2 min

Awely by Emily Kame Kngwarreye Museum Minute

    • Society & Culture

In deep reds, pinks, and yellows, Emily Kame Kngwarreye's "Awely" is an embodiment of her connection with her Country. Kngwarreye began painting late in her life, when she was already an elder in her community, Utopia, in Australia’s Northern Territory. The artwork’s title refers to women’s ceremonial knowledge of song, dance, medicine, and designs painted on the body. As Kngwarreye applied heavy blotches of paint to her canvases, she would sing ceremonial songs, replicating the act of painting on skin. In this way, “Awely” is both a painting of Kngwarreye’s homeplace and a conversation with it.
 
Emily Kame Kngwarreye
Anmatyerr language group, Indigenous Australian, c. 1910-1996
Awely, 1992
Acrylic on canvas 
Gift of John W. Kluge, 1997 

Episode produced by Addie Patrick. 

In deep reds, pinks, and yellows, Emily Kame Kngwarreye's "Awely" is an embodiment of her connection with her Country. Kngwarreye began painting late in her life, when she was already an elder in her community, Utopia, in Australia’s Northern Territory. The artwork’s title refers to women’s ceremonial knowledge of song, dance, medicine, and designs painted on the body. As Kngwarreye applied heavy blotches of paint to her canvases, she would sing ceremonial songs, replicating the act of painting on skin. In this way, “Awely” is both a painting of Kngwarreye’s homeplace and a conversation with it.
 
Emily Kame Kngwarreye
Anmatyerr language group, Indigenous Australian, c. 1910-1996
Awely, 1992
Acrylic on canvas 
Gift of John W. Kluge, 1997 

Episode produced by Addie Patrick. 

2 min

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