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A beautifully wrought novel on the aftershocks of the heady but dangerous late 1960s and the relationship between trauma and the creative impulse. Weaving the idealism and the darkness of the late 1960s, the glossy surfaces of Los Angeles celebrity today, and thrumming with the sound of the Grateful Dead, the mania of Charles Manson and other cults, and the secrets that both Jack and Daniel have harbored for fifty years, Thorn Tree by Max Ludington is an utterly-compelling novel.

Jack is an airline pilot in the United States. He previously worked as a flight instructor, where he discovered a passion for teaching about every topic related to flight, as well as mentoring prospective pilots. With a degree in Political Science, Ethnic Studies, and Philosophy from Santa Clara University, Jack is delighted to share his passion through writing with Simple Flying.







Jack discusses his article: “Airline Jargon: What Is A Deadhead? A strange name for an ordinary work event.”







https://simpleflying.com/aviation-deadheading-guide/

Sing Out! features a stellar line-up of acoustic performances by Bay Area folk heroes, including Jerry Garcia and Bob Weir, Country Joe McDonald, Kate Wolf, Rosalie Sorrels, and a percussion set by the the Rhythm Devils. The event was described by Wavy Gravy as a “mini-Woodstock,” and it is the last major show to be mixed and recorded by Bear. It is also the final live recording he made of any members of the Grateful Dead.

The Grateful Dead were one of the most successful live acts of the rock era. Performing more than 2,300 shows between 1965 and 1995, the Grateful Dead’s reputation as a “live band” was—and continues to be—sustained by thousands of live concert recordings from every era of the group’s long and colorful career. In Live Dead, musicologist John Brackett examines how live recordings—from the group’s official releases to fan-produced tapes, bootlegs to “Betty Boards,” and Dick’s Picks to From the Vault—have shaped the general history and popular mythology of the Grateful Dead for more than fifty years. Drawing on a diverse array of materials and documents contained in the Grateful Dead Archive, Live Dead details how live recordings became meaningful among the band and their fans not only as sonic souvenirs of past musical performances but also as expressions of assorted ideals, including notions of “liveness,” authenticity, and the power of recorded sound.













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In All the Years Combine: The Grateful Dead in Fifty Shows, Robertson listens to and writes ecstatically about fifty of the band’s most important and memorable concerts in order to better understand who the Grateful Dead were, what they became, and what they meant—and what they continue to mean.

Michael Kaler examines how the Dead’s dedication to improvisation stemmed from their belief that playing in this manner enabled them to touch upon transcendence. Drawing on band testimonials and analyses of early recordings, Kaler traces how the Dead developed an approach to playing music that they believed would facilitate their spiritual goals.























https://www.dukeupress.edu/get-shown-the-light