Black Lives Matter – ‘race’, bodies and biopolitics in the 21st century  Culture, Power and Politics » Podcast

    • Society & Culture

With Sarah Bufkin and Jacob Mukherjee.
The Black Lives Matter movement has seen arguably the most significant revival of Black radicalism in the English-speaking world for many years. What has led to this situation and what are the political, historical and theoretical issues raised by it? Is ‘black’ still a meaningful term of political identification for non-white peoples outside the African diaspora? What is the legacy of slavery and colonialism in the contemporary West? Why is racism amongst police forces such a perpetually intractable problem, even in apparently liberal countries like the UK (is the very concept of policing, as Foucault seemed to suggest, itself just inherently racist?). How have new philosophies of materiality and embodied experience contributed to the understanding of ‘race’ as a historical and lived experience? What is the place of ‘black music’ in contemporary culture, 100 years in to the history of recorded sound, and what was been the historical relationship of music to black radicalism?

With Sarah Bufkin and Jacob Mukherjee.
The Black Lives Matter movement has seen arguably the most significant revival of Black radicalism in the English-speaking world for many years. What has led to this situation and what are the political, historical and theoretical issues raised by it? Is ‘black’ still a meaningful term of political identification for non-white peoples outside the African diaspora? What is the legacy of slavery and colonialism in the contemporary West? Why is racism amongst police forces such a perpetually intractable problem, even in apparently liberal countries like the UK (is the very concept of policing, as Foucault seemed to suggest, itself just inherently racist?). How have new philosophies of materiality and embodied experience contributed to the understanding of ‘race’ as a historical and lived experience? What is the place of ‘black music’ in contemporary culture, 100 years in to the history of recorded sound, and what was been the historical relationship of music to black radicalism?

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