October Play It Again Swig
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- Dans och teater
Not practicing very much in the pandemic; Bach as comfort food (and an example of how muscle memory is totally unreliable); a perk of playing music by live composers; three of the Four Pieces for Piano by Katerina Ruzickova Pinosova; Valse Boheme by Celeste Heckscher (and some thoughts on ledger lines); Cortege by Lili Boulanger. […]
Not practicing very much in the pandemic; Bach as comfort food (and an example of how muscle memory is totally unreliable); a perk of playing music by live composers; three of the Four Pieces for Piano by Katerina Ruzickova Pinosova; Valse Boheme by Celeste Heckscher (and some thoughts on ledger lines); Cortege by Lili Boulanger. […]