Thoroughly Good Classical Music Podcast Thoroughly Good Classical Music Podcast

Organist and pianist James McVinnie is Artist in Residence at Southbank Centre in London this year. His programming like many of his recordings often juxtaposes old and new These juxtapositions can bring about a delicious kind of cognitive shift for the listener. James explored his art, his approach to performance and explains more about his fascination with the intersection between baroque and minimalism.



Recommended recording: Counterpoint, 2021
🎧https://open.spotify.com/album/1YaUdmi1BHvotzVS95uuqj?si=L10oITkmRp-uw8syTud7og

Conductor, organist, harpsichordist and lovely man Ton Koopman riffs on the joys of JS Bach at BachFest in Leipzig, ahead of his festival in the Dordogne - Itineraire Baroque - where he and the Amsterdam Baroque Orchestra will be performing Bach’s St John Passion.

Jon Jacob speaks to ETO General Director Robin Norton-Hale and members of the cast and production team about the English Touring Opera production of Blond Eckbert that opens the 75th Aldeburgh Festival on 7th June 2024.

How can recontextualising classical music help build a new audience for the genre? Classics Explained YouTube producer Ben Levy explores the opportunities he's discovered using animation to tell the story of some of classics most-loved works, and some of the pushback he's received doing so.

This episode spotlights a new release from cellist Tim Posner. Recorded weeks ago, this episode has I'm sorry to say been subject to all manner of technical challenges. Publication has been delayed as a result. But all good things come to those who wait. And this is GOOD.
Tim Posner's debut album includes music by Bloch, Bruch and Dohnanyi is a case in point. The music speaks for itself (especially the rarely heard Konzertstucke by Dohnanyi) Posner's playing is full bodied, heartfelt and huggable, if you know what I mean. A Thoroughly Good highlight of 2024.

Hailstones, frogs and sexy trills. Monteverdi Choir's director Peter Whelan joins Amy Wood and Nick Pritchard to introduce the detail and the colour in Handel's oratorio Israel in Egypt.