14 avsnitt
The Crime at Camp Ashwood Dragon Hunter Productions / New Girl Pictures
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- Skönlitteratur
Audio drama series. Desperate to finally solve the decades-old cold case of her best friend’s murder, Margot Ingell returns to the scene of the crime. Will the discovery of a long-lost diary reveal the killer, or will the secret forever remain at the bottom of Camp Ashwood’s lake?
Winner of the 2023 Austin Film Festival Fiction Podcast Script Award.
New episodes will release bi-weekly, follow for updates.
Created, Written, and Directed by Laura Hunter Drago. Featuring Hally Smith, Meisha Brooks, Deborah Lee Smith, and Laura Hunter Drago.
Inquires: ashwood@dragonhunterproductions.com
Support this podcast: https://podcasters.spotify.com/pod/show/thecrimeatcampashwood/support
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Bonus Episode: Q&A with the Cast & Team
A special video episode where our team and the cast of the series answers your questions.
SPOILER ALERT: Please wait to listen to this after completing the entire series.
For more information, visit www.thecrimeatcampashwood.com
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Support this podcast: https://podcasters.spotify.com/pod/show/thecrimeatcampashwood/support -
With a Capital P, Episode 1.12
Season Finale. Margot and Veronica process the fallout of Sadie's case.
Please stay for the end to listen to the full project credits, and learn how to access a special piece of BONUS CONTENT! We'll be back in two weeks with a Q & A with our team, if you have questions for us please leave them in the space provided. Thank you again for listening!
Listener Notes: This series contains mature and potentially triggering themes and may not be appropriate for all audiences. This story, all names, characters, and incidents portrayed in this production are fictitious. No identification with actual persons (living or deceased), places, buildings, and products is intended or should be inferred.
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Support this podcast: https://podcasters.spotify.com/pod/show/thecrimeatcampashwood/support -
June in July, Episode 1.11
June tells her side of the story as Margot and Veronica race to confirm their suspicions about Sadie's case.
Listener Notes: This series contains mature and potentially triggering themes and may not be appropriate for all audiences. This story, all names, characters, and incidents portrayed in this production are fictitious. No identification with actual persons (living or deceased), places, buildings, and products is intended or should be inferred.
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Support this podcast: https://podcasters.spotify.com/pod/show/thecrimeatcampashwood/support -
You + Me = Us, Episode 1.10
Sadie's writing explains her mindset before her disappearance as Margot realizes she'd never added up the signs till now.
Listener Notes: This series contains mature and potentially triggering themes and may not be appropriate for all audiences. This story, all names, characters, and incidents portrayed in this production are fictitious. No identification with actual persons (living or deceased), places, buildings, and products is intended or should be inferred.
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Support this podcast: https://podcasters.spotify.com/pod/show/thecrimeatcampashwood/support -
Everyone I Have Ever Slept With, Episode 1.9
Margot goes through the new evidence and stumbles upon a unique list Sadie made in 2003.
Listener Notes: This series contains mature and potentially triggering themes and may not be appropriate for all audiences. This story, all names, characters, and incidents portrayed in this production are fictitious. No identification with actual persons (living or deceased), places, buildings, and products is intended or should be inferred.
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Support this podcast: https://podcasters.spotify.com/pod/show/thecrimeatcampashwood/support -
Homesickness, Episode 1.8
Margot and Veronica head onto Ashwood Lake with the new information Margot has about the case in hand.
Listener Notes: This series contains mature and potentially triggering themes and may not be appropriate for all audiences. This story, all names, characters, and incidents portrayed in this production are fictitious. No identification with actual persons (living or deceased), places, buildings, and products is intended or should be inferred.
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Support this podcast: https://podcasters.spotify.com/pod/show/thecrimeatcampashwood/support