Artalogue

Madison Beale
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  • ARTS
  • UPDATED WEEKLY
Artalogue

 Join Madison Beale and enjoy the Artalogue: interviews with the people who are engaged in the business of art.

  1. The Truth Behind Starting Your Collection with Art Advisor Megan Paterson

    APR 25

    The Truth Behind Starting Your Collection with Art Advisor Megan Paterson

    Behind every great art collection lies a vision, whether it's personal passion or investment strategy. But for many would-be collectors, the first step is the hardest... How do you navigate galleries, auctions, and art fairs without feeling completely out of your depth? Meet Megan Paterson, founder of Aurelia Art Consulting, who's built her career on making the seemingly impenetrable art world accessible to all. After spending 14 years working at a gallery, Paterson noticed countless eager but intimidated people wanting to purchase art. This observation sparked her to found Aurelia, an art consulting practice that endeavours to break down barriers and empower buyers, regardless of where they are in their collecting journey. Paterson's approach is refreshingly straightforward. She advises new collectors to trust their instincts while offering insider knowledge on avoiding common pitfalls. "Not everything holds value," she cautions, having witnessed the disappointment of collectors who discover their purchases aren't worth what they paid. Beyond professional insights, Paterson shares her personal journey of overcoming shyness to become a successful networker and entrepreneur. Her candid admission of battling imposter syndrome offers encouragement to anyone hesitant to pursue their passion. Whether you're considering your first art purchase or contemplating an art-related business, her parting advice resonates: "Just close your eyes and take the leap."  Follow Megan Paterson on Instagram and TikTok, or visit her website at to discover how art consultation might transform your relationship with collecting. Connect with us: Madison Beale, Host Croocial, Production Be a guest on The Artalogue Podcast

    19 min
  2. Casey Koyczan on Digital Innovation and Cultural Heritage

    APR 18

    Casey Koyczan on Digital Innovation and Cultural Heritage

    Casey Koyczan is a multi-media artist pushing boundaries by merging ancient Dene traditions with cutting-edge digital technologies. Through his diverse practice spanning installation, virtual reality, augmented reality, 3D animation, and music production, Koyczan creates immersive experiences that transport viewers into thought-provoking realms where culture, art and technology converge. At the heart of Koyczan's work lies the concept of Indigenous Futurity – envisioning Indigenous cultures, stories, and practices thriving in future contexts. Koyczan explores the powerful imagery he includes in his work that suggest cultural continuity while embracing technological possibilities. His internationally recognised Walk in a Circle series, which earned him a place on the prestigious Sobey Art Award longlist, further demonstrates his innovative approach. These meticulously crafted 3D animations give Indigenous art materials human characteristics, transforming them into spirits or creatures that forge deeper connections between viewers and traditional materials. From the playful fluffiness of tufting to the more mysterious interpretations of antler, Koyczan's work spans an impressive range. Having exhibited worldwide – from the Venice Biennale to galleries across Finland, Colombia, Chile, Mexico, the Netherlands, the UK, and beyond – Koyczan continues to push boundaries while maintaining his commitment to inspiring youth from Northwest Territories and across Canada. His advice to emerging artists reflects his own path: "Try things out, take risks, and just give it a shot".  Discover how Casey Koyczan's multifaceted creative practice bridges worlds, honours heritage, and imagines new possibilities at the intersection of Indigenous knowledge and technological innovation. Connect with us: Madison Beale, Host Croocial, Production Be a guest on The Artalogue Podcast

    32 min
  3. Shawna Dempsey on Performance Art, Identity, and Lesbian Park Rangers

    APR 11

    Shawna Dempsey on Performance Art, Identity, and Lesbian Park Rangers

    What does it mean to commit to performance so fully that it transforms how you move through the world? Winnipeg artist Shawna Dempsey reveals in this week's episode how performance art can be a radical tool for change. Dempsey recalls the inspiration behind some of her and collaborator Lori Millan's iconic works like Lesbian National Parks and Services, where she and Millan became uniformed officials "protecting the lesbian wilds" while educating the public about the inherent queerness of nature. Their performances blended humour, authority, and subversion to create transformative encounters decades before mainstream acceptance of LGBTQ+ identities. Learn about a time in the not-so distant-past where donning a ranger uniform emblazoned with the word "lesbian" forced constant coming out in 1990s Canada – a time when queer people had few legal protections and homophobia was abound. Dempsey and Millan are still creating work, like Thunderhead,  Canada's new LGBTQ2+ monument commemorating victims of The Purge.  The financial realities of life as a non-commercial artist pose a counterpoint to creative freedom, and Dempsey explores how she walks this tightrope. Despite international recognition and exhibiting at prestigious institutions like MoMA and the Winnipeg Art Gallery, Dempsey remembers that sometimes the most they earned in a year was under $19,000 each while touring five months of the year. "Supporting oneself as an artist in Canada is very challenging, especially if you don't make anything saleable," she explains, detailing how they survived through teaching, writing, and "pretty much anything for $50." As co-executive director of Mentoring Artists for Women's Art (MAWA), Dempsey confronts the persistent inequality in visual arts, where women artists in Canada still earn only 70 cents for every dollar male artists make.  Aspiring artists will find wisdom in Dempsey's journey – from playing pretend as the famous artist "Miss Shawna from New York" as a child to creating groundbreaking feminist work that's changed lives. Her advice to artists? "Do it. What a wonderful way to live, because you get to go into the studio and think: what do I want to say today?"  Connect with us: Madison Beale, Host Croocial, Production Be a guest on The Artalogue Podcast

    36 min
  4. Between Worlds: How artist Julius Manapul Made Art Their Home

    MAR 14

    Between Worlds: How artist Julius Manapul Made Art Their Home

    Julius Manapul transforms the pain of displacement into powerful art that challenges colonial structures and celebrates queer identity. As a Filipinx immigrant who arrived in Canada in the 90s, Manapul found themselves caught between languages and cultures—a displacement that led them to embrace visual communication as a universal language transcending verbal barriers. Manapul's multimedia practice spans sculpture, installation, performance, and experimental film, but perhaps most striking is their transformation of pornographic imagery into intricate butterfly patterns. These works initially attract viewers with their beauty before challenging them with the revelation of their source material. "It's fascinating how the work never changed," Manapul observes. "It's people's perspective that changed." This moment of realisation become a thread Manapul continually explores in their art and teaching practice as an Assistant Professor at OCAD University. Their most recent exhibition "Sila/Siya/Ako" (they, them, me in Tagalog) examines the connections between religion, colonisation in the Philippines and the racism experienced within queer spaces. Manapul juxtaposes Catholic symbolism with gay club music, highlighting how both institutions—ostensibly places of belonging—often alienate those who don't conform to dominant ideals. The exhibition's mannequins, adorned with replicas of King Philip's armour crafted from gay porn images and whitewashing products, confront viewers with the ongoing effects of colonisation in contemporary Filipino culture. Manapul shares career triumphs and how they overcame barriers coming up in Toronto's art scene. When traditional gallery spaces initially rejected Manapul’s work, they strategically self-funded exhibitions and submitted to international calls—finding recognition in Europe before gaining traction in Canada. This resourcefulness reflects their powerful advice to emerging artists: "If there's no space for you at the table, make that space." Now an Assistant Professor at OCAD University, Manapul creates the representation they lacked growing up, proving that persistence and connection are essential tools for artistic success. Want to explore more transformative art that challenges cultural boundaries? Subscribe to our podcast and join the conversation about how art creates belonging for those who exist between worlds. Connect with us: Madison Beale, Host Croocial, Production Be a guest on The Artalogue Podcast

    36 min
  5. Curating Culture: Curator Emily Henderson on Indigenous Sovereignty in the Arts

    MAR 7

    Curating Culture: Curator Emily Henderson on Indigenous Sovereignty in the Arts

    Currently based in Guelph, Ontario, Emily Laurent Henderson is a Kalaaleq (Greenlandic Inuk) and Settler curator and writer. A 2020 University of British Columbia graduate in Anthropology, Emily’s work and writing centres Inuit and Indigenous self-determination in the arts. Her writing has appeared in titles such as the Inuit Art Quarterly, Azure, Studio Magazine, and more. Her debut collection of poetry, "Hold Steady my Vision", was published in 2024 by Publication Studio Guelph. When Emily Henderson got her first museum job—working in a gift shop—she thought it was the first step towards her dream of being a museum curator. And she was right - only her dream was so much closer to being realised than she expected. She thought it might take decades, but six years later, she's an Associate Curator of Indigenous Art at the McMichael Canadian Art Collection with a once in a lifetime exhibition opening tomorrow. "I applied for jobs I was in no way qualified for," Emily laughs, revealing her unconventional early career strategy. Her fearless approach opened doors at the Inuit Art Quarterly, Indigenous Curatorial Collective, and Art Gallery of Ontario before landing at the McMichael, where she's currently preparing to open "Worlds on Paper," an exhibition featuring 215 drawings by 40 Kinngait (formerly Cape Dorset) artists.  The groundbreaking show explores how Inuit artists documented their rapidly changing world between 1959-1990—a period of profound transition as communities were moved from semi-nomadic existence to permanent settlements. What makes this exhibition possible is the recent digitisation of all 90,000 drawings, creating unprecedented access to works that were often filtered out by Southern tastes and editorial committees.  Henderson shares how Indigenous sovereignty in the arts (giving Indigenous people control over their own representation) is the "crux" of everything she does. She elaborates on what Indigenous sovereignty can look like in institutions that were built to further colonize. For aspiring curators, Emily offers practical wisdom: apply widely regardless of qualifications, seek publishing opportunities, and embrace mentorship. Her journey proves there's no single path to curatorial work—just the courage to start somewhere and grow through continuous learning. Connect with us: Madison Beale, Host Croocial, Production Be a guest on The Artalogue Podcast

    47 min
  6. Multidisciplinary Artist Mariana Muñoz Gomez on Balancing Art and Life

    FEB 28

    Multidisciplinary Artist Mariana Muñoz Gomez on Balancing Art and Life

    Mariana Muñoz-Gomez wears many hats. Gomez is a Winnipeg-based artist, writer, zine maker and curator who intricately weaves personal narratives with collective histories in their lens-based practice. In today’s episode, Gomez shares what it is like to work for yourself as an artist interested in exploring many directions.  Gomez’ exploration of identity, colonialism, and capitalist structures is not just academic; it's a deeply personal reflection on individual and collective histories that have impacted many people around the world. Gomez’ work urges us to reflect on their own connections to place and history. By employing a variety of media—ranging from photography to zines—Gomez examines how art can aid memory and resistance, offering new perspectives on our shared experiences. During our discussion, Gomez shares the motivations behind their work and how they harness the power of art to question societal norms through a relational lens. The episode shines a spotlight on the role of the curator, where Gomez emphasizes the importance of representation and care for the artists involved, particularly BIPOC voices. Alongside this, Gomez reveals the discipline and organisation required to be a freelancer, sharing how the least glamorous parts of being an artist are almost as important as the art itself. They also offer fascinating insights into their recent curatorial projects and the journey of creating Carnation Zine, a zine uplifting marginalised artists.  Listeners will gain a deeper understanding of how art can provoke thought and inspire action within communities while navigating the complexities of a creative career. Don't miss this opportunity to engage with Gomez’ journey as they pave the way for meaningful dialogues in contemporary art. Subscribe now and be part of the conversation!  Connect with us: Madison Beale, Host Croocial, Production Be a guest on The Artalogue Podcast

    26 min
  7. A Legal Perspective on the Art World with Yayoi Shionoiri

    FEB 21

    A Legal Perspective on the Art World with Yayoi Shionoiri

    In today’s episode of the Artalogue, Madison chats with Yayoi Shionoiri, VP of External Affairs and General Counsel at Powerhouse Arts. Coming to her legal practice with a unique blend of art history knowledge and legal expertise, Shionoiri has spent over two decades championing artists and navigating intricate legal challenges in contemporary art and estate management. From her beginnings in corporate law to her influential roles at institutions like the Guggenheim Museum and Artsy, Shionoiri‘s career journey has much to learn from for aspiring lawyers and artists alike! We discuss how her undergraduate research into the conceptual art and subsequent trial of Genpei Akasegawa prompted her to learn more about and eventually help artists navigate the limits of artistic and free expression.  Shionoiri also shares her personal journey from corporate law to the niche field of art law, highlighting the challenges and opportunities that come with pursuing a unique career path. Her experiences in the vibrant art scenes of Tokyo and New York provide a comparative outlook on how cultural nuances shape artistic innovation and the laws around it.  Aspiring art lawyers will find her advice invaluable—emphasizing the importance of mastering legal fundamentals while balancing a deep understanding of the art world. Shionoiri‘s interest in the intersection of copyright, AI, and creativity in today's digital age raises crucial questions about the future of art and law. Join us for a thought-provoking conversation that promises to inspire artists, lawyers, and art enthusiasts alike. Follow Yayoi on Instagram!  Connect with us: Madison Beale, Host Croocial, Production Be a guest on The Artalogue Podcast

    31 min
  8. Ophelia Arc on Masters Degrees and Memories

    JAN 17

    Ophelia Arc on Masters Degrees and Memories

    For artist Ophelia Arc, early memories are not just echoes of the past but a rich source of inspiration for her artistic practice. In today's episode, Arc takes us through her evolving artistic practice where memories blend seamlessly with Arc's interest in theory. Arc showcases how her experiences at the Rhode Island School of Design, particularly through niche courses and critique, have fuelled her understanding of art in a broader and interdisciplinary context. Transitioning from academia to the commercial art world is an adventure filled with unpredictable encounters and collaborations. She shares her insights on making these transitions smoother, emphasizing the powerful relationships with curators and collectors that have shaped her path. We explore the enduring value of keeping a sketchbook and active drawing practice, not just as a tool for artistic growth but as an archive of personal evolution. Arc's work can be found on Instagram and her website, offering a window into her vibrant world. Ophelia Arc’s latest group show, "Tomorrow is Already Behind Us", opens on Friday, January 17 2025 at the New York Lyles and King gallery.  Connect with us: Madison Beale, Host Croocial, Production Be a guest on The Artalogue Podcast

    23 min
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Ratings & Reviews

5
out of 5
3 Ratings

About

 Join Madison Beale and enjoy the Artalogue: interviews with the people who are engaged in the business of art.

Information

  • Creator
    Madison Beale
  • Years Active
    2023 - 2025
  • Episodes
    31
  • Rating
    Explicit
  • Copyright
    © 2025 Artalogue
  • Show Website
    Artalogue

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