The Film Board TruStory FM

Pete, Tommy, and Steve put themselves in a box with a golden bird meant for a zoo and they all just wait for an audience. You might think we’re talking about podcasting. No, we’re podcasting about the latest from the family Night Shyamalan with Ishana Night Shyamalan’s debut, THE WATCHERS.
What’s going on with this movie? Why does it … you know… do what it does? It’s beautiful, there’s no doubt about it. But as lovely as it is, it’s just as confusing. Our challenge this week is not to come up with all kinds of great reasons for you to see it. Not at all. Our challenge this week is to justify why we can come up with all kinds of reasons why you probably shouldn’t.

Film Sundries
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On the latest episode of The Film Board, Pete Wright and panelists Steve Sarmento, Tommy Metz III, and Ocean Murff dive deep into the dystopian world of Furiosa: A Mad Max Saga.
The long-awaited prequel to Mad Max: Fury Road tells the origin story of the fierce warrior Furiosa, played by Anya Taylor-Joy. Director George Miller returns to the wasteland, crafting a film that is part Shakespearean saga, part high-octane action thriller.
The panelists grapple with the movie's themes of survival, hope, and what it means to be human in a brutal world. They explore how the episodic structure, marked by chapter breaks, sets Furiosa apart from its predecessor.
While some argue the stakes feel lower since the ultimate fates of key characters are known, others find the emotional journey compelling nonetheless. The film's focus on Furiosa's transformation from a child of the Green Place into a hardened imperator is what gives it heart.
Questions arise about the movie's reliance on CGI compared to the more practical effects of Fury Road. But even when the visuals falter, the panelists agree Miller's daring vision still shines through.
Tune in for a lively discussion that covers everything from Furiosa's tragic loss to Chris Hemsworth's divisive turn as an over-the-top villain. With thoughtful analysis and a few friendly disagreements, The Film Board crew takes you on an engrossing ride through the Mad Max universe.
Furiosa: A Mad Max Saga may not be the movie everyone expected, but it's certainly one that gives fans plenty to talk about.
Film Sundries
Hear The Next Reel’s conversations about the films of the Mad Max sagaWatch this on Apple or Amazon, or find other places at JustWatchTheatrical trailerOriginal MaterialLetterboxdThe Souvenir on Trailer RewindThe Adrian Moment on TruStory FM
Learn how to support our show and The Next Reel’s family of film podcasts by becoming a member. It's just $5 monthly or $55 annually. Learn more here.
Join the conversation with movie lovers from around the world in our Discord community!
Here’s where you can find us around the internet:
The WebLetterboxdFlickchartCheck out poster artwork for movies we’ve discussed on our Pinterest pagePeteJJOceanSteveTommyAndyWhat are some other ways you can support us and show your love? Glad you asked!
You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE.Or buy or rent movies we’ve discussed on the show from our WATCH PAGE.Or buy books, plays, etc. that was the source for movies we’ve discussed on the show from our ORIGINALS PAGE.Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT.Or sign up for AUDIBLE.

The Film Board gathers! This month, host Justin Jaeger is joined by Steve Sarmento and Tommy Metz III to litigate Alex Garland's provocative new film "Civil War." The movie depicts a dystopian near-future America fractured by a second civil war, following a group of journalists on a perilous trek to interview the authoritarian president.
We dive into the film's central themes—what it means to bear witness to war, how allegiances break down in times of chaos, and whether the movie serves more as a warning or simply a brutal glimpse of "what if." We debate Garland's motivations in making the film now, at a time when a shocking 40% of Americans believe a civil war could happen in the next decade.
JayJay, with his background in TV journalism, scrutinizes the portrayal of war photographers and the language they use. Steve sees Apocalypse Now in the journey into the heart of darkness. And Tommy ponders if the film depicts how quickly social order and humanity could unravel in a new American civil war.
The discussion touches on the graphic war violence that eventually numbs the viewer, mirroring the journalists' experience. We question if the movie succeeds more in its fictionalized character studies than its social commentary over the ambiguous world-building around the politics of the fractured states.
We grapple with the unsettling implications of Civil War. Is it a sensationalized dystopian vision, an urgent cautionary tale, or a mix of both? The differing perspectives make for a solid conversation about one of the year's polarizing films.
Film Sundries
Watch this on Apple or find other places at JustWatchTheatrical trailerLetterboxdThe Next Reel’s Family of Film Podcasts
Cinema ScopeThe Film BoardFreely Adapted (coming soon!)Movies We LikeThe Next ReelThe Next Reel Shorts (retired)One Minute for Old Men (coming soon!)The Saturday Matinée (retired)Silver Linings (retired)Sitting in the DarkThree of a Kind (retired)Trailer Rewind (retired)
Learn how to support our show and The Next Reel’s family of film podcasts by becoming a member. It's just $5 monthly or $55 annually. Learn more here.
Join the conversation with movie lovers from around the world in our Discord community!
Here’s where you can find us around the internet:
The WebLetterboxdFlickchartCheck out poster artwork for movies we’ve discussed on our Pinterest pagePeteJJOceanSteveTommyAndyWhat are some other ways you can support us and show your love? Glad you asked!
You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE.Or buy or rent movies we’ve discussed on the show from our WATCH PAGE.Or buy books, plays, etc. that was the source for movies we’ve discussed on the show from our ORIGINALS PAGE.Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT.Or sign up for AUDIBLE.

In this inaugural episode of Cinema Scope, host Andy Nelson is joined by professors Leon Hunt and Chris Hamm to explore the captivating world of wuxia, a Chinese film genre that blends philosophy, action, and legend. They discuss the key elements that define wuxia, such as the chivalrous heroes, period settings, and fantastical elements, as well as the concept of jianghu, a unique world within wuxia stories.
Leon and Chris trace the evolution of wuxia from its roots in early Chinese literature to its influence on other genres, including Hollywood blockbusters. They also highlight notable works like A Touch of Zen, The Bride with White Hair, and Crouching Tiger, Hidden Dragon, analyzing their contributions to the development and popularity of wuxia cinema.
This engaging and informative episode will deepen your appreciation for the richness and complexity of the wuxia genre, inspiring you to explore more of these captivating films.
Film Sundries
Recommended and Discussed MoviesCome Drink With Me on Apple, Amazon, and JustWatchGolden Swallow on Apple, Amazon, and JustWatchThe New One-Armed Swordsman on Apple, Amazon, and JustWatchA Touch of Zen on Apple, Amazon, and JustWatchThe Magic Blade on Apple, Amazon, and JustWatchLast Hurrah for Chivalry on Apple, Amazon, and JustWatchThe Butterfly Murders on Apple, Amazon, and JustWatchSwordsman II on Apple, Amazon, and JustWatchThe Bride with White Hair on Apple, Amazon, and JustWatchCrouching Tiger, Hidden Dragon on Apple, Amazon, and JustWatchOur Letterboxd ListDr. Leon Hunt’s booksKung Fu Cult MastersMario Bava: The Artisan as Italian Horror AuteurChris Hamm’s booksThe Unworthy Scholar from Pingjiang: Republican-Era Martial Arts FictionPaper Swordsmen: Jin Yong and the Modern Chinese Martial Arts Novel
Learn how to support our show and The Next Reel’s family of film podcasts by becoming a member. It's just $5 monthly or $55 annually. Learn more here.
Join the conversation with movie lovers from around the world in our Discord community!
Here’s where you can find us around the internet:
The WebLetterboxdFlickchartCheck out poster artwork for movies we’ve discussed on our Pinterest pagePeteJJOceanSteveTommyAndyWhat are some other ways you can support us and show your love? Glad you asked!
You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE.Or buy or rent movies we’ve discussed on the ...

In the vast expanse of cinematic storytelling, few tales grip the imagination like Frank Herbert's "Dune." As Denis Villeneuve's vision unfolds in "Dune: Part Two," the Film Board gathers to unravel the complex tapestry of prophecy, power, and the perils of messianic fervor.
Pete Wright, along with acolytes Steve Sarmento and Matthew Fox, embark on a journey through the dunes of Arrakis, where the line between hero and conqueror blurs like a mirage. As Paul Atreides grapples with his destiny, the specter of religious manipulation looms large, a testament to Herbert's prescient critique of the weaponization of faith.
Yet, in the hands of Villeneuve, the narrative takes on new dimensions. Chani, once relegated to the sidelines, emerges as a voice of reason amidst the swirling sands of fanaticism. Her perspective challenges not only Paul but the audience, forcing us to confront the seductive allure of the messianic trap.
The parallels between Herbert's world and our own become increasingly apparent. The Film Board dissects the Abrahamic roots of the messianic mythos, tracing the threads that bind the Fremen's fervor to the real-world complexities of organized religion and the mobilization of indigenous peoples.
In the end, "Dune: Part Two" emerges as more than a mere sequel; it is a mirror held up to our own struggles with faith, power, and the consequences of unchecked belief. As the credits roll and the twin moons of discourse and reflection set, we are left to ponder the eternal question: in the face of prophecy, do we have a choice, or are we all swept up in the inexorable tide of destiny?
Film Sundries
Watch this on Apple or Amazon, or find other places at JustWatchTheatrical trailerOriginal MaterialLetterboxd
Learn how to support our show and The Next Reel’s family of film podcasts by becoming a member. It's just $5 monthly or $55 annually. Learn more here.
Join the conversation with movie lovers from around the world in our Discord community!
Here’s where you can find us around the internet:
The WebLetterboxdFlickchartCheck out poster artwork for movies we’ve discussed on our Pinterest pagePeteJJOceanSteveTommyAndyWhat are some other ways you can support us and show your love? Glad you asked!
You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE.Or buy or rent movies we’ve discussed on the show from our WATCH PAGE.Or buy books, plays, etc. that was the source for movies we’ve discussed on the show from our ORIGINALS PAGE.Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT.Or sign up for AUDIBLE.

The spy action comedy "Argylle" arrives in theaters this month with an all-star cast but mixed critical reviews. The film comes from director Matthew Vaughn, known for stylized spy franchises like "Kingsman." It also represents Apple TV+'s most ambitious foray into major theatrical releases to date.
"Argylle" stars Henry Cavill as the titular super spy, alongside Bryce Dallas Howard, Sam Rockwell, Bryan Cranston, Catherine O'Hara and others. The convoluted plot involves uncovering a global conspiracy which is the cinematic equivalent of a snake eating another snake that is eating a USB stick.
But the major talking point is a surprise twist ending that just does some stuff to Vaughn’s cinematice universes. Vaughn has hinted at ambitions to build a spy movie universe for years. The "Argylle" twist formally bridges a bunch of his prior work.
But box office has been soft for recent Vaughn spy installments, raising questions about appetite for an interconnected spy world. "Argylle” is underperforming right now.
The film's source novel also has an unusual backstory. Vaughn originally wanted to adapt "I Am Pilgrim," but couldn't secure rights. So he enlisted that book's author Terry Hayes along with Tammy Cohen to pen an "Argylle" novel as if it were written by Bryce Dallas Howard's character. That doesn’t make the story of the movie any easier.
Film Sundries
Watch this on Apple or find other places at JustWatchTheatrical trailerArgylle: A NovelLetterboxd
Learn how to support our show and The Next Reel’s family of film podcasts by becoming a member. It's just $5 monthly or $55 annually. Learn more here.
Join the conversation with movie lovers from around the world in our Discord community!
Here’s where you can find us around the internet:
The WebLetterboxdFlickchartCheck out poster artwork for movies we’ve discussed on our Pinterest pagePeteJJOceanSteveTommyAndyWhat are some other ways you can support us and show your love? Glad you asked!
You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE.Or buy or rent movies we’ve discussed on the show from our WATCH PAGE.Or buy books, plays, etc. that was the source for movies we’ve discussed on the show from our ORIGINALS PAGE.Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT.Or sign up for AUDIBLE.