Film Studies Stanford University

Like many single seniors, Felicia Elizondo faces the reality of aging alone. Felicia's limited income has left her with little more than what she plans to use toward her burial. Despite a future unknown, Felicia remains positive by connecting with others.

In A.D. 1966, a young man mundanely knowne as Frederick Hollander attends a Medieval theme party in Berkeley, California... witnessing the birth of the Society for Creative Anachronism.

Three outstanding film-makers introduce their films and discuss their production, intentions, challenges.

How do notions of masculinity, as attached to specific notions of nationalism, change as their historical contexts shift? Scholars look at the transformations brought to the screen with the onset of World War Two and the post-Soviet age.

A discussion of how Asian American film and media have addressed issues of race and ethnicity alongside those of sexuality and politics.

How do media products flow between national spaces, and what do these movements do to transform them? How do notions of racial, ethnic, and national identity become “performed” both within and outside the nation proper? Scholars look at cinematic media.