Can't Get Much Higher Chris Dalla Riva

Clarinet players aren’t sex symbols. I say this with no disrespect for those that play the single-reeded woodwind. But if you asked a random person on the street to name a clarinet player, I suspect most couldn’t come up with one, let alone one known for their good looks. Then again, this isn’t a particular indictment of clarinetists. If you asked that same person to name a sexy musician, I’d bet a large sum of money they’d name a vocalist.
This wasn’t always the case, though. Go back to the 1930s and 1940s, and some of the biggest pop stars didn’t sing. They just played an instrument. This week I want to explore this radical shift.
As a reminder, this is the podcast version of the newsletter Can’t Get Much Higher. Click here to read the newsletter. It contains charts, graphs, and pictures that will color your listening. Click here to listen on Apple or Spotify. For a playlist of every new song that I’ve recommended, click here. For a playlist of every old song that I’ve recommended, click here. If you want to here songs and their answer songs, check out this playlist that I made on Spotify.


This is a public episode. If you’d like to discuss this with other subscribers or get access to bonus episodes, visit chrisdallariva.substack.com/subscribe

I've got a new song out today. It's called "Late Nite Kicks". In today's podcast, I give you an inside scoop of how my creative process works as we walk through how the song came to be. Listen to "Late Nite Kicks" wherever you stream music.
As a reminder, this is the podcast version of the newsletter Can’t Get Much Higher. Click here to read the newsletter. It contains charts, graphs, and pictures that will color your listening. Click here to listen on Apple or Spotify. For a playlist of every new song that I’ve recommended, click here. For a playlist of every old song that I’ve recommended, click here. If you want to here songs and their answer songs, check out this playlist that I made on Spotify.


This is a public episode. If you’d like to discuss this with other subscribers or get access to bonus episodes, visit chrisdallariva.substack.com/subscribe

Over the last few weeks, there has been an explosive beef between hip-hop stalwarts Drake and Kendrick Lamar. What started out as a standard tit-for-tat has devolved into a volleying of nuclear bombs, accusations of predatory behavior, domestic violence, and absentee parenting flying with abandon. If you want a summary of a situation that is starting to require way too much time to follow, I recommend these pieces from Stereogum and Pitchfork. Nevertheless, this back-and-forth got me thinking about how hip-hop diss tracks are really part of a larger, less defamatory tradition.
As a reminder, this is the podcast version of the newsletter Can’t Get Much Higher. Click here to read the newsletter. It contains charts, graphs, and pictures that will color your listening. Click here to listen on Apple or Spotify. For a playlist of every new song that I’ve recommended, click here. For a playlist of every old song that I’ve recommended, click here. If you want to here songs and their answer songs, check out this playlist that I made on Spotify.


This is a public episode. If you’d like to discuss this with other subscribers or get access to bonus episodes, visit chrisdallariva.substack.com/subscribe

One of my favorite newsletters is Dan Epstein's Jagged Time Lapse. In each edition, Epstein captures how music intersects with our lives in unexpected ways, how it can send us hurtling through space and time, how it can be both magical and mundane. This week, Epstein brings one of his stories to Can't Get Much Higher. If you enjoy it, make sure you subscribe to Jagged Time Lapse.
As a reminder, this is the podcast version of the newsletter Can’t Get Much Higher. Click here to read the newsletter. It contains charts, graphs, and pictures that will color your listening. Click here to listen on Apple or Spotify. For a playlist of every new song that I’ve recommended, click here. For a playlist of every old song that I’ve recommended, click here.


This is a public episode. If you’d like to discuss this with other subscribers or get access to bonus episodes, visit chrisdallariva.substack.com/subscribe

Beyoncé announcing the lead single to her latest album Cowboy Carter in a Verizon commercial during the Super Bowl reminded me of how intertwined music and commerce have become and how selling out isn’t an idea anymore. This week we try to figure out what happened to selling out.
As a reminder, this is the podcast version of the newsletter Can’t Get Much Higher. Click here to read the newsletter. It contains charts, graphs, and pictures that will color your listening. Click here to listen on Apple or Spotify. For a playlist of every new song that I’ve recommended, click here. For a playlist of every old song that I’ve recommended, click here.


This is a public episode. If you’d like to discuss this with other subscribers or get access to bonus episodes, visit chrisdallariva.substack.com/subscribe

In 2023, only 36% of recorded music revenues in Japan came from streaming. 55% came from physical sales, the large majority of which was from CDs. This week we explore why CDs remain so popular in Japan.
As a reminder, this is the podcast version of the newsletter Can’t Get Much Higher. Click here to read the newsletter. It contains charts, graphs, and pictures that will color your listening. Click here to listen on Apple or Spotify. For a playlist of every new song that I’ve recommended, click here. For a playlist of every old song that I’ve recommended, click here.


This is a public episode. If you’d like to discuss this with other subscribers or get access to bonus episodes, visit chrisdallariva.substack.com/subscribe