At the Flicks

At the Flicks
At the Flicks

Come and join us At The Flicks. Three friends of a certain age who still enjoy the movies would like to share their passion with you. With the benefit of their advancing years, they are reviewing films new and old, to prove there is really nothing in cinema that hasn’t been seen before?

  1. 269: The Brutalist

    MAR 22

    269: The Brutalist

    It’s one of those shows again! Phil and Jeff meet for a review face off. Regular listeners to the show will know by now that Phil and Jeff have very different tastes in films and constantly clash on these pop up reviews.  In fact we have been told it’s why some people listen to the show, to hear these two bicker! This one, true to form, will be brutal.  In fact, it is The Brutalist, that epic about life in America for immigrants just after World War 2.  It’s an epic in all senses, from length, to the the themes and a remarkable use of Vistavision.   For once Graham hasn’t seen the film in advance.  His plan, so he revealed to us, was to listen to the two very opposing views and then decide if he would watch the film or not.  Who is he kidding?  There is no way that Graham is going to listen to Jeff’s view, he will follow whatever Phil says.  After all, we still have Graham denying Thank God It’s Friday for the masterpiece it truly is because Jeff likes it. As the two dissect The Brutalist, they cover such topics as: ·        The film’s length and themes ·        Comparing to another story of power in America – the James Dean film Giant ·        The performances – who stood out for whom ·        Daniel Blumberg’s music score An epic chat for an epic film.   And that’s not all!  Recently all three of the team have seen Captain America: Brave New World, so we round out this show with a brief movie review.  Yes, it’s the Marvel fan boys against the serious film watcher (as long as it’s not subtitled). More pop up reviews – probably pitting Phil against Jeff, are coming soon. Until then, we will see you at the flicks – and if we do, please forgive us for yelling at one another when the movie starts!

    39 min
  2. 267: El Cid

    FEB 20

    267: El Cid

    Welcome to the At The Flicks archive. This one is a real blast from the past!  Recently Graham was rummaging around in the At The Flicks vault and fell over some old recording cans that had been left on the floor.  Luckily Graham had been drinking that day, or he might have swerved passed them by and this show would still be sitting there! After swearing and moaning about his now sore leg, Graham checked the cans and realised it was an unreleased edition of our very popular Rediscovering the classic with Elijah series.  It is our discussion about the classic historical epic El Cid (1961). Apart from Jeff and Graham, the team for this episode comprised, of course Elijah, and a voice we miss on the show.  Neil. For those of you not familiar with the film, it stars Charlton Heston and Sophia Loren and is a bio pic about legendary Spanish hero Rodrigo Diaz de Vivar (aka El Cid), a knight who lived in the 11th Century.  Normally it is Elijah who is discovering the film for the first time.  Not here, this time it’s Jeff and Graham who are seeing it with fresh eyes for the first time (although both have seen it before – don’t worry it’s all explained in the show). Other things discussed in this podcast: - Why the main stars didn’t like each other - What film director Anthony Mann got fired from just before this (and also Jeff initially getting his facts wrong) - Miklos Rozsa’s score and the use of trumpets - Herbert Lom not being politically correct  - Correlation to Dune It’s fascinating to hear the old team back together again.  Who knows, there may be more life in rediscovering the classics to come. Until then bye for now and see you At The Flicks.

    45 min
5
out of 5
6 Ratings

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Come and join us At The Flicks. Three friends of a certain age who still enjoy the movies would like to share their passion with you. With the benefit of their advancing years, they are reviewing films new and old, to prove there is really nothing in cinema that hasn’t been seen before?

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