8 min
My personal journey towards self-minimalization Garrison Keillor's Podcast
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- Samhälle och kultur
These days we’re in the era of the Personal Position Statement as we saw in the recent National Book Awards ceremony in New York. There is no NBA for humor because the event is all about Taking Ourselves Very Seriously As Compensation For Slights We Have Suffered From The Uncomprehending World. The winner of the poetry prize, a man from Guam, accepted it on behalf of the poets of the Pacific islands. The translation award was accepted on behalf of gay men, the nonfiction award on behalf of indigenous peoples. If I’d been given the NBA for Brief Amusing Essays, I would’ve needed to accept it on behalf of recovering fundamentalists or overlooked Midwesterners or the marginalized octogenarian and nothing would be said about literary quality.It was not always thus. I remember loving Theodore Roethke’s work, not as vindication of the humanity of bipolar persons, and James Wright’s, not as honoring the personhood of Ohioans, but because their poems were memorable, stuck with me, were beautiful to my ear, and still are, fifty years later.
This is a public episode. If you’d like to discuss this with other subscribers or get access to bonus episodes, visit garrisonkeillor.substack.com/subscribe
These days we’re in the era of the Personal Position Statement as we saw in the recent National Book Awards ceremony in New York. There is no NBA for humor because the event is all about Taking Ourselves Very Seriously As Compensation For Slights We Have Suffered From The Uncomprehending World. The winner of the poetry prize, a man from Guam, accepted it on behalf of the poets of the Pacific islands. The translation award was accepted on behalf of gay men, the nonfiction award on behalf of indigenous peoples. If I’d been given the NBA for Brief Amusing Essays, I would’ve needed to accept it on behalf of recovering fundamentalists or overlooked Midwesterners or the marginalized octogenarian and nothing would be said about literary quality.It was not always thus. I remember loving Theodore Roethke’s work, not as vindication of the humanity of bipolar persons, and James Wright’s, not as honoring the personhood of Ohioans, but because their poems were memorable, stuck with me, were beautiful to my ear, and still are, fifty years later.
This is a public episode. If you’d like to discuss this with other subscribers or get access to bonus episodes, visit garrisonkeillor.substack.com/subscribe
8 min