GHOST KINO Connor Beckett McInerney, Astro Rys, Éire Ó Gallachóir

The gang totally wouldn't rob a bank for the record (in Call of Duty). Ghost Kino layabouts get together for another film that's, as the kids might say, "gay af," talking about Sidney Lemet's 1975 dramedy Dog Day Afternoon, which as an electric performance by Al Pacino and other stage-trained actors. Our discussion veered into queerness's inherently political dimensions, how Wojtowicz really was the antihero of the early 70s, and more. Enjoy!
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“All the things the homos like, I hate” can be etched on each our tombstones. The Ghost Kino Institute for Gays Who Can’t Do Film Analysis Good (And Want to Learn How to Do Other Stuff Good Too) go in on Greg Araki’s seminal 93 flick Totally F****d Up, a representation of queer youth in 90s LA that — shockingly — has a class angle to it? (Who would’ve thought the queers also have to pay their rent what a concept). Along the way we’ll talk about how non-gay-best-friend qualities are cast aside by str*ghts, the Modernist outlook in the wake of the AIDS crisis that informed this film, and the importance of chosen family (Astro and Eire if you read this episode description I include to two of y’all in that designation btw love you both).
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If you can’t beat em, join em (and then beat em). The Ghost Kino Gang discusses the 1973 flick “The Spook Who Sat by the Door,” an excellent, rad as heck movie about an ex-CIA asset who trains Black freedom fighters in Chicago to uproot and dismantle the state through militant organizing. Discussions veer heavily into how this film is (unfortunately) still as relevant today as it was nearly 50 years ago, parallels between the fictional orgs in this flick and IRL, and the sacrifices necessary to build a better world.
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TW: There is a brief discussion of SA, sexual misconduct at 17:55, which ends at 20:20.
Yeah can I get uhhhhhhhhhh eighth of spice delivered to Ridgewood, Queens? The Ghost Kino Cultural Vanguard goes in on David Lynch’s 1984 flop Dune in a split-vote roundtable that answers once and for all — is this film actually good? (Two nays, one yay). Along the way we talk about real world parallels (Iraq, Afghanistan, the CIA, the USSR, petrostates, that sort of thing) that were obvious influences to Frank Herbert’s source material, Kyle MacLachlan’s Messianic role in saving this film from becoming space trash, bad Arabic pronunciations, the CIA (again) and more. Spice is just LSD that powers your car btw.
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Serious unity on this episode amongst Catholic potato eating peoples. The gang cannonballs into the pool of divergent ideologies that is known as Ashes and Diamonds, a 1958 film by Polish director Andrzej Wajda that examines the immediate interwar period following the end of WWII. We chat about the film’s criticisms of hierarchy, how it can be viewed through an anarchist angle, and our mutual thirst for Zbigniew Cybulski (who was referred to as the “Polish James Dean” in his time). Also we’re not doing Sálo or The Phantom Menace next week as a head’s up bc we’re not emotionally equipped to tackle either film.
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Skol! May Day has come and gone, and so it’s time for the gang to go deep on Ari Aster’s 2019 release Midsommar, looking past the more obvious framing of this film as a “breakup movie” to look at the socio-political themes present beyond the frame (and inside the bear). Topics of discussion include the difference between socialism and national socialism, fascistic sacrifice, the ethnostate, hallucinogenics, John Cage, the 1980s Scandanivan black metal scene, attestupa, cultural relativism etc. Astro is wrong about anthropology majors btw some of us are good people (according to me Connor who writes the episode descriptions). Enjoy!
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