The Inline G Flute Podcast Gareth Houston

Inline G return’s to it’s roots this week; hungover with a world-class flutist, sipping on a Spezi and chatting about all the big issues of the flute world.
One of my personal best mates, French superstar orchestral musician and soloist Alice Brie was in town, and after a long night of Guinness until 4am, we emerged at 11am for a podcast.
Alice chats about everything from her experiences as a child prodigy, studying at the CNSM as a teenager, her orchestral debut at l’Opéra de Paris at just 18, right through to French v German tonguing and the role kindness plays to becoming better musicians. 
This was a delight of an episode. I’m away for a nap and a kebab now x
If you'd like to support the podcast, you can sign up for just 5 quid a month to be a Patron at;
patreon.com/TheInlineGFlutePodcast
Inline G will ALWAYS be free of charge, but signing up helps let this podcast reach new heights, if you can afford it. You'll also get to ask questions to upcoming guests as well as get early access to some episodes. 
Or if you'd rather not spend money, subscribing to my YouTube channel and following me on Facebook, Instagram and TikTok is a HUGE way to support the podcast. It'll cost you nothing, and it really makes a difference to the algorithm gods. So please interact however you can; like, comment, or subscribe, and help keep this podcast lit x
Chapters:
0:00 - An introduction 
3:32 - A Hungover Hello and Growing Up a Prodigy
11:42 - Orchestral Beginnings
15:23 - Gold Muramatsu’s
20:04 - Creating Safe Teaching Spaces
29:35 - The French Flute School
35:02 - The Police Orchestra
46:58 - Quick Fire Questions

Hosted on Acast. See acast.com/privacy for more information.

After I waxed lyrical on Episode 28 of this podcast about Julien Beaudiment’s latest album, “California Dreamin’”, it was an inevitability that I would coax him on here. He found himself in Sunny Köln whilst on tour with The London Symphony Orchestra recently, and thus here we are.
Julien and I chatted about his time in orchestras in The UK, France and The US, as well as his nervousness before concerts, a shared love of apfelschorle and inevitably; The French Flute School.
There’s also an incredibly special sneak peak of Julien’s upcoming solo album at the very end of the episode. I can’t stress how lucky you guys are to hear this first; a true Inline G exclusive.
Merci mes potes x
If you'd like to support the podcast, you can sign up for just 5 quid a month to be a Patron at;
patreon.com/TheInlineGFlutePodcast
Inline G will ALWAYS be free of charge, but signing up helps let this podcast reach new heights, if you can afford it. You'll also get to ask questions to upcoming guests as well as get early access to some episodes.
Or if you'd rather not spend money, subscribing to my YouTube channel and following me on Facebook, Instagram and TikTok is a HUGE way to support the podcast. It'll cost you nothing, and it really makes a difference to the algorithm gods. So please interact however you can; like, comment, or subscribe, and help keep this podcast lit x
Chapters:
0:00 - Une petite introduction
3:23 - Julien Beaudiment with the LSO
10:04 - Pre-performance Nerves and why they’re useful
13:17 - London and Paul-Edmund Davies
20:34 - The French Flute School and Professor Beaudiment
31:39 - Two Gold Sankyos
38:55 - California Dreamin’
51:31 - Quick Fire Questions
59:04 - A very special exclusive

Hosted on Acast. See acast.com/privacy for more information.

On the 12th April of this year, Vulture magazine published an article entitled “A Hidden Sexual Assault Scandal at the New York Philharmonic.”
It details an alleged sexual misconduct case from 2010, and the various related ongoings since then.
I am delighted to welcome the author of this landmark piece, Sammy Sussman, on to Inline G to talk about it, the various reactions and the potential implications for the classical music world.
Please also be aware that this episode contains descriptions of abuse, which some may find triggering.
This was a landmark episode, and I am thrilled that guests of this calibre feel comfortable to tell their story on Inline G.
Slán
Chapters:
00:00 - An Exceptional Episode
02:53 - Sammy Sussman on Inline G
05:23 - The Vulture Article and A Timeline of Events
15:13 - The NY Phil’s Immediate Reaction and the Tenure System
21:58 - MeToo and 2018 Developments
28:23 - Gender Disparity in the Case
31:14 - 2020 - Current Day Developments
36:48 - Reactions, Statements and Further Questions
50:39 - Classical Music’s Culture of Abuse
56:13 - Why Sammy, Various Cultures and Further Thoughts
1:09:52 - Thank You
If you'd like to support the podcast, you can sign up for just 5 quid a month to be a Patron at;
patreon.com/TheInlineGFlutePodcast
Inline G will ALWAYS be free of charge, but signing up helps let this podcast reach new heights, if you can afford it. You'll also get to ask questions to upcoming guests as well as get early access to some episodes.
Or if you'd rather not spend money, subscribing to my YouTube channel and following me on Facebook, Instagram and TikTok is a HUGE way to support the podcast. It'll cost you nothing, and it really makes a difference to the algorithm gods. So please interact however you can; like, comment, or subscribe, and help keep this podcast lit x

Hosted on Acast. See acast.com/privacy for more information.

Coming to you fresh from the Emerald Isle herself, this week’s episode features the the Principal Flute of The National Symphony Orchestra of Ireland (and proud fellow owner of an Irish accent); Catriona Ryan.
After a few Instagram DMs, Catriona managed to squeeze me into her exceptionally busy schedule after a rehearsal to sit down together in the National Concerto Hall in Dublin and chat all things flute.
From platinum Brannens and the importance of Orchestral Blending to a shared admiration of irish trad players and String, this episode has a wee something for everyone.
If you'd like to support the podcast, you can sign up for just 5 quid a month to be a Patron at;
patreon.com/TheInlineGFlutePodcast
Inline G will ALWAYS be free of charge, but signing up helps let this podcast reach new heights, if you can afford it. You'll also get to ask questions to upcoming guests as well as get early access to some episodes.
Or if you'd rather not spend money, subscribing to my YouTube channel and following me on Facebook, Instagram and TikTok is a HUGE way to support the podcast. It'll cost you nothing, and it really makes a difference to the algorithm gods. So please interact however you can; like, comment, or subscribe, and help keep this podcast lit x
Chapters:
0:00 - An Irish Hello
3:34 - Studying with Trevor Wye (amongst others)
12:45 - A word on the Piccolo
18:30 - Orchestral Firsts (and our Jimmy)
27:15 - Concertos and Blending
30:35 - Platinum head Brannens
34:42 - Classical Music in Ireland
44:20 - Quick Fire Questions

Hosted on Acast. See acast.com/privacy for more information.

This week I'm answering questions from you, dear listeners. From how to busk, non-institutional performance opportuniies, sexiest flute performances and my favourite American Flutists; I answered ALL of them.
I forgot to plug the Patreon this week but here; if you enjoyed this episode, consider subscribing to the podcast and leaving a thumbs up or five star review. It helps a huge amount keeping this podcast alive.
Cheers everyone x
Chapters:
0:00 - Why I'm doing this to myself
2:00 - The NY Phil Scandal
3:50 - Busking and GETTING PAID
13:42 - Favourite Flute Chamber Music
16:28 - Mainstream Flute (an embarassing Enter Shikari Story)
18:40 - Attractive Flute Performances
20:42 - Will Ferrell and why Celtic music is so good
23:55 - Debussy and The England B Team
26:53 - Favourite American Flutists
30:15 - Teaching Vibrato on Flute
34:00 - Canada and Female Composers
37:52 - My 5k Sankyo and favourite keys

Hosted on Acast. See acast.com/privacy for more information.

It’s the piece every flutist dreads; and I’m here to change the narrative. So grab your copy of Ibert’s Flute Concerto, pour yourself something tropical and join me as we analyse everything that makes this concerto a damn good time. 
From Ibert’s potential links to Elvis and 101 Dalmatians, to n analysis of the structure and practice tips; this episode will cover everything you might need to know about the flute repertoire’s crown jewel (certainly enough to impress your teacher or any juries you come up against.) 
If you'd like to support the podcast, you can sign up for just 5 quid a month to be a Patron at;
patreon.com/TheInlineGFlutePodcast
Inline G will ALWAYS be free of charge, but signing up helps let this podcast reach new heights, if you can afford it. You'll also get to ask questions to upcoming guests as well as get early access to some episodes. 
Or if you'd rather not spend money, subscribing to my YouTube channel and following me on Facebook, Instagram and TikTok is a HUGE way to support the podcast. It'll cost you nothing, and it really makes a difference to the algorithm gods. So please interact however you can; like, comment, or subscribe, and help keep this podcast lit x
Chapters:
0:00 - A Guinness Driven Intro
2:39 - Jacques Ibert: A History of
11:27 - Ibert’s Unique Style and The Structure
15:22 - 1st Movement Analysis
22:42 - Patreon Read
24:17 - 2nd Movement Analysis
29:21 - 3rd Movement Analysis
37:20 - Goodbye with Petri 

Hosted on Acast. See acast.com/privacy for more information.