2 hr 8 min

128 – Cats Joe and Chris

    • TV & Film

It’s time to finally talk about such serious things as digital fur technology and the perils of tribalism – you’ve been begging for it, we’re finally talking about Cats. Our first Class of 2019 film discussed on the podcast, Cats was announced to the immediate revulsion of many, but Oscar predictors saw some possibility thanks to the participation of two Oscar winners: director Tom Hooper and star Jennifer Hudson in the role of Grizabella. But Cats’ communal punchline status continued to snowball, from its heavily memed trailer, to its legendary Lincoln Center premiere, to its rowdy screenings.

This epsiode, we dive into our own relationships with the staged version of Andrew Lloyd Webber’s musical and the composer’s underwhelming returns with screen adaptations. We also cover what made the film such a disaster including Hooper’s ill-conceived high-minded approach to the material and his reported mistreatment of the film’s visual effects team. We also discuss the “Butthole Cut”, visible wedding rings, and “Beautiful Ghosts.”

Topics also include our rankings of the musical numbers, Celine Dion’s television singing competition version of “Memory”, and what the hell “Jellicle” even means.

Follow Us on Twitter!


@Had_Oscar_Buzz


Joe: @joereid


Chris: @chrisvfeil

It’s time to finally talk about such serious things as digital fur technology and the perils of tribalism – you’ve been begging for it, we’re finally talking about Cats. Our first Class of 2019 film discussed on the podcast, Cats was announced to the immediate revulsion of many, but Oscar predictors saw some possibility thanks to the participation of two Oscar winners: director Tom Hooper and star Jennifer Hudson in the role of Grizabella. But Cats’ communal punchline status continued to snowball, from its heavily memed trailer, to its legendary Lincoln Center premiere, to its rowdy screenings.

This epsiode, we dive into our own relationships with the staged version of Andrew Lloyd Webber’s musical and the composer’s underwhelming returns with screen adaptations. We also cover what made the film such a disaster including Hooper’s ill-conceived high-minded approach to the material and his reported mistreatment of the film’s visual effects team. We also discuss the “Butthole Cut”, visible wedding rings, and “Beautiful Ghosts.”

Topics also include our rankings of the musical numbers, Celine Dion’s television singing competition version of “Memory”, and what the hell “Jellicle” even means.

Follow Us on Twitter!


@Had_Oscar_Buzz


Joe: @joereid


Chris: @chrisvfeil

2 hr 8 min

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