Bestiary Eric Botts and Meg Sipos

Two beings shared a fleeting but intimate bond. Now, they exchange letters that trace the evolution and eventual ebbing of their relationship over time and distance. A familiar story told through strange voices: Lovers, once close, watch the inevitable rift that grows in their relationship as one leaves for adventure and the other remains in the place they call home. That the lovers in this story are an old barn in rural Nebraska and a fox roving the countryside doesn't make the story any different. But the haunting landscape and the stories they tell one another might.

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Worn down by life in the city, Scott and his wife Steph move out to the country to raise a family and a small flock of chickens, but when a family of raccoons threatens his flock, Scott is forced to reevaluate his views of life and death.

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Bestiary is produced by Meg Sipos Eric Botts.

Thanks to Scott Larson for letting us reproduce that essay for the show. It originally appeared printed in the literary journal Phoebe, based out of George Mason University, in issue 44.1. You can find Scott on Twitter @ScottALars

Special thanks to Kim Stryker and Eric Astor for all their support.

Podington Bear created our ad music. Other music in this episode from Tequila Moonrise, Nctrnm, Miquel Parera Jaques, Kevin MacLeod, Free Tim, Lloyd Rogers, Lee Rosevere, Kai Engel, Chris Zabriskie, and Roberto Billi.

Subscribe to Bestiary on Apple Podcasts, Spotify, Stitcher, or whatever app you use to tap into the podcast ether. You can poke us on Twitter, Instagram, and Facebook @BestiaryPod, and our website is BestiaryPod.org. While you’re there, take a look at the artwork Eric makes for each of our episodes.

If you think we’re worth keeping around, you might consider making a monthly donation. If you can’t donate, you could leave us a review on Apple Podcasts or just share the show with someone who hasn’t heard us.

We’re always looking for new material. Send us your animal-related stories, or that time you were reminded of your own or other people’s animal-ness, or maybe something happened once, and you’re not sure it has anything to do with animals, but it still feels somehow relevant to the show. Leave us a message at (571) 446-0341 or record a voice memo on your phone and email it to Eric@BestiaryPod.org.




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 In 1845, Edgar Allen Poe coined the term "The Imp of the Perverse" to describe our drive toward destruction, especially of ourselves. In his short story of the same name, the narrator recalls a murder he'd committed simply because he could get away with it. Later, though, he's driven to confess, not because of guilt but for the same reason he'd killed in the first place: The Imp had driven him to do it.

In this episode, Eric tells a story about resisting the Imp. He first published this piece as an essay in Ricochet Magazine in September 2014.

Find us on Twitter and Facebook @BestiaryPod.

Podington Bear created our ad music. Additional music in this episode from the Pangolins, P. Frosini, Kosta T., Nctrnm, and Jahzzar.

Additional voice work in this episode by Shaun Holloway and Chris Boss.

Subscribe to Bestiary on Apple Podcasts, Stitcher, Spotify, or whatever app you use to tap into the podcast ether. Wherever you listen, please consider leaving us a review.

Check out our website, BestiaryPod.org, where you’ll find original artwork for each episode and links to support the show with monthly donations.

Do you have an animal-related story? A story about a time you were reminded of your own or other people’s animal-ness? Or maybe a story you’re not sure has anything to do with animals at all but still feels kinda, sorta relevant to things we do with this show? Tell us about it at (571) 446-0341 or record a voice memo on your phone and email it to Eric@BestiaryPod.org.


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As we move out of rural areas and into cities, as we fill ourselves with Animal Planet and PBS nature documentaries, a funny thing begins to happen: We forget that some of those majestic creatures we've been encountering through screens all our lives can kill us. Rilla Askew is here to offer a simple reminder: Watch where you step.
 Rilla was born in the Sans Bois mountains of Oklahoma. A writer of fiction and nonfiction, whose stories are often set in the harsh landscape of that state, she doesn’t think of herself as a “regional writer.” Rather, she says, “America is [her] subject, Oklahoma the canvas.” This essay comes from her 2017 collection, Most American: Notes from a Wounded Place. She’s also the author of several novels, most recently, Kind of Kin. Find her at RillaAskew.com.
Special thanks to Ralph Beliveau at the Gaylord College of Journalism and Mass Communication at Oklahoma State University for recording Rilla for this episode. 
Music in this episode comes from US Army Blues, Ralph Font and His Rumba Music, Kai Engel, Jahzzar, and Cullah.
 Subscribe to Bestiary on Apple Podcasts, Stitcher, Anchor, or whatever app you use to tap into the podcast ether. We’re on Twitter and Facebook @BestiaryPod. If you go to our website, BestiaryPod.org, you’ll find specialized artwork for each episode.

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Support this podcast: https://podcasters.spotify.com/pod/show/bestiary/support

Few insect sounds have inspired as much writing as that of the cicada. Our first act comes from Christa Spillson: Amid a 13-year cicada brood cycle, an ice cream shop introduces a new flavor. And in act two, Robbie Maakestad, as part of a trio of young warriors, defends the chattering insect from a small colony of parasitic wasps.

Robbie is a Senior Features Editor for The Rumpus and an Assistant Professor of Writing at Point Loma Nazarene University in San Diego. He is writing a biography of place about Jerusalem’s City of David archaeological site. He has been published or has forthcoming work in Boulevard, The Normal School, Essay Daily, Wigleaf, and Bad Pony, among others. Follow him on social media @RobbieMaakestad.

Christa Spillson  is a graduate of the Master of Fine Arts program in nonfiction writing at George Mason University and teaches at Salisbury University in Maryland. Her writing has been listed as “notable” in Best American Essays and has appeared or is forthcoming in literary journals such as Boulevard, Crazyhorse, Diagram, The Rumpus, and Portland Review.

Music in this episode comes from Santosh, Thomas Helton and Kevin Patton, Salomé Lego Playset, Apache Tomcat, Quantum Jazz, Misha Dioxin, Kevin MacLeod, The Unnameable, Damiano Baldoni, and Lorenzo's Music. You can find all of those artists at the Free Music Archive. Also in this episode, cicada calls and choruses recorded by Mike Koenig and Dan Mozgai. You can find more cicada sounds on the website CicadaMania.com.


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A nervous schoolgirl transforms into multitudes of white rabbits. Despite her constant anxiety, she's okay with ending up bones.

This episode is based on a story of the same title by Melissa Goodrich, a writer based in Tucson, Arizona.  Her work has appeared in American Short Fiction, Artful Dodge, The Kenyon Review Online, Passages North, PANK, Word Riot, Gigantic Sequins, and others. She is a co-author of the collaborative collection The Classroom, from which “The Girl Who Turns to Rabbits” comes. She also produced the fiction collection Daughters of Monsters and a poetry chapbook entitled, IF YOU WHAT. Her rabbit's name is Oliver, but everyone calls him Bun Bun.

Music in this episode comes from the Barker Trio, cátodo dúo, la corporación, the Watery Graves of Portland, Gospel of Mars, Hernan Sama and Marcelo von Schultz, and Animals & Men. You can find all of those artists and more at the Free Music Archive.

Subscribe to Bestiary on Apple Podcasts, Stitcher, Anchor, or whatever app you use to tap into the podcast ether.


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Support this podcast: https://podcasters.spotify.com/pod/show/bestiary/support