F***ing Shakespeare Bloomsday Literary

Phuc and Kate speak with the acclaimed and straight-up luminous Texas Poet Laureate, ire’ne lara silva, at the 2023 Writer’s Family Reunion sponsored by Writespace.
We had the opportunity to chat about her process, the bold and unapologetic treatment of grief in her writing, and how she finds cracks of light in the depths. silva, who is an inductee in the Texas Institute of Letters and an inaugural CantoMundo fellow, runs a workshop called “Forget Discipline,” where she and fellow writers practice the art of creating without constraints. Though she has authored books of poetry, short stories, and a forthcoming comic book, silva hardly considers herself prolific. “I’ve spent hours debating a comma,” she quipped in response to this characterization of her work, “I don’t let anything go until I’m ready.” 
Perhaps these principles are what drive her acclaimed work, which has been described as “candid and fearless.” True to this portrayal, silva’s work is unafraid of approaching heavier themes, and she recognizes this authenticity and honesty as critical to creating a space where readers can see themselves in her stories. This approach lends itself well to silva’s exploration of grief in many of her works, which she artfully conceives of as a transformative process that signifies the importance of those close to us in our lives. Concluding with an elegant summation of her creative process, silva muses, “what’s the point of transforming all these things if it’s not to live a joyous life, if it’s not to find love and friends and work worth doing and to appreciate our creativity?”
We couldn’t have asked for a more fitting conclusion for season 6 of the podcast. Stay tuned for more from the desks of Bloomsday Literary. If you’ve heard all the podcast episodes, and still want more, we have short interviews with publishing insiders in our Instagram Live archive series called “Dear Sirs.” Check it out @bloomsdayliterary on IG.
Honorable mentions: 
Writer’s Workshop, Macondo Workshop (next workshop begins July 23, 2024!)
the eaters of flowers, Saddle Road Press 
silva’s books and reviews
for Uvalde by ire’ne lara silva











































































































Photo credit Jana Birchum

Enzo Silon Surin writes, composes, and publishes artifacts on the “witness continuum”—art that he says “pays homage to the culture in which it was formed” and the necessity of generational change. Surin’s work spans librettos commissioned by the Boston Opera Collaborative, four poetry collections, and a musical-in-the-making. He also founded Central Square Press, an independent publisher of works that “reflect a commitment to social justice in regards to African-American, Caribbean, and Caribbean-American communities.”
We had the pleasure of chatting with Surin about how he came to writing as means of documentation—from intuitively producing plays and operas about his childhood in Queens to developing his 10-minute play, “Last Train” (which has a forthcoming operatic adaptation). We discussed the juxtaposition of violence and tenderness in his collection, When My Body Was A Clinched Fist, winner of the 21st Annual Massachusetts Book Awards. Between witnessing the coup that forced Surin from Haiti and the “social violence” he saw in New York, he says he grew up in “state of violence.” It was by becoming a “clinched fist” that Surin says he protected his innate compassion and resilience. Finally, Surin celebrates how writing “saved [his] life” and speaks from the corner of publishing he’s forged, where he’s found that real-life audiences hungry for quality work “already exist."
Honorable mentions
When My Body Was A Clinched Fist (recorded reading)
American Scapegoat
Central Square Press
Cheesy love songs in the style of Barry White











































































































Bloomsday Literary in partnership with Official 2023 AWP Conference and Bookfair

Does Alyson Sinclair sleep? We had to keep asking ourselves as we chatted it up with Alyson from the floor of AWP (Association of Writing and Writing Program)’s Conference and Bookfair. She’s done it all when it comes to the writing world—bouncing between the bureaucracy of big-four publishers—um, she sent faxes to Seamus Heaney?—to the hustle and bustle world (emphasis on the hustle) of independent presses. Currently, Alyson is the Owner/Publisher at The Rumpus and founder of Nectar Literary, a boutique publicity and communications firm for authors, independent presses, and literary organizations of all ilk. 
Making literary community might just be the crux of our conversation. After learning that hunker-down-and-drink-tea-all-day-with-page-turny-manuscripts editorial roles are not the default at an eye-opening internship, she turned to publicity. Connecting authors to the broader writing ecosystem thrilled her. Publicity and pitching media, in Alyson’s eyes, is a fascinating form of problem solving. Her insight comes from a wide range of experiences in all corners of our ecosystem, spanning from soliciting advertising at a magazine, to setting off individually in the convoluted publishing universe, to coexisting with other literary collectives that share the same mission. Let’s just say—both before and after soaking in this conversation—Bloomsday is a certified Alyson Sinclair fangirl. 
Honorable Mentions:
Independent Press, Alice James Books
Independent Press, City Lights
Literary Network, Community of Literary Magazines and Presses (CLMP)
Literary Magazine, Crazyhorse
Nonprofit Publisher, Graywolf Press
Director of Coffee House Press, Mark Haber
Nonprofit Publisher, McSweeney’s
Seamus Heaney
Yusef Komunyakaa











































































































Audio by Bloomsday Literary in partnership with the official 2023 AWP Conference & Bookfair

As Program Director of the Community of Literary Magazines and Presses (CLMP), Chelsea Kern is the glue that holds so much of the indie literary world together, advocating for mission-driven independent publishers and magazines—and, with equal importance, introducing readers to the work this community produces. It is clear from our conversation, she has a passion for seeing big projects through to completion.
We discussed the constant that is CLMP and how the literary landscape has transformed since the organization’s founding in 1967—becoming increasingly global and digital. CLMP, with Chelsea’s leadership, has taken these changes in stride with webinars, newsletters (that Bloomsday archives for reference religiously), and a listserv for magazines and presses to ask and answer each other’s questions. As a proud member of CLMP, we can confirm that this listserv is one of the crown jewels/hidden gems of the organization, which always saves us from having to reinvent the wheel when it comes to oddly specific publishing questions Google doesn’t have the answer to. We also explored Chelsea’s personal journey, from a CLMP fellow working in Diversity & Inclusion to Program Director. A go-between who works to connect us needy presses with the grant gods themselves, she has spearheaded vital programs like the Literary Arts Emergency Fund. Chelsea could be considered literary royalty, but she is a magnanimous monarch. We are grateful to have shared space with her in this episode.
Honorable Mentions:
Literary Advocacy Organization, Academy of American Poets
Fellowship Program, American Council of Learned Societies
Grant, Literary Arts Emergency Fund
Literary Coalition, LitNet
Literary Foundation, National Book Foundation
Writing Mentorship Program, Writers in the Schools (WITS) 











































































































Audio by Bloomsday Literary in partnership with the official 2023 Conference and Bookfair

Poetry “carr[ies] the most human of voices” for Deema Shehabi, a Palestinian-American writer whose work has appeared in publications including The Poetry of Arab Women: A Contemporary Anthology and Kenyon Review. Shehabi earned her undergraduate degree in History and International Relations from Tufts University and Master’s in Journalism from Boston University, previously served as the vice president of the Radius of Arab American Writers, and has received four Pushcart prize nominations. She is the author of Thirteen Departures from the Moon and Diaspo/Renga, the latter of which she co-wrote with Marilyn Hacker. 
In this episode, Shehabi shares how Diaspo/Renga emerged out of four years of email correspondence with Hacker. Together, we celebrate the collection as a testament to the “private humanity” between its two poets. Shehabi also speaks to the homes she’s found in Palestine, Kuwait, and California and the “perpetual expansion and contraction” that accompanies exile and return in her life. In negotiating this state of flux in her relationship with language, Shehabi talks about the burden of translation and always having to “teach people how to read” when she writes. Finally, Shehabi gifts us a striking reading of her poem, “Tracery of Dune and Chamomile,” which is modeled after Marie Howe and gazes upon the truth of humanity and intersections.
Honorable Mentions
Radius of Arab American Writers 
Diaspo/Renga
Edward Said, “Reflections on Exile”
Naomi Shihab Nye
“Migrant Earth”, featured as Poem-a-Day on Poets.org











































































































Audio by Bloomsday Literary in partnership with the official 2023 AWP Conference & Bookfair






























































































Photo credit: Omar F. Khorsheed







































































































 

Exploring the specificities of a diaspora while also calling upon ancestral experiences is just one of the many threads Maha Ahmed weaves through her poetry. Like many members of diasporic communities, Maha’s experiences as an Egyptian American do not always resemble the grossly generalized “immigrant story.” We had the opportunity to chat with Maha about writing herself out of this pigeonhole, as well as how she experiences life as a student, scholar, and poet.
She received her MFA at the University of Oregon, and is now a literature and creative writing PhD candidate at the University of Houston (Go Coogs!). She specializes in colonial Egypt, Arab-American diasporic literature, and Arabic to English translation. We talked with her about Rusted Radishes, a Beirut-based literary magazine, and the big-city-but-small-world way she was offered the position as its poetry editor.
We dive deep into the US-centric and profoundly skewed notion that immigrants’ stories only matter once they land on US soil. It is exactly for that reason, Maha insists, people of the diaspora can acknowledge ancestral ties to a place even when it may feel uncomfortable to do so with a hyphenated or dual identity. 

Honorable Mentions: 
Rusted Radishes
Ars Poetica, published in The Recluse, Issue 17
Professor Tim Mazurek



























 


























































































































































































































































































































































Audio by Bloomsday Literary in partnership with the official 2023 AWP Conference & Bookfair