32 分鐘
Before Beyoncé and Taylor Swift Ran the World, There Was Joan Baez There's More to That
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- 歷史
Taylor Swift and Beyoncé have achieved a degree of power in the music industry that singer/songwriters of earlier eras like Joan Baez—as the folk icon tells us—never even contemplated. Six decades ago, Baez was part of a folk revival that regarded music not merely as entertainment but as a vessel for political engagement and social change. In the documentary Joan Baez: I Am a Noise, the now-83-year-old musician and activist reflects on her career and legacy.
Smithsonian senior editor Jennie Rothenberg Gritz interviewed Baez about the film and about the shifting intersection of art and activism. We present excerpts from that conversation in this episode. Then, veteran music critic Evelyn McDonnell discusses how the political dimensions of pop music have changed since Baez’s era, and what it means that many fans now look Beyoncé and Taylor Swift not just for great music, but for comment on the state of the world.
Clips from Joan Baez: I Am a Noise in this episode are used with permission from Magnolia Pictures & Mead Street Films. Learn more about that film here.
Evelyn McDonnell’s latest book is The World According to Joan Didion. You can learn more about Evelyn and her work at her site, Populism.
Find prior episodes of our show here.
There’s More to That is a production of Smithsonian magazine and PRX Productions.
From the magazine, our team is Chris Klimek, Debra Rosenberg and Brian Wolly.
From PRX, our team is Jessica Miller, Adriana Rosas Rivera, Genevieve Sponsler, Rye Dorsey, and Edwin Ochoa. The Executive Producer of PRX Productions is Jocelyn Gonzales.
Fact-checking by Stephanie Abramson.
Episode artwork by Emily Lankiewicz.
Music by APM Music.
Taylor Swift and Beyoncé have achieved a degree of power in the music industry that singer/songwriters of earlier eras like Joan Baez—as the folk icon tells us—never even contemplated. Six decades ago, Baez was part of a folk revival that regarded music not merely as entertainment but as a vessel for political engagement and social change. In the documentary Joan Baez: I Am a Noise, the now-83-year-old musician and activist reflects on her career and legacy.
Smithsonian senior editor Jennie Rothenberg Gritz interviewed Baez about the film and about the shifting intersection of art and activism. We present excerpts from that conversation in this episode. Then, veteran music critic Evelyn McDonnell discusses how the political dimensions of pop music have changed since Baez’s era, and what it means that many fans now look Beyoncé and Taylor Swift not just for great music, but for comment on the state of the world.
Clips from Joan Baez: I Am a Noise in this episode are used with permission from Magnolia Pictures & Mead Street Films. Learn more about that film here.
Evelyn McDonnell’s latest book is The World According to Joan Didion. You can learn more about Evelyn and her work at her site, Populism.
Find prior episodes of our show here.
There’s More to That is a production of Smithsonian magazine and PRX Productions.
From the magazine, our team is Chris Klimek, Debra Rosenberg and Brian Wolly.
From PRX, our team is Jessica Miller, Adriana Rosas Rivera, Genevieve Sponsler, Rye Dorsey, and Edwin Ochoa. The Executive Producer of PRX Productions is Jocelyn Gonzales.
Fact-checking by Stephanie Abramson.
Episode artwork by Emily Lankiewicz.
Music by APM Music.
32 分鐘