New Books in German Studies Marshall Poe

Red Secularism: Socialism and Secularist Culture in Germany 1890 to 1933 (Cambridge UP, 2023) is the first substantive investigation into one of the key sources of radicalism in modern German, the subculture that arose at the intersection of secularism and socialism in the late nineteenth-century. It explores the organizations that promoted their humanistic-monistic worldview through popular science and asks how this worldview shaped the biographies of ambitious self-educated workers and early feminists. Todd H. Weir shows how generations of secularist intellectuals staked out leading positions in the Social Democratic Party, but often lost them due to their penchant for dissent. 
Moving between local and national developments, this book examines the crucial role of red secularism in the political struggles over religion that rocked Germany and fed into the National Socialist dictatorship of 1933. This title is part of the Flip it Open Programme and may also be available Open Access. Check our website Cambridge Core for details.
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Lessons of history are often referred to in public discourse, but seldom in scholarly discussions. Klas-Göran Karlsson's book Lessons of History: The Holocaust and Soviet Terror as Borderline Events (Academic Studies Press, 2024) seeks to change this by introducing an innovative scholarly, analytical model of historical lessons, starting from the basic three-fold perspective that you simultaneously are history, share history, and make history. Not any history is useful for extracting or using lessons. Here, what are denoted as borderline historical events, demonstrating both time-specific and time-transcending qualities, are suggested as useful materials. Scholarly works on the Holocaust and Soviet terror, from Raul Hilberg's and Robert Conquest's classic works of the 1960s to more recent books by Jan Gross and Timothy Snyder, are analyzed to identify lessons of history, and their change during a full half-century.
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Joseph A. Skloot joins Jana Byars to talk about his new book, First Impressions: Sefer hasimdim and Early Modern Hebrew Printing (Brandeis UP, 2023). First Impressions uncovers the history of creative adaptation and transformation through a close analysis of the creation of the Sefer Hasidim book. In 1538, a partnership of Jewish silk makers in the city of Bologna published a book entitled Sefer Hasidim, a compendium of rituals, stories, and religious instruction that primarily originated in medieval Franco-Germany. How these men, of Italian and Spanish descent, came to produce a book that would come to shape Ashkenazic culture, and Jewish culture more broadly, over the next four centuries is the basis of this kaleidoscopic study of the history of Hebrew printing in the sixteenth century.
During these early years of printing, the classic works of ancient and medieval Hebrew and Jewish literature became widely available to Jewish (and non-Jewish) readers for the first time. Printing, though, was not merely the duplication and distribution of pre-existing manuscripts, it was the creative adaptation and transformation of those manuscripts by printers. Ranging from Catholic Bologna to Protestant Basel to the Jewish heartland of the Polish-Lithuanian Commonwealth, Skloot uncovers the history of that creativity by examining the first two print editions of Sefer Hasidim. Along the way, he demonstrates how volumes that were long thought to be eternal and unchanging were in fact artifacts of historical agency and contingency, created by and for human beings.
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Germany’s winter campaign of 1941–1942 is commonly seen as the Wehrmacht's first defeat. In Retreat from Moscow: A New History of Germany's Winter Campaign, 1941-1942 (FSG, 2019), David Stahel argues that it was in fact their first strategic success in the east. The mismanaged Soviet Counteroffensive became a phyrric victory as both sides struggled with strategic leadership and supply. German generals, caught between Stalin's hammer and Hitler's anvil, found loopholes in increasingly irrational orders to hold at all costs. Drawing on official war diaries, journals, memoirs, and correspondence, Stahel's latest installment in his reevaluation of the eastern front delivers a vivid account that challenges what you thought you knew about the war in the Soviet Union.
David Stahel is the author of five previous books on Nazi Germany's war against the Soviet Union. He completed an MA in war studies at King's College London in 2000 and a PhD at the Humboldt-Universität zu Berlin in 2009. His research primarily concentrates on the German military in World War II. Dr. Stahel is a senior lecturer in European history at the University of New South Wales, and he teaches at the Australian Defence Force Academy.
Ryan Stackhouse is a historian of Europe specializing in modern Germany and political policing under dictatorship. His forthcoming book Enemies of the People: Hitler’s Critics and the Gestapo explores enforcement practices toward different social groups under Nazism. He also cohosts the Third Reich History Podcast and can be reached at john.ryan.stackhouse@gmail.com or @Staxomatix.
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In the 1920s, before the establishment of the state of Israel, a group of German Jews settled in a garden city on the outskirts of Jerusalem.
During World War II, their quiet community, nicknamed Grunewald on the Orient, emerged as both an immigrant safe haven and a lively expatriate hotspot, welcoming many famous residents including poet-playwright Else Lasker-Schüler, historian Gershom Scholem, and philosopher Martin Buber.
It was an idyllic setting, if fraught with unique tensions on the fringes of the long-divided holy city. After the war, despite the weight of the Shoah, the neighborhood miraculously repaired shattered bonds between German and Israeli residents. In German Jerusalem: The Remarkable Life of a German-Jewish Neighbourhood in the Holy City (Haus Publishers, 2021), Thomas Sparr opens up the history of this remarkable community and the forgotten borderland they called home.
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When Franz Kafka died in 1924, his loyal friend Max Brod could not bring himself to fulfill Kafka’s last instruction: to burn his remaining manuscripts. Instead, Brod devoted his life to championing Kafka’s work, rescuing his legacy from both obscurity and physical destruction. Nearly a century later, an international legal battle erupted to determine which country could claim ownership: the Jewish state, where Kafka dreamed of living, or Germany, where Kafka’s three sisters perished in the Holocaust? 
In Kafka's Last Trial: The Case of a Literary Legacy (Norton, 2019), Benjamin Balint offers a gripping account of the controversial trial in Israeli courts—brimming with dilemmas legal, ethical, and political—that determined the fate of Kafka’s manuscripts.
Benjamin Balint, a fellow at the Van Leer Institute in Jerusalem, is the author most recently of Bruno Schulz: An Artist, a Murder, and the Hijacking of History (Norton), winner of a National Jewish Book Award. His book Kafka's Last Trial (Norton) won the Sami Rohr Prize and has been translated into a dozen languages. He is also the co-author, with Merav Mack, of Jerusalem: City of the Book (Yale).
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