1 hr 33 min
ASTS 044: The Evolving Sound of Science Fiction Cinema, Part 5-The 1980’s A Score To Settle
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- Music Commentary
Welcome to 2022, everyone! In this first episode of the year, my multi-part journey into the music of Science Fiction cinema and its evolving soundscape through the decades continues. We’re now crossing over into the 1980’s, following on from the seismic shift in film scoring which occurred with the unexpected arrival of STAR WARS in 1977 and its John Williams-penned symphonic score, hearkening back to the sounds of the classical Hollywood era.
This symphonic shadow loomed large over Sci-Fi movies of the 80's, as heard here in music composed by James Horner (BATTLE BEYOND THE STARS, STAR TREK II), John Scott (THE FINAL COUNTDOWN) and Elmer Bernstein (SATURN 3, HEAVY METAL). However, the incorporation of synthesizers into soundtracks increased, both combined with large orchestras and also in solo efforts, such as John Carpenter's ESCAPE FROM NEW YORK (1981) and the inimitable Vangelis score for BLADE RUNNER (1982).
Stay safe out there, take care of yourself and each other!
Connect with the podcast on Facebook and Twitter:
www.facebook.com/ascoretosettle
https://twitter.com/score2settlepod
Email the show at ascoretosettlepodcast@gmail.com
Welcome to 2022, everyone! In this first episode of the year, my multi-part journey into the music of Science Fiction cinema and its evolving soundscape through the decades continues. We’re now crossing over into the 1980’s, following on from the seismic shift in film scoring which occurred with the unexpected arrival of STAR WARS in 1977 and its John Williams-penned symphonic score, hearkening back to the sounds of the classical Hollywood era.
This symphonic shadow loomed large over Sci-Fi movies of the 80's, as heard here in music composed by James Horner (BATTLE BEYOND THE STARS, STAR TREK II), John Scott (THE FINAL COUNTDOWN) and Elmer Bernstein (SATURN 3, HEAVY METAL). However, the incorporation of synthesizers into soundtracks increased, both combined with large orchestras and also in solo efforts, such as John Carpenter's ESCAPE FROM NEW YORK (1981) and the inimitable Vangelis score for BLADE RUNNER (1982).
Stay safe out there, take care of yourself and each other!
Connect with the podcast on Facebook and Twitter:
www.facebook.com/ascoretosettle
https://twitter.com/score2settlepod
Email the show at ascoretosettlepodcast@gmail.com
1 hr 33 min