How to Navigate Downward Mobility as an Art Worker- Valerie Werder, Part 2 The Conversation Art Podcast

In the 2nd conversation with author, recovering art worker and academic Valerie Werder, she talks about: the travails of clothes shopping for her job in the blue-chip gallery, not only how fraught it was but how much it brought up class issues as she moved through the sartorial gauntlet, where her appearance as a frosty, inaccessible object was part of her role; the complicated variations of class when it comes to precarity and poverty, including a culture where those who are cultivating an aesthetic of bohemianism or even poverty are existing alongside those who are actually financially poor, the latter of whom sometimes don’t even have culture on their radar; her fictional and, perhaps, real relationship with the enigmatic character ‘Ted’ from her book Thieves, which is complex in its values, dependency, and deceptions, and which coincided with her own attraction to anarchism and anti-capitalism, and how ‘Ted’ in some ways embodied these tendencies; the complex social roles and hierarchies that Valerie is living within, and the experience of downward mobility while simultaneously being connected with an upper echelon of culture; how transitioning to the hierarchies and bureaucracies of Harvard was fairly smooth and easy after being in the blue-chip NY gallery world; and how while she still sporadically writes about art, she’s for all intents and purposes stepped out of the art world proper. NOTE: in the Bonus episode w/Valerie, she talks all about the very real shoplifting she participated in and is a main feature in Thieves.