100 episodes

Podcasts from AwardsWatch on the Oscars, Emmys, Golden Globes, SAG and more.

AwardsWatch Oscar and Emmy Podcasts AwardsWatch

    • TV & Film
    • 4.2 • 32 Ratings

Podcasts from AwardsWatch on the Oscars, Emmys, Golden Globes, SAG and more.

    Talking Madonna with Erik and Abdi: Episode 15 - Curating the Perfect Madonna Album

    Talking Madonna with Erik and Abdi: Episode 15 - Curating the Perfect Madonna Album

    In this special edition episode of Talking Madonna with Erik and Abdi, we look back at the Queen of Pop's 14 studio albums and curate a perfect record from them. Not a traditional 'greatest hits' by any means, but featuring one song from each album, single or album track, plus three 'bonus tracks' from individual singles, soundtracks or other greatest hits albums.

    • 1 hr 40 min
    Emmy Podcast #35: Final Emmy predictions in Drama, Comedy, Limited Series

    Emmy Podcast #35: Final Emmy predictions in Drama, Comedy, Limited Series

    It's been a minute.

    The AwardsWatch Emmy podcast return and at the top asking how my guests, Kevin Jacobson and Amanda Spears, have been coping as we enter the 5th month of sheltering in then out then in place and how it's changed or altered their lives. We then go into the realistic chance of what the Primetime Emmy telecast might actually look like with the Television Academy already canceling the Governor's Balls and turning the two-night Creative Arts Emmys into virtual events.

    We tackle the Comedy, Limited Series and Drama categories (about an hour each) including all acting. So much to unpack here with the newly expanded categories (eight in series and supporting roles for drama and comedy) and how the the loss of Game of Thrones opens up the race tremendously. Does that mean a long-standing bystander like Rhea Seehorn (Better Call Saul) finally gets in or was she never that close to begin with? What does Lead Actor in a Drama Series look like, which has been on a clear path of rewarding only first and last season performances with wins? How will Apple fare in its first Emmy season with The Morning Show and Defending Jacob?

    Watch out for full written predictions including writing and directing throughout this week.

    There is a slight glitch between 1:54:00-1:54:15 while Amanda is doing her Supporting Actor in a Drama Series predictions that couldn't be fixed in editing.

    This podcast runs 3h 5m 50s with intro and outro.

    Opening: Pose opening (FX)

    Closing: Schitt's Creek main and end title medley (by Maribeth Solomon and Geek Music)

    • 3 hr 5 min
    Interview: Robbie Amell talks about life and afterlife in 'Upload'

    Interview: Robbie Amell talks about life and afterlife in 'Upload'

    What if you had the chance of opting into a second life after death?  In the Amazon original series Upload, Robbie Amell plays computer programmer Nathan Brown, a handsome but self-centered computer programmer who dies under suspicious circumstances and finds himself in Lake View, a utopian virtual after-life.  As Nathan acclimates himself to his new existence, he befriends Nora Antony (Andy Allo), his virtual handler. Nathan and Nora grow closer as they work to solve the mystery surrounding Nathan’s untimely demise. Upload is a sweet and whimsical comedy, with profound observations about technology, love, class and the meaning of life. 

    Amell, who’s made the sci-fi genre his playground with roles on Netflix's Code 8 and the CW series' The Tomorrow People and The Flash was immediately drawn to creator Greg Daniel’s futuristic vision in Upload. Amell shares "When Greg and I talked about the script and the show he said if this digital after-life was created by people then it would have the same problems the real world has with division of wealth and income inequality.”

    Amell also shares his audition process in landing the role of Nathan, why fans are rooting for Nora and Nathan to be together and why the idea of a virtual afterlife appeals to him. 

    • 24 min
    Interview: In 'HOLLYWOOD,' Patti LuPone is finally in the driver's seat

    Interview: In 'HOLLYWOOD,' Patti LuPone is finally in the driver's seat

    Patti LuPone’s been busy. Between starring in the new Ryan Murphy Netflix show Hollywood, performing in Zoom concerts, giving no-holds-barred interviews in her signature outspoken fashion and giving us regular video updates from her basement, there’s no question that 2020 – coronavirus be damned— has already been Patti LuPone’s year.

    But to many of us, EVERY year is Patti’s year. My love for the legendary diva spans decades of seeing her perform in countless shows and settings, including an evening almost 10 years ago when I got to see her sing at a Barnes and Noble in New York City to promote her deliciously honest memoir. Watching LuPone in that intimate setting solidified my love and admiration for this woman and was an evening I’ll never forget (partly because I was also seated right next to the late, great Zoe Caldwell— but that’s a story for another day.)

    So you can imagine how thrilled and honored I was to get a chance to talk to her briefly in the midst of her busy quarantine schedule. Patti filled me in on the challenges of trying to stay productive while stuck at home, chatted about the current state of the arts in general and theatre in particular, filled me in on how she prepared to play a female studio executive in 1947 Hollywood, and, yes, gave me some insight into those basement videos that have turned her into a full-blown Twitter legend.

    • 18 min
    Emmy Podcast #34: Will Comedy Series be a 'Schitt' Fest?

    Emmy Podcast #34: Will Comedy Series be a 'Schitt' Fest?

    In this era of quarantine it's time for some levity.
    Kevin Jacobsen and Amanda Spears return for this podcast, covering the Comedy categories and it's a bit of a Schitt fest. With so many contenders not in the race this year, like Veep, Barry and Russian Doll, everything is much more open than usual. Plus, how will the extended Emmy voting period and inability to host FYC events impact this year's awards?
    We cover Supporting Actor, Supporting Actress, Lead Actor, Lead Actress and Comedy Series where, in many races, looks like Schitt's Creek vs The Marvelous Mrs. Maisel in nearly all but Lead Actor. Dan Levy vs Tony Shalhoub, Alex Borstein vs Annie Murphy and Catherine O'Hara vs Rachel Brosnahan. But what about Merritt Wever in Run? Is the final season of Modern Family rearing its ugly head?
    We close with an interesting conversation on the theory of 'vote-splitting,' which I generally don't believe is a real thing, or at least used correctly as a descriptor. But between Kevin, Amanda and myself - and using last year's Drama Directing race as an example - I think we land on a mutual understanding. 
    This podcast runs 1h 29 with music.
    Opening: Theme from The Good Place by Geek Music/Symphonic Distributor
    Closing: End theme from Schitt's Creek by Maribeth Solomon

    • 1 hr 29 min
    Emmy Podcast #33: Drama, Drama, Drama! with Kevin Jacobsen and Amanda Spears

    Emmy Podcast #33: Drama, Drama, Drama! with Kevin Jacobsen and Amanda Spears

    Last week, Kevin Jacobsen, Amanda Spears and I tackled the Limited Series categories for the year's Emmys but today it's all about the DRAMA.

    Starting with Supporting Actor first, we look at the likely returning nominees like Jonathan Banks (Better Call Saul), Bradley Whitford (The Handmaid's Tale) and David Harbour (Stranger Things) as well as who could break in for the first time like Josh O'Connor for The Crown, Kieran Culkin for Succession and Tom Pelphrey for Ozark.

    With Game of Thrones gone, that opens up a whopping four spots in Supporting Actress, which finds HBC (Helena Bonham Carter) as HBIC for The Crown, with the newest winners here - Julia Garner in Ozark, Thandie Newton in Westworld and Ann Dowd in The Handmaid's Tale - ready to give her chase. Plus, Big Little Lies is now here so you know what that means: Meryl Streep and newly minted Oscar winner Laura Dern. Can Better Call Saul's Rhea Seehorn finally catch a nom here?

    Lead Actor could be a wild set of nominees with two of its most recent winners - Billy Porter in Pose and Sterling K. Brown in This Is Us - on weirdly shaky ground. Could Succession pull double duty and get both Brian Cox and Jeremy Strong in? Perennial nominee Bob Odenkirk is in for Better Call Saul, Jason Bateman is surely a lock for Ozark and b's Tobias Menzies seems safe too. Can Al Pacino break in for the critically divisive Hunters? Is there a world were former winner and Oscar winner Rami Malek makes one final nomination for Mr. Robot?

    Emmys: Lead Drama Actress is a winners circle but who will come out on top?

    There isn't going to be a more bloody fight this season than Lead Actress in a Drama Series (which Kevin breaks down here) with Oscar winner Olivia Colman in The Crown, previous Emmy and new SAG winner Jennifer Aniston in The Morning Show and last year's surprise winner here, Jodie Comer in Killing Eve (which premieres late in April). Then you still have Emmy favorite Laura Linney (in her best season of Ozark), previous winner here Elisabeth Moss in The Handmaid's Tale (and having a great year in film). What about previous winners in their final seasons like Viola Davis (How to Get Away with Murder) and Claire Danes (Homeland)? Can Sarah Snook sneak in for Succession or is this the wrong category for her?

    Emmys: Who will make the cut for Best Drama Series?

    We end with Drama Series, another category looking for a brand new winner now that four-time champ Game of Thrones is gone (check out Amanda's breakdown here). Will HBO's Succession take the crown or will it be, well, The Crown? How will previous nominees like Pose and Westworld fare here? Can Big Little Lies make the jump from Limited Series to Drama Series successfully and will Apple TV+ score its first series nod with The Morning Show?

    All of these questions and more are answered in this 33rd Emmy podcast, which runs 1h 23m 45s with music.

    Opening: Theme to Succession by Nicholas Britell

    Closing: Theme to The Crown by Hans Zimmer

    • 1 hr 23 min

Customer Reviews

4.2 out of 5
32 Ratings

32 Ratings

CortMyster ,

Love Erik. Not a fan of Amanda at all.

Erik is cool. His website is pretty easy to navigate. I value his opinion.

I like how they rank their predictions and give background and historical reasoning on their predictions.

My BIG issue with this podcast and most awards prediction coverage is the lack of diversity. This lack of diversity can lead to insensitive comments as undervaluing certain individuals. On this podcast in particular, Erik doesn’t have a problem discussing race but Amanda clearly gets uncomfortable. She also makes micro aggressive comments and discounts Black and other POC nominees. Luckily, Erik checks her most of the time. For example, for a lot of the When They See Us nominees she says stuff like “they will just be happy to be nominated”. What? Some of these nominees have a great chance. Or when she said “we are tired of hearing Mahershala Ali give speeches” um girl, why? Very passive and micro aggressive. Would she say that about Coleman or Rockwell who might be giving speeches almost to back? Probs not.

Jfayk ,

Stop. Coughing. Into. The. Microphone!

I normally enjoy listening to this podcast but it is so aggravating to hear Erik cough into the microphone over and over. Get a glass of water or cough to the side. It is loud and disgusting and detracts from your presentation.

Alec Quin ,

Love Erik and his coverage.

Besides the audio quality, this is one of the best podcasts out there. Erik not only has his finger on the pulse of current Oscar races, but knows his Oscar history as well. One of the few Oscar podcasts that don’t devolve into a rant about film twitter.

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