New Books in Literature Marshall Poe

Omar El Akkad joins critic Min Hyoung Song for a gripping conversation that interrogates fiction’s relationship to the real. Before he became a novelist, Omar was a journalist, and his experiencing reporting on (among other subjects) the war on terror, the Arab Spring, and the Black Lives Matter movement profoundly shapes his fiction. His first novel, American War (Vintage, 2018), follows the protagonist’s radicalization against the backdrop of afossil fuel-motivated civil war. His second, What Strange Paradise (Vintage, 2022), is a haunting retelling of Peter Pan focused on a young Syrian refugee. But as Omar and Min’s dialogue reveals, literary criticism doesn’t always get the politics of political fiction right. Their conversation moves from the preoccupation with “literal prophecy” which plagues the reception of speculative fiction in general and climate fiction in particular to the multifaceted appeal of the fantastical in writing migration stories. They discuss Omar’s interest not in extrapolation, but in inversion. And they take up the imaginative challenges posed by climate change: the way it fails to fit zero-sum colonial ideologies; the way it relies upon the continued development of “the muscle of forgetting, the muscle of looking away.” Finally, Omar’s answer to the signature question is a case study in the inversion that characterizes his work: Little Women readers, prepare yourselves!
Mentioned in This Episode

Paolo Bacigalupi

Kim Stanley Robinson

Barbara Kingsolver

Jenny Offill

Richard Powers, The Overstory

Amitav Ghosh, The Great Derangement

Barack Obama, “A New Beginning: Remarks by the President at Cairo University, 6-04-09”

Stephen Markley, The Deluge

Alan Kurdi (photographed by Nilüfer Demir)

Mohsin Hamid, Exit West


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Today’s book is: The Translator’s Daughter: A Memoir (Mad Creek Books, 2024), by Grace Loh Prasad, which is a unique immigration story about the loneliness of living in a diaspora, the search for belonging, and the meaning of home. Born in Taiwan, Grace Loh Prasad was two years old when the threat of political persecution under Chiang Kai-shek’s dictatorship drove her family to the United States, setting her up to become an “accidental immigrant.” The family did not know when they would be able to go home again. This exile lasted long enough for Prasad to forget her native Taiwanese language and grow up American. Having multilingual parents—including a father who worked as a translator—meant she never had to develop the fluency to navigate Taiwan on visits. But when her parents moved back to Taiwan permanently when she was in college and her mother was diagnosed with Alzheimer’s, she recognized the urgency of forging a stronger connection with her birthplace before it was too late. As she recounts her journey to reclaim her heritage in The Translator’s Daughter, Prasad unfurls themes of memory, dislocation, and loss in all their rich complexity.
Our guest is: Grace Loh Prasad, a finalist for the Louise Meriwether First Book prize. Grace writes frequently on the topics of diaspora and belonging. You can find her work in many publications including The New York Times, Longreads, Catapult, Jellyfish Review, Blood Orange Review, KHÔRA, and Cha: An Asian Literary Journal. Grace received her MFA in Creative Writing from Mills College, and has attended workshops at Tin House and VONA, and residencies at Hedgebrook and Ragdale. She is a member of The Writers Grotto and Seventeen Syllables, an Asian American Pacific Islander writers collective. She is the author of The Translator’s Daughter: A Memoir.
Our host is: Dr. Christina Gessler, the producer of the Academic Life podcast. She holds a PhD in history, which she uses to explore what stories we tell and what happens to those we never tell.
Listeners may also enjoy these Academic Life episodes:

The Things We Didn't Know

Secret Harvests

Where is home?

The Names of All the Flowers

Who gets believed?


Welcome to Academic Life, the podcast for your academic journey—and beyond! Join us again to learn from more experts inside and outside the academy, and around the world.
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Robert Boyers founded the quarterly Salmagundi in 1965 and has been its editor in chief ever since. He’s the author of 12 books, including most recently Maestros Monsters: Days & Nights with Sontag and Steiner and before that The Tyranny of Virtue: Identity, The Academy and the Hunt for Political Heresies. Besides teaching at Skidmore College, he directs the New York State Summer Writers Institute.
Salmagundi rightly prides itself on hosting wide-ranging, inquisitive discussions of major topics involving race, gender, literature, psychology and so much more. This discussion goes in depth on four entries from the magazine. First up: “Talking Race Matters: A Conversation with John McWhorter & Thomas Chatterton Williams” explores the limits of racial essentialism as well as total assimilation that risks denying what is unique about the Black perspective and experience. A second piece is Elizabeth Benedict’s essay, “What’s the Matter with Sex?” It tackles how far the influence of pornography has gone (astray) as a training ground that leads young men into often degrading behavior to the women they are intimate with, including the use of choking as a form of eroticism. “The Failure of Censorship” by Adam Phillips looks at how our desires endanger us and yet at the same time to deny them denies aspects of ourselves. When is and isn’t self-censorship fruitful? Finally, Salmagundi hosted a symposium called “Can the American Meritocracy Get Religion?” Five writers are responding to an editorial by Ross Douthat in the New York Times. All found Doughat’s views too narrow or incoherent to be persuasive.
Dan Hill, PhD, is the author of ten books and leads Sensory Logic, Inc. To check out his related “Dan Hill’s EQ Spotlight” blog, visit this site.
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How to Love in Sanskrit (HarperCollins, 2024) is an invitation to Sanskrit love poetry, bringing together verses and short prose pieces by celebrated writers. How do you brew a love potion? Turn someone crimson with a compliment? How do you make love? How do you quarrel and make up? Nurse a broken heart? And how do you let go? There's something for everyone in this brilliantly translated ancient guide to love for modern readers.
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The Truth Against the World (Square Tire Books, 2023) is a brilliant literary fantasy about a divided, dystopian America on the verge of war. Shane, a former Irish combat soldier with a murky past, wants to save his young friend Georgie O’Halloran, who turned his stories of Celtic history and folklore into a beautifully illustrated book. She gave the book to her professor, who published it under his name and earned millions. It became a wildly popular video game that continues to inspire a violent transformation of America by roaming gangs of murderers. Shane, already trying to free Georgie from the psychiatric institution where she’s been hidden by her money-grubbing stepmother, is devoted to finding the deceitful professor. They embark on a cross-country journey, tracked by those in power and pursued by murderers.
David Corbett is the author of seven novels, which have been nominated for numerous awards, including The Edgar. His short fiction has twice been selected for Best American Mystery Stories, and a collaborative novel for which he contributed a chapter—Culprits—was adapted for TV by the producers of Killing Eve and will appear on Hulu in December 2023. His writing guides The Art of Character and The Compass of Character have been widely praised and used by both aspiring and established authors, and he is a monthly contributor to Writer Unboxed, an award-winning blog dedicated to the craft and business of fiction.
Prior to his career as a novelist, Corbett was a senior operative with the private investigation firm of Palladino & Sutherland in San Francisco, where he worked on a number of high-profile criminal and civil litigations, including the Cotton Club Murder Case, the People’s Temple Trial, Jordan Chandler v. Michael Jackson, a RICO litigation brought by the Teamsters membership against union leaders associated with organized crime, and a number of marijuana prosecutions linked to the Coronado Company out of San Diego. In his spare time, Corbett enjoys reading history, taking hikes in the Catskills with his wife and Wheaten terrier, Fergus, and tending to the sprawling garden on their property.
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Holes splices forms of fiction and nonfiction. The narrator, a researcher of limits at an unidentified university, figures her entanglement with an unobtainable love object as the descent into a black hole. Everything she reads seems to shed light on the non-events that comprise their relationship, and study collapses into life as she struggles to separate events and forms, reality and ideation. Holes is a study in thematic fixation, engaging a range of ‘obsessional artists’ (including Yayoi Kusama, from whom the term is borrowed, Lee Bontecou, and Carolee Schneemann) for whom holes—as idea, imagery, philosophy—have proved evocative, inviting, and occasionally obliterative. In this NBN interview, Holes is exlored and discussed as an experimental biography of holes.
Hilary White is a writer and researcher, currently an IRC postdoc at Maynooth University, Ireland, working on a project entitled Forms of Sleep. She co-ran the experimental poetry reading and commission series, No Matter, in Manchester, and co-edited the zine series, Academics Against Networking. Her writing appears in MAP, Banshee, zarf, and The Stinging Fly. Holes is her first novel.
Rachel Pafe is a writer and researcher interested in modern Jewish thought, critical theories of mourning, and the boundaries of biographical writing.
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