New Books in History Marshall Poe

The Sisterhood: How a Network of Black Women Writers Changed American Culture (Columbia University Press, 2023) explores how an incredible group of Black women writers, including Alice Walker, June Jordan, Toni Morrison, Ntozake Shange, Audre Lorde, and writers and intellectuals convened an informal group called “The Sisterhood” and how they transformed American writing and cultural and educational institutions in the decades that followed. Thorsson traces the personal, professional, and political connections that led to the group’s emergence and explores the remarkable legacy. While focusing on the organizing, networking, and community building that nurtured Black women’s writing, The Sisterhood provides an impactful model of Black feminist collaboration.
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A Woman's Empire: Russian Women and Imperial Expansion in Asia (U Toronto Press, 2023) explores a new dimension of Russian imperialism: women actively engaged in the process of late imperial expansion. The book investigates how women writers, travellers, and scientists who journeyed to and beyond Central Asia participated in Russia's "civilizing" and colonizing mission, utilizing newly found educational opportunities while navigating powerful discourses of femininity as well as male-dominated science.
Katya Hokanson shows how these Russian women resisted domestic roles in a variety of ways. The women writers include a governor general's wife, a fiction writer who lived in Turkestan, and a famous Theosophist, among others. They make clear the perspectives of the ruling class and outline the special role of women as describers and recorders of information about local women, and as builders of "civilized" colonial Russian society with its attendant performances and social events. Although the bulk of their writings, drawings, and photography is primarily noteworthy for its cultural and historical value, A Woman's Empire demonstrates how they also add dimension and detail to the story of Russian imperial expansion and illuminates how women encountered, imagined, and depicted Russia's imperial Other during this period.
Katya Hokanson is an associate professor of Russian and Comparative Literature at the University of Oregon.
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In Master Lovers: A Twisted Puzzle of Love and Fascism (Outpost 19, 2023) author David Winner examines the complications of learning about the completex lives of family after they've passed. While clearing out his great aunt's midtown apartment after her death, Winner discovered artifacts of her storied existence: notes from opera stars, love letters and artifacts from the Middle East of the 1930's. His Aunt Dorle had been a co-founder of Angel Records and a prominent figure in the mid-century classical music world. But the more he learned about her world, the more complicated her story became, a twisted puzzle full of love and fascism, a record of a young woman grappling with her attraction to lovers with hair-raising political ties. A powerful work of family discovery, rooted in a bygone Midtown Manhattan and involving artists and politicians from around the world.
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The historical narratives of the Old Testament/Hebrew Bible have much in common with Icelandic saga literature: both are invested in origins and genealogy, place-names, family history, sibling rivalry, conflict and its resolution. Yet the comparison between these two literatures is rarely made, and biblical translations in Old Norse-Icelandic have been neglected as a focus of literary study. 
The Old Testament in Medieval Icelandic Texts: Translation, Exegesis and Storytelling (Boydell & Brewer, 2024) by Dr. Siân E. Grønlie aims to redress this neglect. It shows how the likeness between biblical narrative and saga narrative has shaped the reception of the Old Testament in medieval Iceland, even through multiple layers of translation and exegesis.
It draws on a wide variety of texts, including homilies, saints' lives, world histories, encyclopaedic works, and the biblical translations collectively known as Stjórn, to explore how medieval Icelanders engaged with Old Testament narrative in the light of their own vernacular tradition of storytelling. And above all, it argues that the medieval Icelanders understood and recognised in these well-known biblical stories a narrative art that was strikingly akin to their own.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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This episode we have a single longform interview with a media scholar of note–The New School’s Shannon Mattern. We have teamed up with Mediapolis, a journal that places urban studies and media studies into conversation with one another, to interview Mattern about her new book, Code and Clay, Data and Dirt: Five Thousand Years of Urban Media (U of Minnesota Press: 2018).
And lucky for us on Phantom Power, a large portion of Mattern’s story is about sound, from the echoes of ancient caves to Roman amphitheaters to telephone wires and radio towers—she shows us how sonic infrastructures allow us to communicate and form communities, cultivating forms of intelligence that are embodied and affective, as well as informatic. Before there was the smart city, there was the sonic city—and the sonic city isn’t going anywhere soon.
Some topics discussed: Patrick Feaster and First Sounds; Neil Postman; Harold Innis; Marshall McLuhan; John Durham Peters’ The Marvelous Clouds; Carolyn Birdsall’s Nazi Soundscapes. 
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Founded in 1925, the John Simon Guggenheim Memorial Foundation provides support to what their current website says are "exceptional individuals in pursuit of scholarship in any field of knowledge and creation in any art form, under the freest possible conditions."
In Circle of Winners: How the Guggenheim Foundation composition Awards Shaped American Music Culture (University of Illinois Press, 2023), Denise Von Glahn studies the institution between its founding and the late 1930s, with special emphasis on the music composition award. Funded by the Guggenheim mining fortune, the Foundation took early shape from the efforts of Carroll Wilson, Frank Aydelotte, and Henry Allen Moe--three Rhodes Scholars who initially struggled to envision and implement the organization's ambitious goals. One of the few groups providing support to composers before WWII, Von Glahn explains how the Foundation’s selection practices and the network that helped to shape and sustain its work impacted American classical music and picked winners in the American musical marketplace.
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