45 min

01.12 Tyrion 1/Ch.9 When Hell Really Is Other People GoTTalkPod. Not your father's ASOIAF pod.

    • Books

Welcome to the Covid edition of the pod. Apologies for the scratchy voice, but what can a guy do? In this episode, we pay our usual homage to Plato and Dante, but we also take one of our patented digressions, this time into twentieth century existentialism. You heard it right--we do an extended riff on Sartre's play "No Exit," which is the origin of the phrase "Hell is other people." It's the last line or among the very last lines of the play--the point is, it's the punchline to the whole thing. We talk about how Sartre's meaning is different than modern uses of the phrase, but above all, we look at how the concept "Hell is other people" really does capture Tyrion's experience. I strongly encourage students of Tyrion to check out the play. It's quite short--written during the occupation of Paris, it had to pass the censors, be one act and done before curfew. Other interesting tidbits--Sartre wrote the play after a conversation with Albert Camus--yeah, that Albert Camus--who also played the male lead in the original production. We close with more Socrates discussion, this time comparing Tyrion to the Socrates of Plato's Symposium. The Symposium happens to be my all-time favorite Platonic dialogue, and I highly recommend it to pod listeners, who will immediately recognize the dialogue's influence on ideas of love in Western culture. I massively cut back my Symposium rant, leaving about 15 minutes of discussion about Platonic love, Socrates, Aristophanes and Alcibiades on the cutting room floor--thank me later! Even by my standards, it was the mother of all digressions and had to go. 
Still working on Lady Stoneheart episodes, so any questions or issues you want to see covered, please do leave a voice message. Thanks! 

---

Send in a voice message: https://podcasters.spotify.com/pod/show/glen-reed/message

Welcome to the Covid edition of the pod. Apologies for the scratchy voice, but what can a guy do? In this episode, we pay our usual homage to Plato and Dante, but we also take one of our patented digressions, this time into twentieth century existentialism. You heard it right--we do an extended riff on Sartre's play "No Exit," which is the origin of the phrase "Hell is other people." It's the last line or among the very last lines of the play--the point is, it's the punchline to the whole thing. We talk about how Sartre's meaning is different than modern uses of the phrase, but above all, we look at how the concept "Hell is other people" really does capture Tyrion's experience. I strongly encourage students of Tyrion to check out the play. It's quite short--written during the occupation of Paris, it had to pass the censors, be one act and done before curfew. Other interesting tidbits--Sartre wrote the play after a conversation with Albert Camus--yeah, that Albert Camus--who also played the male lead in the original production. We close with more Socrates discussion, this time comparing Tyrion to the Socrates of Plato's Symposium. The Symposium happens to be my all-time favorite Platonic dialogue, and I highly recommend it to pod listeners, who will immediately recognize the dialogue's influence on ideas of love in Western culture. I massively cut back my Symposium rant, leaving about 15 minutes of discussion about Platonic love, Socrates, Aristophanes and Alcibiades on the cutting room floor--thank me later! Even by my standards, it was the mother of all digressions and had to go. 
Still working on Lady Stoneheart episodes, so any questions or issues you want to see covered, please do leave a voice message. Thanks! 

---

Send in a voice message: https://podcasters.spotify.com/pod/show/glen-reed/message

45 min