A Breath of Fresh Air - warm, classic, rock interviews with musical legends from the 60s, 70s, 80s Sandy Kaye

Don McLean III is an American singer-songwriter, best known for his 1971 hit song "American Pie", an 8.5-minute folk rock "cultural touchstone" about the loss of innocence of the early rock and roll generation (US #1 for four weeks in 1972 and UK #2).

Though some of his early musical influences included Frank Sinatra and Buddy Holly, as a teenager, Don became interested in folk music, particularly the Weavers' 1955 recording At Carnegie Hall. He often missed long periods of school because of childhood asthma, particularly music lessons, and although Don slipped back in his studies, his parents allowed his love of music to flourish. By age 16, he had bought his first guitar and began making contacts in the music business, becoming friends with the folk singers Erik Darling and Fred Hellerman of the Weavers.

Don recorded his first album, Tapestry in 1969 in Berkeley, California during the student riots. After being rejected 72 times by labels, the album was finally picked up and released. Don worked on the album for a couple of years before putting it out. It attracted good reviews but little notice outside the folk community, although on the Easy Listening chart "Castles in the Air" was a success, and in 1973 "And I Love You So" also became a number 1 Adult Contemporary hit for crooner, Perry Como.

Don's major break came when the record company he was with was taken over by United Artists Records, which gave him major label promotion for his second album, American Pie. The album launched two number one hits - the title song and "Vincent". American Pie's success made Don an international star overnight and piqued interest in his first album, which charted more than two years after its initial release.

In 2004, he was inducted into the Songwriters Hall of Fame. In January 2018, BMI certified that "American Pie" and "Vincent" had reached five million and three million airplays respectively.

His composition "And I Love You So" has been sung by Elvis Presley, Perry Como, Helen Reddy, Glen Campbell, and others, and in 2000, Madonna had a hit with a rendition of "American Pie". His other hit singles include "Vincent" , "Dreidel" , a rendition of Roy Orbison's "Crying", a rendition of the Skyliners' "Since I Don't Have You" , and "Wonderful Baby".

Recently, the Grammy-award honoree and BBC Lifetime Achievement Award recipient has released his latest studio album, "American Boys" which pays tribute to his rock and roll heroes.

As always, if you'd like to request a music guest for the show, please get in touch with me sandy@abreathoffreshair.com.au


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Martha and the Muffins is a Canadian new wave band formed in Toronto in 1977. Known for their eclectic sound that blends post-punk, art rock, and new wave influences, the band achieved international success with their hit single "Echo Beach" in 1980.

Martha and the Muffins was formed by two art students, Martha Johnson and Mark Gane, at the Ontario College of Art. They were soon joined by David Millar, Carl Finkle, Mark Gane's brother Tim Gane, and Martha Ladly. The band name was chosen as a playful jab at the plethora of "The Something-something" band names at the time.

The group quickly became a staple in the Toronto music scene, known for their quirky and innovative performances. Their unique sound combined elements of punk, rock, and electronic music, setting them apart from their contemporaries.

In 1979, Martha and the Muffins signed with the British label Dindisc, a subsidiary of Virgin Records. Their debut album, "Metro Music," was released in 1980 and included the single "Echo Beach." The song became an international hit, reaching the top 10 in Canada, the UK, and several other countries. Its catchy melody and wistful lyrics captured the imagination of a generation and remain iconic to this day.

The success of "Echo Beach" propelled the band into the spotlight. However, they faced challenges in maintaining their momentum. Their second album, "Trance and Dance" (1980), and third album, "This is the Ice Age" (1981), saw significant lineup changes.

In 1982, the band released "Danseparc," another collaboration with new member, Daniel Lanois. The album further showcased their willingness to experiment with different sounds and production techniques.

By the mid-1980s, Martha and the Muffins underwent a significant transformation, with Mark Gane and Martha Johnson remaining the core members. They released "Mystery Walk" in 1984, which included the Canadian hit "Black Stations/White Stations," a song that tackled issues of racial segregation in the music industry.

Following the release of their 1985 album "The World is a Ball," Martha and the Muffins took a hiatus. During this period, Johnson and Gane focused on solo projects and other collaborations. Johnson released a solo album, "Solo One," in 1997, while Gane worked on various production and music projects.

In the early 1990s, Martha and the Muffins reformed, primarily as a duo consisting of Johnson and Gane. They released "Modern Lullaby" in 1992, which was well-received by critics but did not achieve significant commercial success.

After another extended hiatus, the band re-emerged in 2010 with the album "Delicate," which marked a return to their roots while incorporating modern influences. This period also saw renewed interest in their earlier work, with reissues and retrospective collections.

Martha Johnson was diagnosed with Parkinson's Disease in 2001. She has been open about her battle and has faced significant challenges due to the progressive nature of the disease.

Martha's diagnosis came after she began experiencing symptoms that interfered with her ability to perform and record music. The diagnosis was a significant moment for her, marking the beginning of a long journey to manage the condition while continuing her career in music.

Despite the challenges, Martha has shown remarkable resilience. She has become an advocate for Parkinson's disease awareness, using her platform to educate others about the condition. Her advocacy includes speaking engagements and participating in events aimed at raising funds for research and support for those affected by the disease.

She has not let Parkinson's disease define her or halt her creativity. Martha continues to be involved in music and is an inspiration to many.

Martha has just released a new single to enhance awareness of PD and this week shares her personal reflections on music and living with Parkinson's disease. Her story is one of courage, persistence, and the power of music to transcend personal h

As a founding member of the Grammy-winning, platinum-selling rock band TOTO, songwriter/keyboardist Steve Porcaro had huge pop hits with "Hold the Line," "Rosanna," and "Make Believe."

He also co-wrote "Human Nature" which is featured on Michael Jackson's 30 million-selling Thriller album.

Steve's other band mates in Toto were his brothers Jeff and Mike Porcaro, David Paich, David Hungate, Steve Luthaker, Bobby Kimball, Fergie Fredericksen, and Joseph Williams. Each of these guys also became in-demand session musicians, playing on numerous records.

Born in Connecticut, Steve's musical roots run deep in his family tree. He started taking piano lessons when he was four years old. With his brothers began playing in various bands. The Porcaro brothers met David Paich when their fathers worked together on Glenn Campbell's TV variety show. The boys became friends and started making music together.

As the youngest brother, Steve couldn't compete with his brothers and found a niche playing the synthesiser and the keyboard. He got his break when he toured both with Gary Wright ("Dreamweaver") and Boz Scaggs around the time of Boz's Silk Degrees album.

It was the members of Boz's touring band who would later form Toto. Their self-titled LP was released in 1977. Going platinum, it yielded the gold single "Hold the Line," "I'll Supply the Love," and "Georgy Porgy" --a favourite sample source for rap/hip hop groups in the '90s, as was "Human Nature."

1982 would prove to be a huge year for the group. Their million-selling LP Toto IV cleaned up at the Grammys winning Album of the Year, Record of the Year ("Rosanna" ), and Producer of the Year.

After seven albums, Toto disbanded in 1988. Steve went on to launch a film scoring career and contributed to many popular films.

However, he continued working with Toto in various supporting capacities, assisting with keyboards, drum looping, synthesizers and arranging/composing. He has also done session musician work for many other acts, including Yes (on Union) and Jefferson Airplane (on their self-titled 1989 reunion album). He was also a member of Chris Squire’s short lived band, The Chris Squire Experiment, in 1992.

Steve returned to play with Toto at live performances since 2010, when they decided to reform the band and tour in Europe to support an ailing Mike Porcaro. He performed on the band's 2015 studio album, co-writing and singing lead on "The Little Things" and co-writing/singing lead on the Japan-only bonus cut, "Bend". This was only the third lead vocal performance from him on a Toto album.

When the band dissolved in 2019 and regrouped in 2020, Porcaro did not return.

Steve Porcaro joins us this week to share stories of his fascinating musical journey. If you'd like to know more abotu him, head to his facebook page https://www.facebook.com/steveporcaromusic/

Please don't hesitate to get in touch with me - all comments, feedback and requests for future guests - gratefully received. Simply send me a message https://www.abreathoffreshair.com.au



I hope you enjoy this episode!


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Born in 1952, in Virginia, Stewart Copeland - the son of a CIA agent - spent his formative years in the Middle East but attended college in California before settling in England in 1975. He joined the progressive rock outfit Curved Air, working first as their road manager then as their drummer.

In early 77, he founded the Police with singer/bassist Sting and guitarist Henri Padovani (soon replaced by Andy Summers). Their first hit, 79's "Roxanne," set the course for huge success to follow.

The trio emerged as one of the most popular and innovative bands of the post-punk era, drawing upon reggae, funk, and world music to create a uniquely infectious yet cerebral brand of pop which generated a series of smash singles including "Every Little Thing She Does Is Magic," "Every Breath You Take," and "King of Pain."

While with the Police, Steward also issued a solo record under the alias Klark Kent. This not only earned him wide critical acclaim for his intricate, textured drum work, but also for his songwriting as he contributed many of the group's songs.

When the Police officially disbanded in 1986, the band was still at their commercial peak. Disagreements betwenn members had caused the trio's collapse and Stewart took to composing film scores, earning himself a Golden Globe nomination. He increasingly spent more time on film scores.

In 2002, Stewart formed a new rock-oriented project, Oysterhead - a power trio supergroup. A year later he produced and directed Everyone Stares, a documentary film about his time in the Police.

In 2007, Stewart reunited with his former bandmates to celebrate their 30th anniversary.

Stewart also wrote his memoir, Strange Things Happen: A Life with The Police, Polo, and Pygmies at this time.

In 2021, Stewart collaborated on the instrumental 'Divine Tides'. The album won the 2022 Grammy Award for Best New Age Album, giving Copeland his first Grammy win outside of the five he earned as a member of the Police. 

He also released 'Police Deranged for Orchestra' where he reworked Police hits for an orchestra.

In 2023, he published Stewart Copeland's Police Diaries, a book based on his original diary entries from 1976-1979.

This week Stewart Copeland joins us to regale us with his many stories.

If you'd like to kmow more about him head for https://www.stewartcopeland.net/151/life-and-work

If you'd like to request a guest, send me a message through my website https:www.abreathoffreshair.com.au

I know you're going to LOVE this episode. He's quite a character!


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Pat Arnold (born Patrica Ann Cole in 1946 in Los Angeles), professionally known as P.P. Arnold, is a soul singer who enjoyed considerable success in the United Kingdom in the 60s and beyond.

Born into a family of gospel singers, PP married early, had two children, worked a series of menial jobs until the early 60s, when her friends contacted her with an offer she couldn't refuse. The girls had managed to arrange an audition for them to replace the original Ikettes, the vocal and dancer/singer troupe behind the Ike and Tina Turner Revue. One of the girls didn't show up and PP was asked to fill in.

The three girls were offered the job on the spot. PP defied her husband, placed her children in the care of her parents and joined Ike & Tina Turner.

She came to England in 1966 on tour in support of The Rolling Stones. Mick Jagger was impressed by her soulful voice and convinced Stones manager Andrew Oldham to sign PP to record with his newly founded record label. PP quit the Turner band to establish a solo career. She also had a fling with Jagger.

PP enjoyed several major British hits, including songs written for her by Steve Marriott of The Small Faces. She also sung backing vocals on the their hit "Tin Soldier" and toured with them in 68.

PP toured with Jimi Hendrix, The Who, The Kinks, Blind Faith, David Bowie and others, and scored several hits including a cover version of "The First Cut Is the Deepest" and "Angel of the Morning".

After the collapse of record label in the late 60s, PP released two singles produced by Barry Gibb of The Bee Gees, but a planned album with Gibb was never completed.

In 1970 she moved to the musical stage, and contributed session musician backing vocals to many notable UK sessions. During these sessions she met bassist Fuzzy Samuels of Crosby, Stills, Nash & Young. They married and had a son.

The couple returned to Los Angeles. PP''s marriage to Samuels ended and two weeks after the split, her daughter Debbie was killed in a car accident.

She withdrew from public life, re-emerging in 1978 when she was reunited with Barry Gibb and teamed up with Andy Gibb for a duet recording of the Carole King song "Will You Still Love Me Tomorrow".

She returned to England in 1982 to raise her son there.

In 1984 she joined the cast of the musical Starlight Express.

She appeared on Roger Waters' album in 1992, providing vocals on the song "Perfect Sense".

In 1994 she joined the cast of the award-winning musical Once On This Island. While the production was playing in Birmingham she met leading UK band Ocean Colour Scene, one of the new wave of latter-day mod groups who (like their mentor Paul Weller), idolised The Small Faces.

Her friendship with OCS led to her singing the lead vocal, backed by Primal Scream, on a cover of The Small Faces' "Understanding", which was included on a successful Small Faces tribute album. She also worked extensively with Ocean Colour Scene on their 1997 album.

This success led to plans for her to record her first solo album in decades, but once again it was not completed. Deciding to put together a new band to promote her material, Arnold joined forces with Chaz Jankel, former pianist with Ian Dury and The Blockheads. This was followed by an invitation to tour widely with Roger Waters. She was a backup vocalist on his 1999–2000 tour as well as the 2006–2008 tour, Dark Side of the Moon Live.

In mid 2007 she released her first recorded work for several years. The album is a duet with The Blow Monkeys frontman Dr. Robert and has been met with critical acclaim, as have their live performances at several venues.








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Brian Cadd is an Australian singer-songwriter, keyboardist, producer and record label founder, a staple of
Australian entertainment for over 50 years. As well as working internationally throughout Europe and the United States, he has performed as a member of numerous
bands including the Groop, Axiom, The Bootleg Family Band and in America with the Flying Burrito Brothers before carving out a solo career in 1972. 

Brian produced fellow Australian acts Robin Jolley, Ronnie Burns, Broderick Smith, Tina Arena and Glenn Shorrock and established his own record label called Bootleg Records. He
also composed or performed music for several films and TV.

Many of the songs he’s written have been recorded by other acts, including the Pointer Sisters, Little River Band and John Farnham.

In 2007, Brian Cadd was inducted into the Australian Recording Industry Association Hall of Fame. He was
awarded in the Queens Birthday Honours in 2018 for his 50-year service to the music industry as a singer, songwriter, instrumentalist, mentor and producer and his work in production. The following year he released his fifteenth solo studio album titled Silver City and Brian has just seen all his dreams come true with the recent release of his first ever country album, titled Dream Train.

Brian Cadd remains one of Australia’s greatest treasures; a true Statesman of song writing and recording.

He joins us this week to share his thoughts on his musical journey and to express his gratitude to his global audience for your unwavering loyalty.

If you'd like to know more about Brian Cadd, head to his website https://briancadd.com/
If you'd like to request a guest - someone who made music in the 60s 70s or 80s, feel free to send me a message through my website https://www.abreathoffreshair.com.au

I hope you enjoy hearing Brian Cadd's story as much as I did.














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