1 小時 1 分鐘
What would Rumi do and say? Finding the rhyme in your day and Other Ways to SLOW DOWN for Pete’s Sakes and All That’s at Stake! (After our show today, when people say, how did you spend this hour, you can say, oh, I slowed down rhyming with a whale. Dr. Barbara Mossberg » Podcast Feed
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- 社會與文化
First of all, welcome to our PoetrySlowDown you’re slowing down with me, Professor Mossberg, aka Dr. B, with our Producer Zappa Johns, and the idea for the show is from Simon and Garfunkle’s 59th Street Bridge Song slow down, you move too fast, you’ve got to make the morning last. This show began as AM Talk Radio on 540AM, KRXA, and people called in from all over the U.S. and from several countries, and it was very ironic it was at noon, and so I thought that we would make the morning last, literally, by slowing down with poetry . . . There was news at the top of the hour, and I thought of time that way, as a shape, as a space, as a ball, and it was 54 minutes in diameter, although in my head it was an hour. I had three breaks for commercials, and it had to be exactly scheduled. So here I was, providing a time and place for people to slow down in their daily lives, and make the morning last, literally, and metaphorically for those on the east coast and Midwest and overseas, and I was hurrying, panting, a mile-a-minute trying to fit all the words in by the time it would go silent and the news, the late-breaking, heartbreaking news go on, eclipsing our heart-shaking news WITHOUT WHICH MEN DIE MISERABLY EVERY DAY (William Carlos Williams), so it was kind of paradoxical. Slowing down at breakneck speed. It was funny, too, because Paul Simon’s lyrics about slowing down were specifically about being a poet, engaging with the world that way: Hello, lamppost, whatcha knowin? I’ve come to watch your flowers growin, ain’t ya got no rhymes for me . . . So he’s looking around his world, totally relaxed and chill, counting on rhymes, on the prowl and amble for poetry around every corner. I was thinking about rhymes . . . they are sort of a miracle! How words that seemingly have nothing to do with each other sound alike, and thus call each other to mind as if they are actually connected. And so the brain thereby connects them. And each carries a meaning, something we can visualize–an object, an experience, a feeling, an idea, and to see such words rhyme, we instantly are connecting them, seeing how they relate. I was just reciting e.e. cummings’ “I thank You God for this amazing” for my eco literature class, and by saying it out loud, you apprehend rhymes you might not notice by sight on the page. I’ll say it for us, since it is definitely a New Years’ Poem, a new day, new decade, new life, waking up poem. Since it’s a sonnet, it has a formal rhyme scheme; every other line’s last word rhymes, in theory . . . thus, we have amazing and everything; trees and yes; earth and birth; day and gay; no and You; awake and, and opened. These rhymes make us understand the message, cummings’ gospel, that everything is amazing. This is a fairly not subversive, but radical proposition for the mind: a human responsibility to experience wonder, awe, reverence, astonishment, without boundaries, unconditionally. The final couplet almost gets by us: awake and/opened. It took me a few years to notice this, reading it and reciting it. I know! And so you think how brilliant, how clever cummings is, in his physics ministry, to make us get this connection between being awake and opened, in the sense of Henry David Thoreau and Diane Ackerman’s A Natural History of the Senses–do you know this book? She has a slew of books on the neuroscience of consciousness from the point of view of poetry she is as lyric as they come a Pablo Neruda a sensual visualist; she is earthy, she smacks of earth-smells, of moss and rain and honeysuckle; she is intense and her point is that if we open ourselves to our world, we experience the beauty, the reverence.We hear Dolly Parton’s song, sung with Willie Nelson, “Everything Is Beautiful In Its Own Way.”And there is a method I am learning from an artist at the University of Madrid, Rosalinda Ruiz-Scarfuto, the Flaneur method, which p[...]
First of all, welcome to our PoetrySlowDown you’re slowing down with me, Professor Mossberg, aka Dr. B, with our Producer Zappa Johns, and the idea for the show is from Simon and Garfunkle’s 59th Street Bridge Song slow down, you move too fast, you’ve got to make the morning last. This show began as AM Talk Radio on 540AM, KRXA, and people called in from all over the U.S. and from several countries, and it was very ironic it was at noon, and so I thought that we would make the morning last, literally, by slowing down with poetry . . . There was news at the top of the hour, and I thought of time that way, as a shape, as a space, as a ball, and it was 54 minutes in diameter, although in my head it was an hour. I had three breaks for commercials, and it had to be exactly scheduled. So here I was, providing a time and place for people to slow down in their daily lives, and make the morning last, literally, and metaphorically for those on the east coast and Midwest and overseas, and I was hurrying, panting, a mile-a-minute trying to fit all the words in by the time it would go silent and the news, the late-breaking, heartbreaking news go on, eclipsing our heart-shaking news WITHOUT WHICH MEN DIE MISERABLY EVERY DAY (William Carlos Williams), so it was kind of paradoxical. Slowing down at breakneck speed. It was funny, too, because Paul Simon’s lyrics about slowing down were specifically about being a poet, engaging with the world that way: Hello, lamppost, whatcha knowin? I’ve come to watch your flowers growin, ain’t ya got no rhymes for me . . . So he’s looking around his world, totally relaxed and chill, counting on rhymes, on the prowl and amble for poetry around every corner. I was thinking about rhymes . . . they are sort of a miracle! How words that seemingly have nothing to do with each other sound alike, and thus call each other to mind as if they are actually connected. And so the brain thereby connects them. And each carries a meaning, something we can visualize–an object, an experience, a feeling, an idea, and to see such words rhyme, we instantly are connecting them, seeing how they relate. I was just reciting e.e. cummings’ “I thank You God for this amazing” for my eco literature class, and by saying it out loud, you apprehend rhymes you might not notice by sight on the page. I’ll say it for us, since it is definitely a New Years’ Poem, a new day, new decade, new life, waking up poem. Since it’s a sonnet, it has a formal rhyme scheme; every other line’s last word rhymes, in theory . . . thus, we have amazing and everything; trees and yes; earth and birth; day and gay; no and You; awake and, and opened. These rhymes make us understand the message, cummings’ gospel, that everything is amazing. This is a fairly not subversive, but radical proposition for the mind: a human responsibility to experience wonder, awe, reverence, astonishment, without boundaries, unconditionally. The final couplet almost gets by us: awake and/opened. It took me a few years to notice this, reading it and reciting it. I know! And so you think how brilliant, how clever cummings is, in his physics ministry, to make us get this connection between being awake and opened, in the sense of Henry David Thoreau and Diane Ackerman’s A Natural History of the Senses–do you know this book? She has a slew of books on the neuroscience of consciousness from the point of view of poetry she is as lyric as they come a Pablo Neruda a sensual visualist; she is earthy, she smacks of earth-smells, of moss and rain and honeysuckle; she is intense and her point is that if we open ourselves to our world, we experience the beauty, the reverence.We hear Dolly Parton’s song, sung with Willie Nelson, “Everything Is Beautiful In Its Own Way.”And there is a method I am learning from an artist at the University of Madrid, Rosalinda Ruiz-Scarfuto, the Flaneur method, which p[...]
1 小時 1 分鐘