TCBCast: An Unofficial Elvis Presley Fan Podcast Justin Gausman

Bec crashes an episode with Gurdip and Justin covering the 1971 Camden "C'mon Everybody," a compilation collecting a handful of tracks that at the time of its release had previously only been available on the Extended Play soundtracks for Follow That Dream, Kid Galahad, Viva Las Vegas and Easy Come, Easy Go. It turns out to be one of the breeziest, enjoyable Camdens and the gang has a ton of fun digging into it.
Also discussed are news items including the upcoming Guitar Man Sessions FTD, the false Graceland foreclosure, and Justin's recent Elvis finds - which includes a copy of our main topic album!
For Song of the Week, Bec hangs around just to commentate on our picks, with Gurdip selecting the title track of 1967's "Double Trouble" which leads to reading songwriter Mort Shuman's hilarious recollection (or lack thereof) about the song in Ken Sharp's "Writing for the King, before closing out with Justin's Song of the Week, the short" opening title version of "Kissin' Cousins" often referred to as "No. 2."
If you enjoy TCBCast, please consider supporting us with a donation at Patreon.com/TCBCast. Your support allows us to continue to provide thoughtful, provocative, challenging and well-researched perspectives on Elvis's career, his peers and influences, and his cultural impact and legacy. 

Bec & Justin bask in some nostalgia for their days as younger Elvis fans at the turn of the 21st century, reflecting on the major mainstream BMG Elvis releases from 1999 and how those releases influenced the crew's perspectives on Elvis' creative journey. From period retrospectives "Suspicious Minds: The 1969 Anthology," "Sunrise," "The Home Recordings," "Burning Love" and "Tomorrow is A Long Time" to hits compilations like "Can't Help Falling in Love: The Hollywood Hits" and "Artist of the Century" - and, naturally, the first ever Follow That Dream releases - 1999 was a good year for Elvis fans.
For Song of the Week, both hosts go for fairly reflective, contemplative songs, with Justin selecting 1969's understated "This is the Story" and Bec digging into "It's Over," most famously featured in Elvis' "Aloha From Hawaii" special from 1973.
If you enjoy TCBCast, please consider supporting us with a donation at Patreon.com/TCBCast. Your support allows us to continue to provide thoughtful, provocative, challenging and well-researched perspectives on Elvis's career, his peers and influences, and his cultural impact and legacy. 

Ryan, Bec and Justin conclude their discussion on 1962's "Girls! Girls! Girls!" losing their minds just a little bit at the twists, turns and amount of songs about fishing in the back half of the movie, but have a ton of fun discussing such famous scenes as "Return to Sender," "Song of the Shrimp" and "The Walls Have Ears" as well as pondering the deleted sequence "I Don't Want To."
Ryan has to bow out for Song of the Week, but Bec pushes forward with the movie songs theme, making a case for "Animal Instinct" from 1965 "Harum Scarum". On the other hand, Justin spotlights the less-familiar "Girl of Mine" from the 1973 Stax sessions - which came from the pens of British songwriters more known for writing for Tom Jones and Englebert Humperdinck; so much so that Englebert himself did a version of this country-flavored pop ballad before Elvis!
If you enjoy TCBCast, please consider supporting us with a donation at Patreon.com/TCBCast. Your support allows us to continue to provide thoughtful, provocative, challenging and well-researched perspectives on Elvis's career, his peers and influences, and his cultural impact and legacy. 

Justin, Ryan and Bec begin to unpack the 1962 Paramount rom-com "Girls! Girls! Girls!" starring Elvis, Laurel Goodwin, Stella Stevens, and Jeremy Slate, directed by Norman Taurog (his third Elvis picture) and written by Edward Anhalt from a story by Allan Weiss. 
It was filmed in Hawaii, but that's not where it was supposed to be set - and the last minute change (following the blowout success of "Blue Hawaii" at the box office just a few short months before filming) is clearly felt throughout. The crew take a look back to see how the movie holds up - an unusually strong soundtrack helps, but not everyone even agrees on that!
Before that though, Justin subjects Ryan & Bec to a "Guess That Soundalike" challenge, whereby they'll have to guess which of 6 Elvis soundalikes is which based on short audio snippets. It's a ton of fun! Part 2 will be out next week; it's available in early access for TCBCast patrons!
If you enjoy TCBCast, please consider supporting us with a donation at Patreon.com/TCBCast. Your support allows us to continue to provide thoughtful, provocative, challenging and well-researched perspectives on Elvis's career, his peers and influences, and his cultural impact and legacy. 

It's not everyday that new Elvis audio from the 1950s surfaces, but this past week that very thing did happen, as European label Memphis Recording Service released newly discovered audio from Elvis's November 22, 1956, concert in Toledo, Ohio, recorded originally by local radio DJ Ron Ross. Subsequently, the original mono audio was also uploaded to YouTube by another fan who had sourced the audio himself as well.
Gurdip and Justin break down the content itself, and contrast the YouTube upload and the MRS audio, the latter of which is a flawed restoration that clearly prioritizes general listening experience over historical accuracy. Some will appreciate it, others may take issue. But aside from the minor quibbles there - what new insights does the audio tell us? That's what we aim to find out.
The fan upload of the audio is available here, presumably worldwide: https://www.youtube.com/watch?v=Mm6HJKJCGmo
Memphis Recording Service's restoration is available in numerous other regions around the world also on YouTube, though it is region-locked, American listeners will have to import the audio, but others including Canada, Australia and European countries as well as elsewhere should be able to hear the tracks at this link: https://www.youtube.com/playlist?list=OLAK5uy_kgzE2ikYXBylwLjyysg2NfIq5h4lg4vvU
Alan Hanson's write-up on the Toledo concert is highly recommended, since we didn't have a chance to do our own deep-dive during the short time between the announcement/release and us recording this mini-sode, and as usual, Alan's work is impeccably researched, written and insightful: http://www.elvis-history-blog.com/elvis-toledo-56.html

This week Justin and Olivia are exploring the recordings (both final masters and alternate dubs that were considered) where Elvis sang with himself, starting from "I'm Yours" in the early 60s, working their way up through the very dense 1969 recordings, and well into the 1970s. There's both more than you'd think, and not enough! They ponder what sort of creative choices were made to lead Elvis to lay down these special vocals. It's a very unique angle (and frequently exquisite listening) from which to examine Elvis' music!
For Song of the Week, Olivia digs into the absolutely massive treasure trove of outtakes from the multiple different versions Elvis recorded of the title track from 1957's "Loving You" plus a few minor later live versions and covers, while Justin puts on my detective hat to try to solve some mysteries about the obscure home recording "Apron Strings," made while Elvis was in the Army.
Special thanks to David "Ghosty" Wills of the "We Say Yeah" podcast for some additional info on Cliff Richard's recordings of "Apron Strings"!
If you enjoy TCBCast, please consider supporting us with a donation at Patreon.com/TCBCast. Your support allows us to continue to provide thoughtful, provocative, challenging and well-researched perspectives on Elvis's career, his peers and influences, and his cultural impact and legacy.