The History of Egypt Podcast Dominic Perry

The Osiris achieves his apotheosis. Having awakened from death and received his offerings (or taken them by force), Unas now prepares to enter the sky at last. We add more protections and defeat more enemies (including a dramatic appearance from the fearsome Mafdet). Then, Unas meets the oldest of primeval gods, sails the milky way, and hears the lamentations of his enemies’ women…
Includes passages in English translation and ancient Egyptian.

Date: c.2320 BCE.

Pyramid Texts in translation: https://pyramidtextsonline.com/translation.html.

Additional images and references at www.patreon.com/egyptpodcast.

Intro music by Jeffrey Goodman, “Lament of Isis and Nephthys,” Ancient Egyptian Music II.

Interludes by Keith Zizza, Children of the Nile.

The Pyramid Texts publications:

J. P. Allen, The Ancient Egyptian Pyramid Texts (2nd edn, 2015). First edition (2005) available in Open Access via Archive.org.

J. P. Allen, A Grammar of the Ancient Egyptian Pyramid Texts Volume I: Unis (2017). Available via the publisher, and major online retailers.

R. Bertrand, Las Textes de la Pyramid d’Ounas (2004). Available via the publisher.


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We leave the Duat and enter the horizon. On the walls of the antechamber, Unas’ Pyramid Texts describe the king’s entry to the sky. The ruler establishes and affirms his power. And, in a famous passage, Unas engages in some ritual cannibalism…
Includes passages in English translation and ancient Egyptian.

Date: c.2320 BCE.

Pyramid Texts in translation: https://pyramidtextsonline.com/translation.html.

Additional images and references at www.patreon.com/egyptpodcast.

Intro music by Jeffrey Goodman, “Lament of Isis and Nephthys,” Ancient Egyptian Music II.

Interludes by Keith Zizza, Children of the Nile.


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We travel deeper into the stars. Unas’ Pyramid Texts, on the walls of his burial chamber, lay out protections against serpents and dangers. They also introduce offerings, to sustain the King’s soul and nourish the gods.
Includes passages in English translation and ancient Egyptian.

Date: c.2320 BCE.

Pyramid Texts in translation: https://pyramidtextsonline.com/translation.html.

Additional images and references at www.patreon.com/egyptpodcast.

Intro music by Jeffrey Goodman, “Lament of Isis and Nephthys,” Ancient Egyptian Music II.

Interludes by Keith Zizza, Children of the Nile.


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Unas in the sky with deities. Around 2320 BCE, King Unas did something interesting. His pyramid, at Saqqraa, is the first (surviving) monument to feature the Pyramid Texts. These elaborate hieroglyph texts reveal the religious rituals, references, and philosophy of the Old Kingdom Egyptians. In this episode, we begin a journey deep into the night and up to the sky, as King Unas travels to his immortality…

Date: c.2320 BCE.

Pyramid Texts in translation: https://pyramidtextsonline.com/translation.html.

Additional images and references at www.patreon.com/egyptpodcast.

The "Imperishable " or Circumpolar Stars https://en.wikipedia.org/wiki/The_Indestructibles.

The Egyptian gods family tree: https://veritablehokum.com/comic/the-egyptian-god-family-tree/.

Intro music by Jeffrey Goodman, “Lament of Isis and Nephthys,” Ancient Egyptian Music II.

Interludes by Keith Zizza.


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The daughters of Akhenaten and Nefertiti were not just "ornaments" for their parents. Like many princesses, they also participated in the religious rituals and royal pageantry of the Egyptian government. In this interview, Courtney Marx (MA, George Mason University) joins us on behalf of the American Research Center in Egypt, to discuss the Amarna princesses and their role as priestesses. We also explore the history of royal women as priestesses and the unique roles they played in the temple rituals. Finally, we explore the aftermath of Amarna: how the visible roles, titles, and imagery of princesses changed following the death of Akhenaten and Nefertiti.
The American Research Center in Egypt is celebrating 75 years of work in the Nile Valley. Dedicated to scholarship of the ancient, medieval, and modern worlds, the ARCE supports researchers and students, funds archaeological and scholarly work, and organises many public outreach programs. Learn more about ARCE at their website and follow the ARCE Podcast online and on all podcasting apps.
Logo image: Block fragment showing two Amarna princesses (Metropolitan Museum of Art 1985.328.6). Photo by Courtney Marx.
Further reading (provided by Courtney Marx):

Ayad, Mariam F. “The God's Wife of Amun: origins and rise to power.” In Carney, Elizabeth D. and Sabine Müller (eds), The Routledge companion to women and monarchy in the ancient Mediterranean world, 47-60. New York: Routledge, 2021.

Ayad, Mariam F. God's Wife, God's Servant: The God's Wife of Amun (ca.740–525 BC). United Kingdom: Taylor & Francis, 2009.

Bryan, Betsy M. “Property and the God’s Wives of Amun.” In D. Lyons and R. Westbrook, eds. Women and Property in Ancient Near Eastern and Mediterranean Societies. Washington, DC: Center For Hellenic Studies, Harvard University, 2005.

Pawlicki, Franciszek. Princess Neferure in the Temple of Queen Hatshepsut at Deir el-Bahari: Failed Heiress to the Pharaoh’s Throne? Études et Travaux 21, 109-127. 2007.

Xekalaki, Georgia. Symbolism in the Representation of Royal Children During the New Kingdom. Oxford: Archaeopress, 2011.

Troy, Lana. “Patterns of Queenship in Ancient Egyptian Myth and History.” PhD diss., Uppsala University, 1986.

Williamson, Jacquelyn. “Death and the Sun Temple: New Evidence for Private Mortuary Cults at Amarna.” The Journal of Egyptian Archaeology 103, no. 1 (June 2017): 117–123. 


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Following a complicated rise-to-power, King Men-kheper-Ra Djehuty-messu (aka Thutmose III) achieved great victories on the battlefield. His campaigns extended far to the north and south, bringing tribute and captives into Egypt. At home, Thutmose’s building projects were enormous and elaborate. And over fifty-four years of rule, the King’s followers established a legendary reputation…
Date: c.1495 - 1441 BCE.
Episode Chapters:

Part Five - Wives and Warriors: 00:01 - 01:26:22.

Part Six - Revisions to the Past: 01:26:22 - 02:38:29.

Part Seven - Fifty Four Years of Splendour, and the End: 02:38:29 - End.

Logo image: Decorated block of Thutmose III, Luxor Museum. Photo by Dominic Perry.
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