Outspoken Maleny Steven Lang

Tony Birch is the acclaimed author of four novels, including The White Girl and Ghost River, as well as three short story collections and two books of poetry.
Most recently his short story collection Dark as Last Night won the New South Wales Premier's Christina Stead Prize for fiction, the Queensland Literary Award Steele Rudd prize and was shortlisted for the Prime Minister's literary prize. He has previously been awarded the Patrick White Literary Award for his contribution to Australian literature.

Professor Tony Birch has recently been appointed the third Boisbouvier Chair in Australian Literature at the University of Melbourne. Tony will be the third to take up the mantle previously held by two other literary greats, Richard Flanagan and Alexis Wright.

Women & Children follows the life of Joe Cluny. It is 1965 and he is living in a working-class suburb with his mum, Marion, and sister, Ruby, spending his days trying to avoid trouble with the nuns at the local Catholic primary school. One evening his Aunty Oona appears on the doorstep, distressed and needing somewhere to stay. As his mum and aunty work out what to do, Joe comes to understand the secrets that the women in his family carry, including on their bodies. Yet their pleas for assistance are met with silence and complicity from all sides.
Women & Children is a novel about the love and courage between two sisters, and a sudden loss of childhood innocence.

Melissa is the best-selling author of The Birdman's Wife, which won many awards, including the Qld Premiers/University of Queensland Fiction Award and the Neilsen Bookscan Award.
Her new novel is The Naturalist of Amsterdam.

At the turn of the 18th century, Amsterdam is at the centre of an intellectual revolution, with artists and scientists racing to record the wonders of the natural world. Of all the brilliant naturalists in Europe, Maria Sibylla Merian is one of its brightest stars.
For as long as she can remember, Dorothea Graff’s life has been lived in service to her mother, Maria: from collecting insects to colouring illustrations for Maria’s world-famous publications. While Dorothea longs for a life that is truly her own, she constantly finds herself drawn back into her mother’s world – and shadow.
From the jungles of South America to the bustling artists’ studios of Amsterdam, Melissa Ashley charts an incredible period of discovery. With stunning lyricism and immaculate research, The Naturalist of Amsterdam gives voice to the long-ignored women who shaped our understanding of the natural world – both the artists and those who made their work possible.

Sunbirds is set in Java during the Second World War - at the time of Japan’s inexorable move southwards - it depicts the intricate web of identities and loyalties created by war and imperialism, the heartbreaking compromises that so often ensue. Mirandi’s previous novel, Stone Sky Gold Mountain, won the 2020 Queensland Fiction Book Award and the inaugural ARA History Novel Prize. It was shortlisted for the 2021 Stella Prize and longlisted for the 2021 Miles Franklin Literary Award.

When David Marr set out to research the life of his great-grandmother the last thing he expected to find was a photograph of her father, dressed in the uniform of the Native Police.
As he writes: ‘I was appalled and curious. I have been writing about the politics of race all my career. I know what side I’m on. Yet that afternoon I found, in the lower branches of my family tree, Sub-Inspector Reginald Uhr, a professional killer of Aborigines… and his brother D’arcy… also in the massacre business.’
That curiosity, and the sense of being appalled, led him to research the activities of the Native Police, and, from there, to the writing of his new book, Killing For Country.
David is the author of a remarkable slew of books, which include his wonderful biography, Patrick White, a Life; Dark Victory (with Marian Wilkinson), and no less than six Quarterly Essays. He has written for The Sydney Morning Herald, The Age, The Saturday Paper and The Monthly, and was a reporter for Four Corners. He is the winner of three Walkley Awards and two honorary Doctorates. He is one of this country’s most esteemed journalists and authors. We are more than simply thrilled he’s coming to Maleny for a conversation about his new book.

A quote from Bookseller + Publisher: 'When researching a new book on George Orwell, powerhouse writer Anna Funder noticed an interesting omission—Eileen Orwell, George’s first wife, was curiously absent. The basis of Wifedom is six newly discovered letters from Eileen to her best friend, Norah. It incorporates other letters and facts from the Orwells’ lives and Funder’s exquisite imagining of Eileen’s days. By reading between the lines, piecing together letters, clues and mentions in other people’s diaries, and analysing George’s books and biographies, Funder conjures Eileen as intelligent, funny, dry and self-effacing. Through this process, she provides insight into Orwell that other biographers staunchly avoid mentioning: his womanising, his weakness, his cruelty, and his selfishness. Wifedom also includes the author’s reflections and questions about creative expression and the nature of art. What do you do when your favourite author was a misogynist? What does that mean for you as a reader, writer and wife? What are the conditions required to create art? Are you the wife or the writer? Can you ever be both? In its innovation and coherence, it is reminiscent of Erik Larson’s In the Garden of Beasts or Julian Barnes’s The Noise of Time. This intriguing work is a mix of styles and genres, blending academic research, literary reading and philosophical reflection into a riveting biography that not only rediscovers Eileen and paints a picture of a volatile period of history but also poses questions about what we value in art.'

Angela O’Keeffe’s new novel  The Sitter begins with ‘the author’ in an apartment in Paris, looking out towards the burnt shell of the Notre Dame Cathedral. She is, ostensibly, researching the life of Marie-Hortense Fiquet, but Hortense, dead these hundred years, seems to have, in some way, taken over the process of writing. Hortense was, of course, better known as the wife of Cézanne. He painted 29 portraits of her, in none of which she smiles.

This is a beautiful small novel, as tightly constructed as any of the portraits.

‘The Sitter is intricately crafted in this way – recurrences, transfigurations and adaptations of details are threaded across the work, their resonance and meanings shifting and changing along the way… For all of its interest in imagination and art, and in looking and being seen, The Sitter is at its heart a novel about grief and love – and their frequent intertwining – as well as the sacrifices that women are compelled to make for love, and the ways in which women might resist, and reclaim themselves – however long after the fact. ‘ Guardian Australia