TLC/186 — Katja Esson on Razing Liberty Square The Top Left Corner

The broadcast premier of Razing Liberty Square can be viewed on PBS. on January 29, 2024. A streaming release for this powerful award winning documentary feature film directed by Academy-Award nominated filmmaker, Katja Esson will also be available.



















RAZING LIBERTY SQUARE had its world premiere at the 2023 Hot Docs Film Festival, then went on to the Human Rights Watch Film Festival and won the Changemaker Film Award at the Woodstock Film Festival. 







RAZING LIBERTY SQUARE highlights the current and compelling problem when community displacement and local neighborhood gentrification meets climate change.  Miami is ground-zero for sea-level-rise. When residents of the historic Liberty Square public housing project learn about a $300 million revitalization plan for their neighborhood, which has long suffered from disinvestment, they know that this sudden interest comes from the fact that their neighborhood is located on the highest-and-driest ground in the city. Now they must prepare to fight a new form of racial injustice – Climate Gentrification. 







NTRVW: Katja Esson







Editor’s Note: Below is something very close to a verbatim transcript of the recent conversation with our guest. If you follow along with the text as you listen, you will discover that you are NOT reading a word for word record of the discussion. We know this. We think you’ll approve of the reason why.







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TL;DR Our Editorial Policy on Transcripts



















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We use Artificial Intelligence first to process the audio from the recording to create a transcript that’s about 85 – 95 percent accurate. The problem with that level of accuracy is that it also captures most of the “uhs” and “ums.” It also doesn’t remove all the false starts or other kinds of word salad we humans pass off as communication every day.







Then we run it through Chat GPT4 to remove all those vocalized pauses and verbal detritus. I have refined the AI prompt to the point where the result is what people hope they sound like, without too noticeably changing the actual language used, other than to get rid of what nobody would be able to understand were it written out anyway. Next, I go through the transcript line by line anyway and decide what bits really need an edit, so the process does spare my arthritic hands a bit, but is still quite time-consuming.







Back in the dark ages, digital recorders were big bulky things most of us lowly reporters couldn’t afford. Speech-to-text transcription was something even the intelligence community coveted. We used reporters notebooks (I still always carry one) and a ball point pen (I don’t always remember to steal enough from the bank to keep my car stocked), and what we typed up in the articles that got publishe...