Light The Fuse - The Official Mission: Impossible Podcast Paramount Pictures

This week we are revisiting our conversation with Oscar®-winning cinematographer Robert Elswit, who shot both “Mission: Impossible – Ghost Protocol” and “Mission: Impossible – Rogue Nation.” It was a huge thrill getting to chat with this legend, who shares details about the making of both films, including what it was like to shoot the Burj, how his background in visual effects aided in the underwater sequence and what went into the opera sequence. It's a doozy!
This episode was originally released in February 2019.
You can own “Mission: Impossible – Dead Reckoning” on digital and 4K HD, Blu-ray and DVD now.
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Alexander Payne joins us on “The Directors,” where we touch on his other Paramount gems – the road trip movie “Nebraska” and the underrated “Downsizing.” Learn how he got the studio to agree to black-and-white for “Nebraska” and why he thinks “Downsizing” should have been a television series instead.
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On this episode of “The Directors” we are joined by Alexander Payne, who takes us through the inception and making of his early Paramount classic “Election.” Payne discusses the challenges with multiple voiceovers, working with MTV and his playful sense of continuity. If you love “Election” as much as we do (and even if you don’t), this is a very fun conversation.
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Michael Giacchino is a world-famous composer who did both “Mission: Impossible III” and “Mission: Impossible – Ghost Protocol.” He is also a very cool guy. We talked to him about how he got involved with the franchise, working with filmmakers J.J. Abrams and Brad Bird, and his debut solo album. And yes, we also talk about the amazing track names on the score albums.
This episode was originally released in November 2020.
You can own “Mission: Impossible – Dead Reckoning” on digital and 4K HD, Blu-ray and DVD now.
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We are joined by Jonathan Lynn, who made the cult comedy classic “Clue,” this time talking about the film’s release and some of his other projects, notably “The Distinguished Gentleman,” “The Whole Nine Yards” and the Oscar-winning “My Cousin Vinny.” It’s a good one.
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We are joined by Jonathan Lynn, the filmmaker behind the immortal based-on-a-board-game comedic mystery “Clue.” Learn how he joined the project, the decision to engage with the multiple endings idea and how there was a fourth ending that was ultimately cut. It doesn’t take a detective to see that this is a super-entertaining chat!
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