miklós Rózsa's score for the 1944 film noir classic Double Indemnity. Which elements of this music sound like noir, and which don’t? Why do we enjoy stories about bad people? And, where’s a good spot in L.A. to sneak into if you want to hear some Schubert?
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2024 Oscars Special
It’s time again for Jon and Andy to strip away the phony tinsel of Hollywood and find the real tinsel underneath, as they consider this year’s Oscar nominees for Best Original Score. Is it possible that our hosts are feeling less cranky this year? What are some different ideas these movies have for using music to fill time? And, did you notice that this episode is still shorter than two of these five nominated films?
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The Conversation
Come and eavesdrop on Jon and Andy discussing David Shire’s score for the 1974 surveillance mystery drama The Conversation. What does Shire's solo piano music express about the main character? How are the themes of the movie embodied in its world of sound? And, will Fred Flintstone be a good father?
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Name That Score! 2
Surprise! It’s time for a break from the bucket: Jon and Andy look back at all the scores they’ve talked about since the end of the AFI list, and Andy puzzles Jon with another needle-drop quiz. Can Jon remember all this music? Can you remember it better than Jon? And, like, what have our hosts even been talking about this whole time?
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How to Train Your Dragon
This time Jon and Andy train their attention on John Powell’s score for the 2010 animated fantasy adventure How to Train Your Dragon. Just how many themes does this score have? Might their meanings change with repeat viewings? And, what rhythmic pattern will Jon finally let Andy talk about?
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There Will Be Blood
In this episode Jon and Andy drink up Jonny Greenwood’s score for Paul Thomas Anderson’s 2007 period drama There Will Be Blood. How does Greenwood’s music seem to get so deeply inside your head? What lines can be drawn between it and his work for Radiohead? And, is either of us even close to getting the Daniel Plainview voice right?